Tool

The Mars Volta reaffirm at Pasadena Civic Auditorium that they aren’t resting on their laurels these days & we love them just as much for it

December 3, 2025 by Josh Herwitt Leave a Comment

The Mars Volta with Kianí Medina, FELIZ Y DADA //
Pasadena Civic Auditorium – Pasadena, CA
November 26th, 2025 //

I will never forget where I was the first time I heard The Mars Volta.

The calendar read June 2003 and I had just completed my freshman year of college thousands of miles away from home. And as my hobbies transitioned from skateboarding to drumming in high school, I had become obsessed with everything that sounded like progressive rock during my formative years. Rush, Pink Floyd and Tool were prog-rock bands I studied closely with great admiration and still do now, with each inspiring me to fall deeper in love with my instrument thanks largely to their authenticity, creativity and virtuosity as musicians.

It was there in the parking lot of our local outdoor mall that my childhood friend from elementary school put on De-Loused in the Comatorium in his car, and within minutes I found myself transfixed. The music was angsty and raw, and even though I have never been a big fan of punk rock, the tone of lead singer Cedric Bixler-Zavala’s voice and vivid, yet surreal imagery that his English and Spanish lyrics painted in a Salvador Dalí sort of way — channeling the agony of losing a bandmate and friend as we would later learn — amid a chaotic frenzy of guitars, keyboards, drums and Latin percussion enticed us right away.

At this point I was not familiar with At the Drive-In or Sparta, so when people find out that TMV are one of my favorite bands all time and quickly suggest that I should listen to the latter, it’s hard to not chuckle inside my head at the suggestion. From our perspective, the difference between them has always been rather stark considering Volta were unlike anything else I had come across in my life. That was, after all, what ultimately compelled me to go out and purchase my own copy of De-Loused the next day.

To state that Bixler-Zavala has a knack for telling stories would be underselling his unique talent to paint pictures and entire scenes through his words, but what made Volta so intriguing throughout those early years and to this day is the unpredictability of it all. Beyond merely Omar Rodríguez-López’s genius and prolificity as a songwriter and guitarist, much of that started to manifest at their concerts with extended renditions of “Drunkship of Lanterns” as well as “Cicatriz ESP” most notably that stretched past the 20-minute mark and fostered a kind of experimentation I had not been exposed to before.

That is, until I drove nearly six hours on a weeknight to catch my first TMV show, which felt like one long jam. And in some ways it really was as I lost myself in the music, with a “Drunkship” opener lasting more than a half hour and marking my official introduction to their live experience. Standing in that hot, sweaty and crowded room, I could see how powerful live music can be. Not just from Bixler-Zavala’s prolonged screams, Rodríguez-López’s ethereal riffs and former drummer Jon Theodore’s thunderous chops that gave off serious vibes of Led Zeppelin, but the chemistry, musicianship and spontaneity of a legendary band all coming together onstage in front of me.

The concept album has long been a format prog-rock bands have taken a liking to, and TMV have not been shy about using it to their benefit beginning with their first two full lengths. While they didn’t totally stick to that script by the time Amputechture arrived in 2006, Rodríguez-López (guitar, direction, backing vocals synthesizers, keyboards) and Bixler-Zavala (lead vocals) have maintained following that strategy since secretly reuniting in 2019 and straying away from the usual prog-rock conventions we had become accustomed to. In fact, the result on 2022’s self-titled was like nothing we had previously heard from the group, with the intention of making a pop-influenced album — to the duo’s standards at least — defying any prior tendencies it had employed when writing and recording. Plus, it shouldn’t be surprising to hear Bixler-Zavala define pop music in an emotional interview with Zane Lowe as “anything that takes the air out of a room and makes you feel like you’re in the trailer of your own movie.” Because for as cinematic as Volta sound, it’s not uncommon for images to form in my own head upon listening to their music. “It always goes back to cinema with this band,” he adds. “I want my music to sound the way movies look.”

For that reason alone, no one should be shocked to learn that TMV’s ninth and latest studio effort Lucro Sucio; Los Ojos del Vacio, which translates to Filthy Lucre; The Eyes of the Void in English, checks the box as another concept album. Its rollout, however, was unlike anything the outfit had done in the past. Officially dropping in April after being leaked online two months earlier, it wasn’t until Volta debuted the unannounced album in its entirety while opening for Deftones on their 2025 North American headlining tour that we knew for certain there would be new music from them. After a tumultuous breakup that left Bixler-Zavala and Rodríguez-López no longer on speaking terms and an ensuing five-year hiatus, our expectations have been tempered and our hearts filled with the utmost gratitude for anything they are willing to offer us — and the transitions on Lucro Sucio make it easy to get immersed in the magic all happening at once as if an auditory spell has been cast on you.

Yet, what makes TMV so special and had me shedding tears during Lowe’s interview a few years ago with Rodríguez-López and Bixler-Zavala is the brotherhood that they share dating back to their days in El Paso, Texas, before ATDI broke ground as pioneers of the post-hardcore movement. The friendship and partnership they have built was well-documented in the 2023 film titled “Omar and Cedric: If This Ever Gets Weird” featuring Rodríguez-López’s home-video footage and addressing how Bixler-Zavala almost broke that bond after two decades with his self-help venture into Scientology, eventually leading to allegations actor and now-convicted rapist Danny Masterson had sexually assaulted his wife. It was then and there that Rodríguez-López and Bixler-Zavala went their separate ways to work on their own projects, as Rodríguez-López teamed up with Le Butcherettes lead singer/guitarist Teri Gender Bender to form Bosnian Rainbows and Bixler-Zavala focused on launching his solo career. But after 12 months the two were talking to each other again and subsequently working together in a new supergroup they called Antemasque, leaving open the prospect for a Volta reunion down the road.

With a lot of pain in their lives has come not only an immense amount of healing for TMV, but also a renewed sense of autonomy to explore creatively and honestly without any pressure from the outside. The material on Lucro Sucio and 25-date tour surrounding it has demonstrated such quite clearly given that the septet consisting of Rodríguez-López, Bixler-Zavala, Eva Gardner (bass, double bass), Marcel Rodríguez-López (percussion, synthesizers, keyboards), Leo Genovese (keyboards, piano, saxophone), Linda-Philomène Tsoungui (drums) and Gender Bender (backing vocals) as a touring member did not showcase anything except the 18-track LP. Of course, that’s not to say these performances lacked the improvisation that we crave whenever this band takes the stage.

At the historic Pasadena Civic Auditorium on Thanksgiving Eve, that aforementioned feeling of being totally consumed by the music — this time with more jazz and electronic flourishes — returned as Volta veered off the beaten path on several occasions. I was well aware that we wouldn’t be hearing the older tunes, but knowing the run time on Lucro Sucio is less than one hour, it seemed very likely these songs would not be strictly played note for note (that was what we were hoping for at least). And despite letting the album grow on me over a number of listens this year, it couldn’t prepare those of us in the building for the myriad of twists and turns the Grammy winners would uncork over the course of 90 minutes.

When we truly give artists the space to create, it can open the doors to new ideas and allow humans the opportunity to unlock another dimension of curiosity. There’s no question Bixler-Zavala recognizes how instrumental Rodriguez-Lopez has been for his artistic and personal growth as a lifelong friend: “I can’t stress how valuable my friendship is with Omar because he can write something that I can go, ‘That’s exactly the vehicle I need right now to express what it is I see happening around me,'” he explains near the end of Nicolas Jack Davies’ two-hour documentary. The soft-spoken Rodríguez-López, meanwhile, had a simple, yet poignant explanation for their sonic connection: “The music has always healed us.”

It has always been the glue that has kept them together through so many ups and downs filled with both love and loss, making them an inseparable force and one of the finest singer-songwriter combinations in rock ‘n’ roll history. No, we didn’t get to witness an epic “Cassandra Gemini” off 2005’s Frances the Mute that remains at the top of TMV’s catalog, but the journey they took us on this evening nevertheless was spiritual and transcendent.

We understand that Volta aren’t and won’t be for everyone. For us, they will be remembered as one of the most inspiring acts to ever do it and the fact that they are releasing any music in 2025 is a blessing after everything they have endured over their careers. Whether it’s a small miracle or simply kismet, we think Bixler-Zavala might have put it best in “Omar and Cedric” when he said, “I’m glad that God put us in the same place at the same time.” When you hear that and reflect on how easily none of it could have happened, you realize how lucky we are to have had them at all.

Setlist:
Lucro Sucio; Los Ojos del Vacio
Fin
Reina tormenta
Enlazan las tinieblas
Mictlán
The Iron Rose
Cue the Sun
Alba del orate
Voice in My Knives
Poseedora de mi sombra
Celaje
Vociferó
Mito de los trece cielos
Un disparo al vacío
Detrás de la puerta dorada
Maullidos
Morgana
Cue the Sun (Reprise)
Lucro sucio

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Antemasque, At the Drive-In, Bosnian Rainbows, Deftones, FELIZ Y DADA, Kianí Medina, Le Butcherettes, Led Zeppelin, Pasadena Civic Auditorium, Rush, Sparta, The Mars Volta, Tool

From covers of Black Sabbath & King Crimson to surprise guests Bill Burr, Matt Stone & half of Tool, Primus wow at LA’s Greek Theatre

August 11, 2025 by Josh Herwitt 3 Comments

By Josh Herwitt //

Primus with Ty Segall //
Greek Theatre – Los Angeles
August 6th, 2025 //

If you are a fan of live music and have been following the current rock landscape lately, you probably already know the last few months have been a rough time for drummers.

Legendary bands like The Who, Guns N’ Roses, Iron Maiden, Pearl Jam and Foo Fighters have all experienced changes behind the drum kit recently while well-established mainstays in the jam scene such as Umphrey’s McGee and Goose have also had to find new blood on the skins.

But another rock-leaning act that saw its timekeeper step off the stage — and rather abruptly — was Primus, the 90’s alt-metal group led by bassist, vocalist and founding member Les Claypool that has cycled through its share of drummers since first forming under the name Primate more than 40 years ago in the Bay Area.

Whether it has been Vince Parker, Mark Edgar, Peter Libby, Robbie Bean, Tim “Curveball” Wright, Jay “Jayski” Lane, Bryan “Brain” Mantia or Tim “Herb” Alexander laying it down, Claypool and guitarist Larry “Ler” LaLonde have seen the drum throne become a revolving door for the majority of their careers. So with Alexander leaving the band unexpectedly for a third time in October and revealing that he “lost his passion for playing,” Claypool and LaLonde were once again faced with the unfortunate reality the two close friends would become accustomed to after leaving their former band Blind Illusion and reforming Primus at the end of 1988.

Rather than going back to the well or only accepting referrals for the role, they decided to open up the process to anyone and everyone in their search for “the greatest drummer on Earth.” What came as a result was at least 6,200 submissions followed by a multi-week audition process at Claypool’s studio in Northern California that the band would coin the “Primus Interstellar Drum Derby.” The competition was stiff, with an All-Star cast that included Thomas Pridgen, Nikki Glaspie and Thomas Lang in the mix, but the honor ultimately went to John Hoffman, a relatively unknown from Shreveport, La., whose style and impeccable chops blended perfectly with what Claypool and LaLonde like to cook up when they plug in.

Primus are one of those rare bands that can bring jam fans and metalheads together into the same space. As we have said before after witnessing his Fearless Frog Brigade mark their first tour in two decades with a sold-out gig at The Wiltern a couple years ago (see more photos from the show here), Claypool remains among rare company as a one-of-a-kind musician who has made his living at the intersection of the alt-metal and jam scenes. When you hear a song by Primus, you can tell almost immediately it’s them. Much of that has to do with Claypool’s unmistakable spoken-word vocals of course, though the way he continues to captivate listeners with his innovative bass playing still has Primus sounding like nothing else out there to this day.

It has been nearly eight years since Primus have dropped an album, and there’s a sense with Hoffman officially in the fold now that new material can be expected at some point. But the first order of business for Claypool and LaLonde had to be getting back on the road with their new comrade since performing Rush’s A Tribute to Kings in 46 North American cities on their last headlining tour.

Ty Segall

That’s not to say Primus haven’t been active. We have actually caught them each of the last two years, first at the Hollywood Bowl with Puscifer and A Perfect Circle for Sessanta (read our show review here) and then at Acrisure Arena out in the desert for Sessanta V2.0 (read our show review here).

With the “Onward & Upward” tour this summer providing 25 more opportunities for Claypool, LaLonde and Hoffman to continue building their chemistry onstage, we can tell that Primus are beginning to hit their stride as they introduce fans to “Hoffer.” On a weeknight at LA’s charming Greek Theatre, things began with an onslaught of noise from prolific garage rocker Ty Segall, whose 45-minute opening set was highlighted by a cover of Pink Floyd’s “Interstellar Overdrive”. The singer-songwriter from Laguna Beach put out his 17th studio album Possession in May and his penchant for honoring the greats, from Bob Dylan to T. Rex, is no secret to those who are familiar with his music. While his overall energy this time didn’t quite match what we remember being impressed by back in 2016 at the Teragram Ballroom (read our show review here), Segall’s ability to shred at a moment’s notice is always evident when he takes the stage. Coincidentally enough, his hometown friends were actually sitting beside me and they were definitely feeling it as enough chunky riffs filled our earholes to make us wish that “Sloppo” would tour with San Jose stoner/doom metal duo Sleep in the future.

The sonic similarities between Segall and Primus remain few and far between, but that didn’t take away from what proved to be a magical evening under the stars … and there were plenty of them at the Greek in addition to Claypool, LaLonde and Hoffman. The three-piece opened with two tracks off 1997’s Brown Album, and although this wouldn’t be the same sort of exhibition Primus staged last month at Red Rocks Amphitheatre when seven songs from it were performed, the surprises that ensued could give any fan of 90’s music instant FOMO.

It had come to my attention last spring when I attended Queens of the Stone Age leader Josh Homme’s benefit show that comedian Bill Burr can hold his own on the drums, and even after noticing him outside the venue before entering, it somehow didn’t dawn on me that he was anything other than a spectator. A colleague had mentioned to some of us between sets that he spotted Tool drummer Danny Carey, who had previously filled in for Alexander, and as soon as I saw two kits set up on the stage, I knew we were in for something special. So when Burr walked out with Tool bassist Justin Chancellor after “Bob’s Party Time Lounge” and broke into “Too Many Puppies” on Frizzle Fry, the crowd essentially lost its collective mind and we would have as well if we weren’t busy trying to capture it from behind the camera. What’s more is that Burr totally nailed his part, locking in from the start while Chancellor came equipped with a gift that just so happened to be one of Claypool’s beautiful Pachyderm bass guitars.

Surprises as such are often reserved for the encore, yet considering this was only the third song and we were in one of the biggest entertainment capitals in the world, more were likely in store. The details were certainly unknown, but my Black Sabbath Vol. 4 T-shirt did draw a comment from one of the band’s crew members, which made me believe that a cover might be forthcoming after seeing on social media that Primus uncorked “N.I.B.” in New Orleans with Puddles Pity Party offering his best Ozzy impersonation. My inclination would eventually be proven true after Primus dove into some Oysterhead before crushing King Crimson staple “Thela Hun Ginjeet” with South Park co-creator Matt Stone on the drums, except this time it was Segall manning the mic and sending the place into an absolute frenzy as the Prince of Darkness’ maniacal face was projected on the video screen.

And if that wasn’t enough, Primus gifted us a “DMV” tease prior to launching into “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Part 3)” and followed it up with “Jerry Was a Race Car Driver” that received a roar of applause. Not every Primus setlist will feature the lead singles on 1991’s Sailing the Seas of Cheese and 1993’s Pork Soda, but this rendition of “My Name Is Mud” was extra dirty — in a good way — with Carey finally taking his place stage right to Hoffman and unleashing a dual drum solo that had Claypool slapping his strings in unison, creating a double-bass effect that you could feel in your chest and down to your bones.

How could a Primus show be complete without a bass solo or better yet, a bass off? From solely our perspective, it really couldn’t be. So after a brief encore break, Claypool did what only a bass master would do and brought out MonoNeon, who’s well-known for his work with Prince, for Tales from the Punchbowl single “Southbound Pachyderm” and one of our personal favorites. As the two low-end wizards traded licks down the finish line, it wasn’t very hard to consider this one of the best Primus shows I have ever caught and there have been many. Their recipe of swamp funk mixed with metal might not be everyone’s cup of tea. For us as well as anyone in attendance who found themselves chanting the band’s paradoxical inside joke “Primus Sucks!” — because if you know, you know — however, it never seems to get old no matter what age any of us are.

PRIMUS

Setlist:
Restin’ Bones
Bob’s Party Time Lounge
Too Many Puppies (with Bill Burr) (and Justin Chancellor)
Dirty Drowning Man
Groundhog’s Day (>)
Polka Dot Rose (Oysterhead cover) (partial) (> “Groundhog’s Day” reprise)
Thela Hun Ginjeet (King Crimson cover) (with Matt Stone) (with “Dueling Banjos” tease)
Over the Falls
John the Fisherman
N.I.B. (Black Sabbath cover) (with Ty Segall) (with “Bassically” intro)
The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Part 3) (preceded by “DMV” tease)
Jerry Was a Race Car Driver
Welcome to This World (>)
My Name Is Mud (with Danny Carey)

Encore:
Southbound Pachyderm (with MonoNeon)

Editors’ Note: “Amos Moses” and “Mrs. Blaileen” were on the written setlist, but “John the Fisherman” and “Jerry Was a Race Car Driver” were played instead.

TY SEGALL

Setlist:
Void
Interstellar Overdrive (Pink Floyd cover)
Candy Sam
Buildings
Possession
Feel
Wave Goodbye (Ty Segall Band song)
Love Fuzz (slowed down)

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: A Perfect Circle, Acrisure Arena, Bill Burr, Black Sabbath, Blind Illusion, Bob Dylan, Foo Fighters, Goose, Greek Theatre, Guns N' Roses, Hollywood Bowl, Iron Maiden, Josh Homme, King Crimson, Matt Stone, MonoNeon, Oysterhead, Ozzy Osbourne, Pearl Jam, Pink Floyd, Primus, Primus Interstellar Drum Derby, Prince, Puddles Pity Party, Puscifer, Queens of the Stone Age, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Rush, SESSANTA, SESSANTA 2024, SESSANTA 2025, SESSANTA V2.0, South Park, T. Rex, The Belasco, The Who, The Wiltern, The Wiltern Theatre, Tool, Ty Segall, Ty Segall Band, Umphrey's McGee

‘Sessanta’ reboots with V2.0 tour for Maynard James Keenan’s 61st birthday as Primus, Puscifer & A Perfect Circle visit Acrisure Arena

May 1, 2025 by Josh Herwitt 2 Comments

By Josh Herwitt //

Sessanta: Primus, Puscifer, A Perfect Circle //
Acrisure Arena – Thousand Palms, CA
April 24th, 2025 //

As someone whose music career spans almost 40 years now, Maynard James Keenan has become accustomed to being in the public eye.

The frontman for three successful rock bands — Tool, A Perfect Circle and Puscifer — has sold millions of albums, toured the world and won Grammys, but with that has also come some controversy at times, whether it’s backlash online from Justin Bieber’s wife or a false claim of sexual assault via social media he had to debunk … once he turned his phone on.

The latest came less than two months ago after the inaugural “Tool in the Sand” event in the Dominican Republic to mark the band’s first-ever destination festival. Tool had promised “two unique sets” over the course of three days as Friday’s and Saturday’s headliner, but many fans left disappointed after booing the prog-rock titans for repeating several songs during their second performance.

The news certainly made the rounds all across the internet a day or two later, and a class-action lawsuit was filed against Keenan and his bandmates subsequently. While fans might feel like they have a right to be upset about four songs they had to hear twice and will try to argue they would not have gone had they known that, they don’t have much of a legal case to stand on from our vantage point.

But with Tool wrapping up their first-ever South American tour at the end of March, there was only three weeks’ worth of time for Keenan to focus on his other projects for the 2.0 version of the “Sessanta” tour that features Primus, Puscifer and A Perfect Circle performing every 3-4 songs in those increments for nearly three hours.

Hitting a few secondary U.S. markets on this run, Sessanta’s first stop for its 2025 reboot just happened to be within driving distance for us. Standing 120 miles east of Los Angeles off Interstate 10 in Thousand Palms, the 11,000-person Acrisure Arena opened in 2022 as the home of the Coachella Valley Firebirds that compete in the American Hockey League (AHL) as the NHL affiliate for the Seattle Kraken.

Like any modern establishment though, the multi-purpose indoor space proved to be a suitable setting for celebrating Keenan’s 61st birthday. This wasn’t our first time experiencing Sessanta after watching Keenan ring in the big 6-0 at the Hollywood Bowl a year prior when the other members of Tool made a surprise appearance to perform “Ænema” with Les Claypool of Primus joining them to provide backing vocals (read our show review here). I had also caught one of the two “Cinquanta” gigs in 2014 — with Failure on the bill instead of Primus — for MJK’s 50th at LA’s Greek Theatre and have always enjoyed the rotating format that back then had the drum risers on wheels to facilitate changeovers.

One of the big upgrades in stage production from Cinquanta to Sessanta has been having each band’s equipment — including three drum sets — set up at all times on the platform above and toward the back of the stage, and it’s made the transitions from one act to the other even more seamless than before. A Perfect Circle, much like we witnessed at the Bowl, went first and earned loud cheers from the crowd as they opened with “The Package” off 2003’s Thirteenth Step. Yet, it was hearing them play “Blue” for the first time since 2018 that served as an early highlight and had us replaying the chorus (“Call an optimist, she’s turning blue / Such a lovely color for you / Call an optimist, she’s turning blue / While I just sit and stare at you”) in our head the next day.

When it was time for Primus to take the reins, our eyes were focused squarely on new drummer John Hoffman. The alt-funk metal trio had held open auditions for the throne earlier this year following Tim Alexander’s sudden exit in October, ultimately going with the Louisiana native, and it quickly became clear as they powered through “Here Come the Bastards”, “Groundhog’s Day” and “Duchess and the Proverbial Mind Spread” for Act 1 that Claypool (lead vocals, bass, double bass) and Larry LaLonde (guitars, backing vocals) unquestionably made an excellent choice amidst some stiff competition i.e. Rory Dolan, Thomas Pridgen, Nikki Glaspie, Thomas Lang and more. Around the midway point, we were gifted the live debut of the trio’s new single “Little Lord Fentanyl” featuring Keenan while Carina Round of Puscifer lent her voice to the mix, too. Clocking in under four minutes long, it’s a slinky little ditty satirizing one of America’s biggest killers that showcases Hoffman’s chops and reminds us why Claypool remains in a league of his own. Primus, after all, have been at it for close to four decades if you can believe it and continue to regularly tour — they are back in LA this August as headliners with support from Ty Segall — but with The Desaturating Seven dropping in 2017 as their ninth and most recent LP, maybe new blood is what’s needed to get the creativity flowing again in the studio.

Speaking of Puscifer, the three-piece consisting of Keenan (vocals), Round (vocals, guitar, percussion, keyboards) and Mat Mitchell (guitar, bass, programming, keyboards, synthesizers, production) offered their own live debut in the form of “The Algorithm” that they released last year for the soundtrack to the “American Psycho” comic book, and seeing all three bands switch things up for Sessanta V2.0 justified our trek out to the desert. Keenan might not be changing up the setlist every night, but you can be sure he isn’t mailing it in. Even if his range isn’t what it used to be when he was in his 20’s with Tool, his tone still leaves an immediate impression. Throw in a bunch of the best rock ‘n’ roll musicians in the game to back him up, and you have a recipe for a very unique and fun concert experience.

What makes Sessanta unlike anything else are the collaborations that occur, and A Perfect Circle took advantage of the extra resources available by inviting Hoffman and Puscifer timekeeper Gunnar Olsen to assist on “The Doomed” while Primus employed a similar strategy for their 1995 single “Southbound Pachyderm” with Olsen as well as APC guitarist Billy Howerdel and drummer Josh Freese getting in on the action after Keenan and Mitchell sat in on “Pablo’s Hippos” from the collaborative Sessanta E.P.P.P.

It’s always difficult when you are only given one song — in this case, the last few minutes when all three bands join forces onstage for Puscifer’s “Grand Canyon” — to photograph and have to miss some of the music in order to do so. My younger self who grew up listening to and admiring Keenan’s work probably would have been jealous of an opportunity to capture a living legend in their element. I suppose after all these years covering live music a lot of the shock value has worn off, but when it’s one of your childhood heroes standing up there, that excitement inside never really goes away.

Setlist:
Act 1: A Perfect Circle
The Package (A Perfect Circle song)
Disillusioned (A Perfect Circle song)
Blue (A Perfect Circle song) (first time since 2018)

Primus
Here Come the Bastards (Primus song)
Groundhog’s Day (Primus song)
Duchess and the Proverbial Mind Spread (Primus song)

Puscifer
Man Overboard (Puscifer song)
Tiny Monsters (Puscifer song)
Indigo Children (Puscifer song) (Versatile mix)

Act 2: Primus
Little Lord Fentanyl (Primus song) (with Maynard James Keenan) (and Carina Round; live debut)
Welcome to This World (Primus song) (>)
My Name Is Mud (Primus song)
Jerry Was a Race Car Driver (Primus song)

Puscifer
Flippant (Puscifer song)
No Angel (Puscifer song)
Bullet Train to Iowa (Puscifer song)
The Algorithm (Puscifer song) (live debut)

A Perfect Circle
The Contrarian (A Perfect Circle song) (with Carina Round)
The Doomed (A Perfect Circle song) (with John Hoffman) (and Gunnar Olsen; Hoffman on main drums, Freese and Olsen joined at the end; first time since 2018)
Weak and Powerless (A Perfect Circle song)
The Outsider (A Perfect Circle song)

Act 3: Puscifer
The Humbling River (Puscifer song) (Versatile mix)
Polar Bear (Puscifer song) (first time since 2017)
The Remedy (Puscifer song)

A Perfect Circle
The Noose (A Perfect Circle song)
Kindred (A Perfect Circle song)
Judith (A Perfect Circle song)

Primus
Pablo’s Hippos (Primus song) (with Maynard James Keenan) (and Mat Mitchell)
Southbound Pachyderm (Primus song) (with Billy Howerdel) (and Josh Freese and Gunnar Olsen)

Primus, A Perfect Circle, Puscifer
Grand Canyon (Puscifer song)

Sessanta - Primus, Puscifer & A Perfect Circle

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: A Perfect Circle, Acrisure Arena, Failure, Hollywood Bowl, Justin Bieber, Les Claypool, Primus, Puscifer, SESSANTA, SESSANTA 2025, SESSANTA V2.0, Tool, Tool in the Sand, Ty Segall

Maynard James Keenan rings in 60th birthday on ‘Sessanta’ tour as Primus, Puscifer, A Perfect Circle & even Tool rock Hollywood Bowl

April 25, 2024 by Josh Herwitt 4 Comments

By Josh Herwitt //

Sessanta: Primus, Puscifer, A Perfect Circle //
Hollywood Bowl – Los Angeles
April 20th, 2024 //

4/20 has become an infamous day of celebration for the cannabis community over the years, but for those of us who paid a visit to the Hollywood Bowl last Saturday, the 2024 edition of April 20th will be forever remembered as a celebration of Maynard James Keenan.

Following two “Cinquanta” shows a decade ago at LA’s Greek Theatre to ring in his 50th birthday, the singer and primary lyricist for Tool, A Perfect Circle and Puscifer has expanded upon that concept this spring for his 60th trip around the sun with a full-fledged tour from coast to coast he’s calling Sessanta.

Serving as a “resurrection” and “expansion” of Cinquanta over 21 dates in the U.S., the performances were intended to follow a similar format featuring A Perfect Circle, Puscifer and another (90’s rock) act Keenan has been close friends with sharing the stage throughout the evening. Failure had earned that honor back in 2014, but this time it was Primus’ turn. We have always been fans of Les Claypool, and after seeing his Fearless Flying Frog Brigade reunite last year for their first concerts in two decades — including a sold-out stop at The Wiltern (see photos from the show here) — we were excited to see the legendary bassist paired with one of our favorite vocalists.

The setlist for the “Sessanta” tour has been anchored mostly by three- or four-song stretches from each band before reaching a total of 30 tunes over the course of three hours, but with MJK’s ties to LA where his music career took off in the early 90’s and became what it is today, we had a feeling that something special was in store on this particular night. It started with the birthday boy guesting on Primus’ “Tommy the Cat” and continued with A Perfect Circle guitarist James Iha — also of Smashing Pumpkins fame — joining his bandmates for “The Hollow” off the alt-rock supergroup’s debut LP Mer de Noms. Then there was original members Paz Lenchantin and Troy Van Leeuwen appearing onstage later to revisit APC’s first single “Judith” that’s nearing the quarter-century mark

But even with Primus drummer Tim Alexander sitting in on APC’s “Counting Bodies Like Sheep to the Rhythm of the War Drums” and APC guitarist Billy Howerdel doing the same for Primus’ “Southbound Pachyderm” well past the gig’s midway point, the biggest surprise had to come after all three projects performed their contribution to the Sessanta E.P.P.P., the new three-song split EP with a track by each band that Keenan spearheaded and worked on to release just prior to the tour. Because when guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor walked out after MJK had finished singing Primus’ “Pablo’s Hippos” with Claypool, the capacity crowd erupted like it would at a Tool show.

For only one song, that’s exactly what we got. Somewhat reminiscent of the first Cinquanta event when Carey, Chancellor and Zac Rae of Death Cab for Cutie backed Keenan on “Sober” toward the end of the gig, this time they went with something even more fitting geographically and aggressive as Jones began playing the opening riff to “Ænema” on his signature Gibson Les Paul. MJK’s feelings about the City of Angels, after all, have never been a secret to his fans ever since Tool unleashed their sophomore studio album Ænima in 1996, but he stills spends a lot of time working here despite all of the materialism and plasticity that eventually compelled him to make his home in Jerome, Ariz. With many of his colleagues and friends in LA though, he doesn’t have much of a choice but to come back. And as he told us before saying goodbye via Puscifer’s “Grand Canyon” under the Bowl’s iconic bandshell, he has been fortunate to know some of the “best musicians in the business.” What he forgot to mention was … he’s right there with them and always has been.

Setlist:
Act 1: A Perfect Circle
The Package (A Perfect Circle song)
Disillusioned (A Perfect Circle song)
The Contrarian (A Perfect Circle song) (with Carina Round)

Primus
Those Damned Blue-Collar Tweekers (Primus song)
Too Many Puppies (Primus song) (partial)
Follow the Fool (Primus song)

Puscifer
Galileo (Puscifer song)
Horizons (Puscifer song)
Indigo Children (Puscifer song) (Versatile mix)

Act 2: Primus
Jerry Was a Race Car Driver (Primus song)
My Name Is Mud (Primus song)
Tommy the Cat (Primus song) (with Maynard James Keenan)

Puscifer
Flippant (Puscifer song)
Momma Sed (Puscifer song) (Versatile mix)
Bullet Train to Iowa (Puscifer song)
The Underwhelming (Puscifer song)

A Perfect Circle
The Hollow (A Perfect Circle song) (with James Iha on guitar and Tim Alexander on drums instead of Josh Freese)
So Long, and Thanks for All the Fish (A Perfect Circle cover) (with Les Claypool on upright bass with bow)
Weak and Powerless (A Perfect Circle song)
The Outsider (A Perfect Circle song)

Act 2: Puscifer
The Humbling River (Puscifer song) (Versatile mix)
The Remedy (Puscifer song)

A Perfect Circle
Counting Bodies Like Sheep to the Rhythm of the War Drums (A Perfect Circle song) (with Tim Alexander)
Judith (A Perfect Circle song) (with Paz Lenchantin on bass and Troy Van Leeuwen on guitar)

Primus
Southbound Pachyderm (Primus song) (with Billy Howerdel, Josh Freese and Gunnar Olsen)

Sessanta E.P.P.P.
Kindred (A Perfect Circle song)
No Angel (Puscifer song)
Pablo’s Hippos (Primus song) (with Maynard James Keenan)

Tool
Ænema (Tool cover) (with Tool) (Les Claypool sang with Maynard)

Primus, A Perfect Circle, Puscifer
Grand Canyon (Puscifer song)

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: A Perfect Circle, Cinquanta, Death Cab For Cutie, Failure, Foo Fighters, Greek Theatre, Hollywood Bowl, Les Claypool, Les Claypool's Fearless Flying Frog Brigade, Maynard James Keenan, Primus, Puscifer, SESSANTA, SESSANTA 2024, Smashing Pumpkins, Tool

Les Claypool’s Fearless Flying Frog Brigade mark their first tour in 20 years with a sold-out gig at The Wiltern & Pink Floyd’s ‘Animals’

July 17, 2023 by Josh Herwitt 3 Comments

By Josh Herwitt //

Les Claypool’s Fearless Flying Frog Brigade with Moon Duo //
The Wiltern – Los Angeles
July 14th, 2023 //

There aren’t many musicians who have made a living at the intersection of the alt-metal and jam scenes quite like Les Claypool has.

Best known for being the founder, lead singer, bassist and primary songwriter of Primus since the three-piece formed nearly 40 years ago, the Northern California native has also made a habit of collaborating with artists and bands across a variety of genres during that stretch.

Just in the past year, he has toured with percussionist Mike Dillon, saxophonist Skerik and drummer Stanton Moore of Galactic for his side project Les Claypool’s Bastard Jazz before Primus performed with drummer Danny Carey and bassist Justin Chancellor of Tool during a benefit show back in April (you can watch them cover Tool’s 1997 single “Ænema” alongside Queens of the Stone Age guitarist Troy Van Leeuwen here).

Claypool’s résumé, moreover, has seen him team up with All-Star talent across the musical spectrum, whether it has been Green Jellö, Tom Waits, Trey Anastasio of Phish, Metallica, Buckethead, Stewart Copeland of The Police, Adrian Belew, Gov’t Mule, Jerry Cantrell of Alice in Chains, Bill Laswell, Zach Hill, Fishbone, Alex Lifeson of Rush, Charlie Hunter, Death Grips, Hank Williams III, Beats Antique or Josh Homme. Forgive us if we missed a few names there, but you get the idea that when it comes to friends in the music business, Claypool has no shortage of them.

Most recently though, he has spent the last several years working with Sean Ono Lenno — the son of John and Yoko — beginning in 2015 when the duo conceived The Claypool Lennon Delirium and now with Claypool reuniting his Fearless Flying Frog Brigade for their first concerts in 20 years.

Featuring a star-studded cast led by Claypool and supported by Lennon, Dillon, keyboardist Harry Waters — the son of Pink Floyd co-founder Roger Waters — and drummer Paolo Baldi formerly of CAKE, the quintet was also supposed to boast Skerik (born Eric Walton) on saxophone before he suffered a shoulder injury that has sidelined him for three months.

But that didn’t stop the Brigade from drawing a capacity crowd in LA when they arrived at The Wiltern last Friday on their “Summer of Green Tour” — the official title of the 42-date run that was even more fitting given the strong aroma of marijuana wafting through the historic theater as soon as I walked in.

Of course they performed Pink Floyd’s Animals as was expected, yet they still had a couple tricks up their sleeves that included The Claypool Lennon Delirium’s “Blood and Rockets: Movement I, Saga of Jack Parsons / Movement II, Too the Moon” and a cover of King Crimson’s single “Thela Hun Ginjeet” from 1981’s Discipline with Primus guitarist Larry LaLonde stepping onstage before an encore break.

And despite entering his seventh decade soon, Claypool hasn’t lost the ability to captivate an audience with his bass-playing techniques — from tapping and slapping to flamenco-like strumming and whammy bar bends — unique vocals, silly lyrics and costume changes, one of which was a pig mask as he took to his upright bass and later a disco helmet while manning a Whamola. Why not a frog mask, you ask? Considering the number of fans there who had their Claypool-approved frog caps on, well … you’ll just have to inquire with “Colonel Claypool” about that.

Claypool, after all, has always done things his own way, and for those at The Wiltern, it didn’t matter that the Brigade’s only studio album Purple Onion came out in 2002. With a ribbiting two-hour and 15-minute performance on the penultimate night of the group’s summer tour, one of our greatest bass players ever made it clear that he has no issue hopping (ribbit ribbit) back into any one of his many solo projects and sticking the landing with a full house on hand.

Setlist:
Up on the Roof
Rumble of the Diesel (Les Claypool song)
Amanitas (Les Claypool song)
Blood and Rockets: Movement I, Saga of Jack Parsons / Movement II, Too the Moon (The Claypool Lennon Delirium cover)
Pigs on the Wing, Part 1 (Pink Floyd cover)
Dogs (Pink Floyd cover)
Pigs (Three Different Ones) (Pink Floyd cover)
Sheep (Pink Floyd cover)
Pigs on the Wing, Part 2 (Pink Floyd cover)
Precipitation (Les Claypool and the Holy Mackerel cover)
One Better (Les Claypool song)
David Makalaster
David Makalaster II
Thela Hun Ginjeet (King Crimson cover) (with Larry LaLonde)

Encore:
Whamola
Cosmic Highway

Les Claypool's Fearless Flying Frog Brigade

Filed Under: Editor's Picks, Featured, Photos Tagged With: Adrian Belew, Alex Lifeson, Alice in Chains, Beats Antique, Bill Laswell, Buckethead, CAKE, Charlie Hunter, Death Grips, Duo de Twang, Fishbone, Galactic, Gov't Mule, Green Jellö, Hank Williams III, Jerry Cantrell, Josh Homme, King Crimson, Les Claypool, Les Claypool and the Holy Mackerel, Les Claypool's Bastard Jazz, Les Claypool's Fearless Flying Frog Brigade, Metallica, Mike Dillon, Moon Duo, Oysterhead, Phish, Pink Floyd, Primus, Roger Waters, Rush, Sean Ono Lennon, Skerik, Stanton Moore, Stewart Copeland, The Claypool Lennon Delirium, The Police, The Wiltern, The Wiltern Theatre, Tom Waits, Tool, Trey Anastasio, Warren Haynes, Wiltern Theatre, Zach Hill

Goldenvoice announces inaugural Power Trip festival in 2023 led by Guns N’ Roses, Iron Maiden, AC/DC, Ozzy Osbourne, Metallica & Tool

March 30, 2023 by Josh Herwitt Leave a Comment

Power Trip //
Empire Polo Club – Indio, CA
October 6th-8th, 2023 //

Goldenvoice has made a name for itself over the years — for more than two decades, in fact — as the creator of the Coachella Valley Music and Arts Festival in addition to hosting many concerts and plenty of other large-scale, multi-day events throughout the Southern California region.

But for those who are fans of hard rock and heavy metal, the famed concert promoter still sees you and hears you — loud and clear.

In a somewhat similar vein to the inaugural Desert Trip in 2016 that saw The Rolling Stones, Bob Dylan, Paul McCartney, Neil Young, Roger Waters and The Who take over the same site as Coachella for two weekends, Goldenvoice CEO Paul Tollett and company are finally catering to headbangers everywhere with the debut of Power Trip this October.

Register now at https://t.co/eoqxriOQCn for first access to tickets starting Thursday, April 6 at 10am PT.

Hotel and VIP Packages available starting Tuesday, April 4 at 10am PT. pic.twitter.com/4RPNUDkuCX

— Power Trip (@Powertriplive) March 30, 2023

Taking the desert by storm for three days at the Empire Polo Club out in Indio, Power Trip will welcome six legendary acts beginning with Guns N’ Roses and Iron Maiden on Friday and resuming with AC/DC and Ozzy Osbourne on Saturday before concluding with Metallica and Tool on Sunday.

Those interested in attending can register here for tickets that will go on sale starting Thursday, April 6th at 10 a.m. PT. Three-day GA tickets will be available for $599 or $699 that includes a shuttle pass, while three-day reserved floor, reserved grandstand and pit seats will go for $799-$1,599 and boast exclusive access to the fest’s North and South Lounges where food and drink vendors, restrooms, shaded seating areas and full cash bars can be found. If you are willing to splurge and go even bigger though, there are a variety of three-day VIP packages that you can purchase for $1,749-$2,999. There are also a number of camping options should you choose not to stay at one of the event’s featured hotels, plus a few add-ons like camping campion parking or preferred parking and a limited-edition print by J. Bannon.

So, who’s ready to go on a power trip this year?

pic.twitter.com/Ze3W7g2kLo

— Power Trip (@Powertriplive) July 10, 2023

UPDATE (July 10th): Bad news, Power Trippers … Ozzy has canceled his appearance at this year’s festival, citing issues with his current health. The legendary singer wasn’t supposed to perform again until the summer of 2024 but agreed to join the Power Trip lineup when he was approached about it. While Ozzy’s body is “not ready” for what would have marked the Hall of Famer’s first show in almost five years, he did hint that his replacement will be announced soon and are even “personal friends” of his. So, who do you think it will be? You can offer up your best guess in the comments below, and stay tuned for more updates on Power Trip here.

Welcome @judaspriest to Power Trip 🤘🌵 pic.twitter.com/SqKRpbFDhG

— Power Trip (@Powertriplive) July 11, 2023

UPDATE (July 11th): One day after announcing that Ozzy will not be performing at Power Trip after all, the fest has revealed his replacement. Filling in for “The Godfather of Heavy Metal” on Saturday will be none other than Judas Priest. The English heavy metal act’s last and 18th album Firepower dropped in 2018, but despite it being more than five years since Judas Priest released new material, 2022 marked a banner year as the six-piece celebrated its 50th anniversary with a new North American tour and was also inducted into the Rock and Roll Hall of Fame. Set on going to Power Trip now? You can still pick up tickets here with flexible payment options available until July 15th, so don’t miss out on what’s sure to be a rockin’ good time in the California desert.

Filed Under: Featured, Festivals Tagged With: AC/DC, Bob Dylan, Coachella, Coachella Music and Arts Festival, Coachella Valley Music & Arts Festival, Coachella Valley Music and Arts Festival, Desert Trip, Desert Trip 2016, Empire Polo Club, Guns N' Roses, Iron Maiden, Judas Priest, Metallica, Neil Young, Ozzy Osbourne, Paul McCartney, Power Trip, Power Trip 2023, Roger Waters, The Rolling Stones, The Who, Tool

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

December 30, 2022 by The Bam Team 1 Comment

After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”

Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

Filed Under: Best of, Best of 2022, Editor's Picks, Featured Tagged With: 3rd Secret, Animal Collective, Arctic Monkeys, Arlene Francis Center, At the Drive-In, Baroness, Bauhaus, Big Gigantic, Bonobo, Bright Eyes, Buzzed Light Beer, Cafe Erzulie, Cave In, Channel Tres, Coachella, Coachella 2022, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2022, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2022, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2022, Coheed & Cambria, Eddie Vedder, Far, Fleet Foxes, FOALS, Giants in the Trees, Greek Theatre, Greek Theatre Berkeley, Hater, Hey Mercedes, High Vis, Hollywood Forever, Interpol, Jack White, Jimmy Eat World, Jonny Greenwood, Just Like Heaven, Just Like Heaven 2022, Kendrick Lamar, Khruangbin, Lando Chill, Leggy, Moderat, Modest Mouse, My Morning Jacket, Nine Inch Nails, Nirvana, Open Mike Eagle, Peaches, Pearl Jam, Pilot To Gunner, Primavera Sound LA, Primavera Sound LA 2022, Primavera Sound Los Angeles, Primavera Sound Los Angeles 2022, Pup, Puscifer, Pusha T, Radiohead, Red Rocks Amphitheatre, Rickshaw Stop, Royal Blood, Santa Barbara Bowl, Seaweed, Shrine Auditorium, Smino, Smithsonian, Soul Glo, Soundgarden, Steve Lacy, Telefon Tel Aviv, THE FEST 20, The Fonda Theatre, The Forum, The Kills, The Mars Volta, The Masonic, The Murder City Devils, The Shins, The Smile, The Velvet Teen, The War on Drugs, Thee Sacred Souls, Thom Yorke, Tool, Trent Reznor, Viejas Arena, Viejas Arena at Aztec Bowl, Vince Staples, Yard Act, Yaya Bey, YouTube Theater

I celebrated my birthday at LA’s Greek Theatre with a proper probing by Puscifer as ‘The Existential Reckoning Tour’ rolls on this summer

June 17, 2022 by Josh Herwitt 2 Comments

By Josh Herwitt //

Puscifer with Billy Howerdel, Moodie Black //
Greek Theatre – Los Angeles
June 12th, 2022 //

California has already felt its first heat wave this year, and we have only reached the middle of June.

For those of us living in the Golden State who are more familiar with the notion of June Gloom than triple digits, that should only serve as a warning sign that the next three months could be unfavorably H-O-T.

While the high temperatures might play well for the live music industry with this summer marking the first since it returned to full form due to the COVID-19 pandemic, the coronavirus still remains a major part of daily life in the U.S. For that reason alone, it’s these long days when the weather is warmer (than usual) that can feel particularly reserved for us to safely catch live music outside before the days become short and a chill fills the air again. Call it “outdoor concert season” if you’d like. Either way, it’s certainly one of our favorite times of the year.

In my own case, being invited to cover Puscifer’s show at the Greek Theatre seemed like a cool way — even if there was some “work” involved — to celebrate my birthday. After all, what could be better than watching your favorite vocalist perform on your special day at one of LA’s most historic music venues?

Maynard James Keenan has long been known as the frontman for the critically acclaimed rock bands Tool and A Perfect Circle dating back more than a couple of decades ago, but the third project that the 58-year-old multi-hyphenate — which includes his acting and winemaking ventures over the years — considers to be his “creative subconscious” has been making music for almost 15 years with its latest LP Existential Reckoning dropping toward the end of 2020.

Puscifer, in many ways, feels inspired at least in part by Keenan’s brief stretch in Green Jellÿ during the early 90’s that saw him sing those high-pitched backup vocals as one of the pigs on the 1992 hit “Three Little Pigs” (you might recall the song’s classic claymation music video, too). Half comedy rock and half joke metal, the trio that also consists of Mat Mitchell (guitar, bass, keyboards, synthesizers, production) and Carina Round (vocals, guitar, percussions, keyboards) as permanent members has found a niche among MJK fans who don’t always take their rock ‘n’ roll so seriously. As you can see from our photos below in fact, there were actually a couple of spectators sitting near us who dressed up in costume as Keenan’s “Billy D” character and special agent Round complete with a metal briefcase.

That’s, of course, all part of the fun at a Puscifer show. Never short on theatrics, the group often plays pre-recorded videos during its live performances that only provide the audience with more laughs and further entertainment over the course of two hours. Even those who aren’t familiar with Puscifer’s four studio albums like “V” Is for Vagina and Money Shot should get a kick out of agent-in-training Keenan trying to play a strange game of celebrity lookalike on screen at one point in the evening.

Yet I would be remiss to not mention that when Puscifer announced “The Existential Reckoning Tour” in February, the slogan for the 21-date run was “Prepare To Be Probed.” And despite the message’s erotic undertones unsurprisingly, it does feel rather fitting as our world becomes more uncertain by the day. No one can know for sure if Planet Earth will be overtaken by extraterrestrials in the future, but with Keenan opening our eyes to the possibility while still managing to make us giggle, spending a night with Puscifer isn’t just an escape from reality whether you’re blowing out candles or not.

Setlist:
Act I
Bread and Circus
Postulous
Fake Affront
The Underwhelming
Grey Area
Theorem
Vagina Mine (Remixed)
UPGrade

Act II
Apocalyptical
The Remedy
Personal Prometheus
A Singularity
The Humbling River (Nagual del Judith Mix)

Act III (Billy D on vocals)
Bullet Train to Iowa
Flippant
Conditions of My Parole
Bedlamite

Filed Under: Editor's Picks, Featured, Photos Tagged With: A Perfect Circle, Billy Howerdel, Covid 19, COVID-19 Pandemic, Greek Theatre, Green Jellÿ, Maynard James Keenan, Moodie Black, Puscifer, Tool

Tool are finally back on the road to finish their ‘Fear Inoculum’ tour & it couldn’t come at a more fitting time

January 21, 2022 by Josh Herwitt 1 Comment

By Josh Herwitt //

Tool with Blonde Redhead //
Viejas Arena – San Diego
January 19th, 2022 //

Did Maynard James Keenan really foresee what most of us didn’t?

When Tool unleashed their long-awaited fifth studio album Fear Inoculum in 2019 less than six months before COVID-19 started to ravage the world, it was quixotic to assume then how much the frontman’s lyrics would resonate with the times we’re living in right now. But that’s exactly the case after everything we have been through for close to two years.

Keenan doesn’t see his recent work whether it be with Tool, A Perfect Circle or Puscifer as prophetic, however, despite surviving two nasty bouts with the virus himself. As he explained during an interview with Zane Lowe at the beginning of the outbreak, “it’s just understanding patterns, and understanding human nature and where we’re going.”

While he might not have a sixth sense like some fans have speculated, Keenan is certainly a lot more perceptive than your average person when it comes to the ever-changing ways of the world. At the not-so-young-anymore age of 57, he continues to find inspiration in the “human experience” more than from any particular event or person, and yet I wouldn’t blame him if he ever dropped an “I told you so” simply based on our current state of affairs.

And when Tool revealed last year after being forced to cancel their remaining 2020 tour dates that they would be hitting the road again in 2022 to “finish what we started” as Keenan succinctly put it, there was no way I was going to miss seeing my favorite band for the past 25 years even with the highly infectious omicron variant sweeping across Planet Earth.

So after catching Keenan (vocals), Adam Jones (guitar), Danny Carey (drums, percussion) and Justin Chancellor (bass) pack a sold-out Honda Center in Anaheim with over 18,000 fans the prior evening, I made the 133-mile trek south to Viejas Arena located on the campus of San Diego State University for what would be my 15th Tool show. What was different this time around though was a chance for me to photograph the band, something I had never done but always wanted to check off my bucket list.

Triple-vaxxed and triple-masked, I entered the 12,200-person indoor venue with my camera equipment knowing full well the risk that I was assuming but also what a unique opportunity this was for me. Every performance by Tool these days feels a little extra special given our present circumstances, but if there was ever a time for firsts, photographing the band’s “Fear Inoculum” tour during a global pandemic felt rather apropos to me. With 90’s alt-rockers Blonde Redhead tapped as support for this leg of Tool’s 55-stop tour across the U.S. and Europe, the New York City trio’s dreamy, shoegaze-tinged set offered an interesting dichotomy ahead of what would follow.

There’s almost a meditative and spiritual-like quality to Tool’s music since 2001’s seminal Lateralus, and although heavy at points, it has only become more palpable with each new LP in spite of how much time has passed. Of course no one would argue in today’s industry that 13 years isn’t a lengthy gap between albums no matter who the artist or group is, but Tool still stand among rare company after forming more than three decades ago in Los Angeles. The prog-metal titans, in fact, have been playing snippets from Fear Inoculum for live audiences dating back to 2012 — it just wasn’t until the record was released that they began opening with the title track, which hears Keenan belt out lines like “Immunity, long overdue / Contagion, I exhale you” and “What you say inoculated / Bless this immunity” to help raise the hairs on the back of your neck if you weren’t already worried about contracting a deadly respiratory disease at a concert in the dead of winter.

The quartet’s song selection for this latest tour has featured a core of 10 highlighted by Ænima deep cuts “Pushit” and “Hooker With a Penis” as well as the epic “Descending” off Fear Inoculum with four older gems — “Opiate”, “Sober”, “The Patient” and “Right in Two” — rotated in and out. On this night, Keenan teased the capacity crowd early on with a comparison to Bakersfield but was kind enough to reward us with “Sober” from Undertow and “Right in Two” on 10,000 Days after hearing “Opiate” and “The Patient” a day earlier. Even if Tool’s sonic rollercoasters often comprised of odd time signatures and abrupt tempo changes while regularly eclipsing the 10-minute mark don’t impress you with all of those twists and turns, at least their stage setup and production should with Jones’ art direction and plenty of modern advances in visual technology you can expect from a band of this stature to employ.

Tool’s material has always showcased top-notch musicianship going back to the Opiate and Undertow days that included former bassist Paul D’Amour, but with Chancellor now leading in spots as essentially a second guitarist to Jones thanks in part to his inventive bass effects and tones, you won’t find a whole lot of drummers who are quite as creative, technically skilled and powerful as Carey. Case in point: his psychedelic drum solo entitled “Chocolate Chip Trip” that he recorded for Fear Inoculum and sees him manipulate a massive modular synthesizer to build its 7/8 groove has become a staple at Tool’s shows in the last five years.

The four-time Grammy winners, meanwhile, have been known to evolve from one tour to the next. This one has been no different, with “Culling Voices” recently solidifying a spot in their setlist for the first time as the four of them started the song by sitting at the front of the stage in a half circle with Carey playing rhythm guitar on Jones’ custom Gibson 1979 Les Paul before returning to his drums and Keenan to his two platforms midway through to complete the 10-minute tune that ends in a flurry of angst. If somehow that wasn’t enough, Carey’s use of his Buchla Marimba Lumina, a marimba-styled MIDI controller, down the final stretch of “Invincible” definitely leaves a lasting impression before you head home wondering if or when you’ll ever get to witness that kind of virtuosity again.

After all, taking the safe or easy route has never been an option for Tool, and regardless of what Keenan might portend down the road, it’s why we keep coming back for more.

Setlist:
Fear Inoculum
Sober
The Pot
Pushit
Pneuma
The Grudge
Right in Two
Descending
Hooker With a Penis

Encore:
Chocolate Chip Trip
Culling Voices
Invincible

BLONDE REDHEAD

Setlist:
Falling Man
Bipolar
Spring and by Summer Fall
Elephant Woman
Doll Is Mine
Dr. Strangeluv
(Unknown)
(Unknown)
23

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: A Perfect Circle, Apple Music, Aztec Bowl, Blonde Redhead, Puscifer, San Diego State University, Tool, Viejas Arena, Viejas Arena at Aztec Bowl, Zane Lowe

Tool show us at SAP Center that they’ve only gotten bigger & better with more time

January 21, 2020 by The Bam Team Leave a Comment

By Mike Rosati //

Tool with Author & Punisher //
SAP Center – San Jose
January 14th, 2020 //

My first Tool show was at the Trocadero Transfer, a small SF club in the SoMa neighborhood that has been remodeled and renamed as The Grand.

It was 1993, and the band’s debut album Undertow had dropped several months earlier that year. My friend had been following the East Bay Express’ music column, which published a review of Tool’s 1992 EP Opiate. He picked up a cassette and we quickly became enamored, playing the snot out of it on every road trip we took together.

Unfortunately, we mistimed that show at the Trocadero Transfer and didn’t catch Failure’s opening set. The room was packed so we had to find a spot at the very back of the venue. And although we couldn’t see through the crowd from where we stood, we noticed that there was a trash can along the back wall. With little time to think, we turned it upside down, climbed atop of it and grabbed onto the fire sprinkler pipe. For us, that seemed to make all the difference, providing an amazing view of the room as the audience moved like an undulating ocean of bodies when Tool finally took the stage. Frontman Maynard James Keenan appeared shirtless and donned a Mohawk ponytail braid while standing at the front of the stage under a spotlight. Since then, I have seen a lot of shows but nothing quite like the moshing that transpired that night.

Fast forward to Tool’s latest Bay Area stop at San Jose’s SAP Center, and things have changed quite a bit for the prog-metal titans. Compared to that first performance I witnessed almost 27 years ago, Keenan (vocals), Danny Carey (drums), Adam Jones (guitar) and Justin Chancellor (bass) are now selling out arenas all around the world with a massive lighting rig, immersive video backdrop and veil of strings at the front of the stage when they open with the title track on their fifth LP Fear Inoculum.

But unlike the quartet’s previous tours, Keenan was actually illuminated at different points during the show as he strutted across the raised platforms behind Jones and Chancellor in a leather jacket with a Puscifer logo, a pair of red plaid pants and another Mohawk (albeit this one was spiked). Jones, as usual, was an economy of movement but his guitar voluminous in sound while Carey’s drums have only grown more into an incredible shrine of percussion.

Tool have certainly come a long way since that December night at the Trocadero Transfer nearly three decades ago, but looking back now, I’m sure glad we found that trash can.

Setlist:
Fear Inoculum
Ænema
The Pot
Parabol
Parabola
Pneuma
Schism
Jambi
Vicarious
Descending

Encore:
Chocolate Chip Trip
Invincible
Stinkfist

Filed Under: Editor's Picks, Featured, Photos Tagged With: Author & Punisher, SAP Center, The Grand, Tool, Trocadero Transfer

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2019

December 27, 2019 by The Bam Team 2 Comments

Kali Uchis at Smokin Grooves Fest - Rochelle Shipman

Kali Uchis at Smokin Grooves Fest // Showbams’ Photo of the Year, by Rochelle Shipman

Um, that’s it? Another year in the rear-view mirror? Where the hell did the last 12 months go? Time sure does seem to fly when there’s so much good new music out there to enjoy.

With that said, it’s once again time for us to share our annual “Best of” lists like we have done the past few years (see our 2018 picks here). From new emerging artists to reunion tours to the return of rock ‘n’ roll, this year had a little bit of everything for both the casual and passionate music fan. And even if you didn’t have the time to listen to every album that came out (neither did we), that’s why we’re here: to help point you in the right direction whenever you do finally get the chance to dig in.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2019.

See our favorite performances from 2019 here.

Listen to The Bam Team’s favorite songs of 2019:

The Chemical Brothers at Shrine Expo Hall - Josh Herwitt

The Chemical Brothers at Shrine Expo Hall // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2019
1. Tool at Staples Center – Los Angeles, CA – October 20th & 21st
Unlike the delay on Tool’s fifth album Fear Inoculum, I thankfully didn’t have to wait 13 years to see my favorite band perform live. It was only a couple of years ago when I caught the boys at The Gorge, earning top honors as my favorite show in 2017, and subsequently a week later at Glen Helen Amphitheater for an all-day affair with Primus, Clutch, Fantômas, Melvins and The Crystal Method. Perhaps my tastes haven’t changed all that much since then, but even in a year that saw me attend half as many concerts as I usually do, Tool are still finding new and innovative ways to enhance their live show. Whether it’s tinkering with their stage production to incorporate a see-through curtain at times or adding surround sound throughout the arena, a Tool performance has evolved into a spiritual, meditative and almost out-of-body experience over the last decade. It’s no wonder why scoring tickets remains a trial of good fortune.

2. The Raconteurs at Santa Barbara Bowl – Santa Barbara, CA – July 27th
3. The Chemical Brothers at Shrine Expo Hall – Los Angeles, CA – May 15th
4. Jim James & The Claypool Lennon Delirium at The Wiltern – Los Angeles, CA – July 3rd
5. FOALS at Shrine Expo Hall – Los Angeles, CA – March 24th

Top 5 Albums of 2019
1. Tool – Fear Inoculum
When a three-time Grammy-winning band takes more than a decade to release its next album, it’s only natural for expectations to go through the roof. And I’ll be the first to admit that there was a small seed of doubt in my mind when it came to just how epic Tool’s latest sonic voyage in the studio could and would be. But upon first listen, any uncertainty I had about the merits of Fear Inoculum was quickly dispelled. The title track lures you in from the onset, building to a higher place as Maynard James Keenan (vocals) and company — Adam Jones (guitar), Justin Chancellor (bass) and Danny Carey (drums, percussion) — take listeners on an 80-minute rite of passage that holds up as some of the quartet’s best material in its entire catalog. I just hope they got at least one more LP in them, even if it takes another 13 years to make.

2. The Raconteurs – Help Us Stranger
3. FOALS – Everything Not Saved Will Be Lost – Part 1
4. The Chemical Brothers – No Geography
5. Black Pumas – Black Pumas

Top 5 Songs of 2019
1. Tool – “Descending”
If you’re still reading, you’ve probably gotten the hint by now that I’m a big fan of Tool. After all, it only seemed fitting that my top song in 2019 should also come from my No. 1 album of the year by my favorite band over the last two decades. I have seen Tool perform a shortened version of “Descending” several times since 2014, before it ever had an official title, so when Fear Inoculum arrived back in August, there was no track I anticipated hearing more. In fact, at more than 13 minutes long, it’s one that requires your full, undivided attention, which can be a significant amount of time to dedicate in a world of three-minute pop songs and endless distractions now. But for prog-rock enthusiasts like myself who are more than willing to take the ride, “Descending” delivers a total rush of blood to the head that ultimately leads to pure unadulterated euphoria.

2. Bon Iver – “Hey, Ma”
3. Hot Chip – “Hungry Child”
4. FOALS – “On the Luna”
5. Karen O and Danger Mouse – “Turn the Light”

Kevin Quandt // San Francisco

Top 5 Shows of 2019
1. Stereolab at Primavera Sound – Barcelona, Spain – June 1st
Primavera Sound has always had a knack for booking reunions (i.e. Pulp, The Avalanches and Pavement) to its “musical mecca” on the Balearic Sea. 2019’s iteration featured the first proper show in nearly a decade from the anti-capitalist art-pop darlings Stereolab. “Come and Play in the Milky Night” on 1999’s Cobra and Phases Group Play Voltage in the Milky Night would open the evening to the international consortium of aging music nerds who undoubtedly knew that they were about to be treated to a “best of” set from the English-French outfit. Better yet, their politically themed lyrical content seemed more relevant in 2019 than it was around the time of their creation a quarter-century ago.

2. Mike Dillon’s New Orleans Punk Rock Percussion Consortium at The Music Box Village – New Orleans, LA – April 26th
3. BLACK MIDI at Rickshaw Stop – San Francisco, CA – November 21st
4. Amen Dunes at August Hall – San Francisco, CA – January 10th
5. Ween at Desert Daze – Perris, CA – October 12th

Top 5 Albums of 2019
1. Cate Le Bon – Reward
What a banner year for the Welsh artist as she created her most highly acclaimed LP to date. Le Bon has truly honed her craft over the last decade as she has collaborated with a laundry list of indie-music royalty before writing the whimsical and austere Reward that employs an array of fresh sounds swirling around her haunting, pixie vocals. 2020 will see Cate jump on tour alongside Kurt Vile in a solo capacity, but we can’t wait to see what she produces next.

2. Wand – Laughing Matter
3. (Sandy) Alex G – House of Sugar
4. The Murder Capital – When I Have Fears
5. Omni – Networker

Top 5 Songs of 2019
1. FOALS – “Sunday”
As FOALS teeter on the edge of being rock’s next big headliner, the British group semi-quietly unleashed a pair of albums entitled Everything Not Saved Will Be Lost – Part 1 and Everything Not Saved Will Be Lost – Part 2. While their style continues to hover around math, dance and indie rock, they dig into a deeper realm of sonic atmosphere as frontman Yannis Philippakis questions, even laments, the state of our current times. “Sunday” tends to borrow a tad from the grandiose nature of their fellow Brits in Coldplay before dropping into a four-on-the-floor section that was rather well-received during their March stop at the Fox Theater in Oakland.

2. Crumb – “Ghostride”
3. Vampire Weekend – “Sunflower” feat. Steve Lacy
4. Oh Sees – “Henchlock”
5. Allah-Las – “In the Air”

Rochelle Shipman // Los Angeles

Top 5 Shows of 2019
1. slowthai at Lodge Room – Los Angeles, CA – September 4th
Shortly after releasing his debut album Nothing Great About Britain in May, Tyron Frampton played a few intimate U.S. shows several months later. My guess is that those were probably the last ones he’ll do if the UK rapper out of Northampton continues to rise and deliver, just like he did for much of 2019. Part Johnny Knoxville-type grime smart ass, part brilliant gritty-crust punk, slowthai shook the roof off LA’s Lodge Room, which turned out to be a warm-up show before he returned to play Camp Flog Gnaw in November. Frampton certainly came to please, setting the energy level at 11 and even performing his rowdy hit “Doorman” twice in the set. He could’ve run through it 15 times and the crowd would’ve left just as satisfied.

2. Little Simz at The Echo – Los Angeles, CA – June 13th
3. Taking Back Sunday at Hollywood Palladium – Los Angeles, CA – April 11th
4. Night Moves at The Echo – Los Angeles, CA – September 21st
5. Usher at Smokin Grooves Fest – Long Beach, CA – June 15th

Top 5 Albums of 2019
1. Little Simz – GREY Area
The production. The flow. The bars. The BALLS. Little Simz absolutely brings it on GREY Area, leaving no space for second-guessing, sexist bullshit or honestly anyone else at all. This latest studio album from the British emcee is all her, and you can feel it with every breath she takes. We should all be so lucky to come into our confidence the way that she did on this record, but most of all, we should just be grateful “Simbi” trusts us to keep her deepest secrets — and that they sound so, so good.

2. slowthai – Nothing Great About Britain
3. Shura – forevher
4. Ari Lennox – Shea Butter Baby
5. White Reaper – You Deserve Love

Top 5 Songs of 2019
1. slowthai – “Doorman” (with Mura Masa)
This song technically dropped in 2018, but its spotlight was shone even wider with slowthai releasing his debut LP this year. The Mura Masa-assisted cut pulses with adrenaline, carries the air of a movie soundtrack in only three minutes and has a beat that will take you all the way to the moon and back. In the words of Lizzo, it’s a whole damn meal!

2. Kari Faux – “Latch Key”
3. Billie Eilish – “bury a friend”
4. Little Simz – “Venom”
5. Smino – “Trina”

Andrew Pohl // San Francisco

Top 5 Shows of 2019
1. IDLES – Fillmore – San Francisco, CA – October 10th
After putting out one of my favorite albums from 2018 and missing their show earlier this year, I was thrilled to finally catch IDLES live. To say that these English punk rockers put on a good performance would be a true understatement. They had the energy of an out-of-control freight train but were able to contain it while proving to be an incredibly fun act to see live. Frontman Joe Talbot engaged with the audience in a very authentic way, talking and singing to fans, not just at them. There were crowd-surfing guitarists, mosh pits and sing-a-longs … it was wild.

2. Punk Rock Bowling 2019 – Las Vegas, NV – May 23rd-27th
3. Judas Priest at The Warfield – San Francisco, CA – June 24th
4. Van’s Warped Tour 2019 at Shoreline Amphitheater – Mountain View, CA – July 20th-21st
5. ITCHY-O at Cornerstone – Berkeley, CA – November 23rd

Top 5 Albums of 2019
1. Tool – Fear Inoculum
Well, after all of the waiting and speculation, Tool have done it again, in a really big way. Fear Inoculum is everything that I was hoping it would be, and then some. HUGE-sounding drums, guitars and bass wrap your head in a warm prog blanket while Maynard does what he always has so well. It takes the best parts of their previous albums and combines them to showcase a band that has clearly not missed a step in the 13 years since 10,000 Days.

2. Bad Religion – Age of Unreason
3. Brittany Howard – Jaime
4. Catbite – Catbite
5. Plague Vendor – By Night

Top 5 Songs of 2019
1. The Hammerbombs – “I Hate Cars”
The Hammerbombs are an undersung Bay Area pop-punk group that have written some of the catchiest and fun songs I have heard from the East Bay scene in a long time. Their 2019 release Goodbye, Dreamboat made my top 10, and this track is the hands-down standout on an album chock-full of toe-tappers. It’s a heartfelt song written by singer and bassist Jen Louie, who has a knack for crafting some really fantastic tunes. The chorus is saccharine sweet, and you can’t help but sing along.

2. Lizzo – “Juice”
3. Bad Religion – “Do The Paranoid Style”
4. Ceremony – “In The Spirit World Now”
5. Lagwagon – “Surviving California”

Filed Under: Best of, Best of 2019, Editor's Picks, Featured Tagged With: (Sandy) Alex G, Air Lennox, Alabama Shakes, Alex G, Allah-Las, Amen Dunes, August Hall, Bad Religion, Best of 2019, Billie Eilish, BLACK MIDI, Black Pumas, Bon Iver, Brittany Howard, Catbite, Cate le Bon, Cornerstone, Crumb, Danger Mouse, Desert Daze, Desert Daze 2019, FOALS, Hollywood Palladium, Hot Chip, IDLES, ITCHY-O, Jim James, Judas Priest, Karen O, Karen O and Danger Mouse, Kari Faux, Les Claypool, Little Simz, Lizzo, Lodge Room, Mike Dillon's New Orleans Punk Rock Percussion Consortium, Mura Masa, Night Moves, Oh Sees, Omni, Plague Vendor, Primavera Sound, Primavera Sound 2019, Punk Rock Bowling, Punk Rock Bowling 2019, Rickshaw Stop, Santa Barbara Bowl, Shoreline Amphitheatre, Shrine Expo Hall, Shura, slowthai, Smino, Smokin Grooves, Smokin Grooves Fest, Smokin Grooves Fest 2019, Staples Center, Stereolab, Taking Back Sunday, The Allah-Las, The Chemical Brothers, The Claypool Lennon Delirium, The Echo, The Fillmore, The Hammerbombs, The Murder Capital, The Music Box Village, The Raconteurs, The Warfield, The Wiltern, Thee Oh Sees, Tool, Usher, Vampire Weekend, Van's Warped Tour, Van's Warped Tour 2019, Wand, Ween, White Reaper, Yeah Yeah Yeah's

A Perfect Circle’s new album ‘Eat the Elephant’ plays a lot better live than its critics might think

April 25, 2018 by Andrew Pohl Leave a Comment

Photos by Mike Rosati // Written by Andrew Pohl //

A Perfect Circle with The Beta Machine //
Event Center at San Jose State University – San Jose
April 18th, 2018 //

Between their two performances at Coachella (read our festival review here) this month, alt-metal supergroup A Perfect Circle made a quick stop in the Bay Area last Wednesday to play the Event Center at San Jose State University as a follow-up to their 2017 gig in San Francisco at the Bill Graham Civic Auditorium (read our show review here).

With their fourth LP Eat the Elephant — their first in 14 years — dropping two days later, APC were eager to share their latest material, with half of the band’s 17-song set dedicated to cuts off the new album.

Opening the show on this night were The Beta Machine, founded by APC members Jeff Friedl (drums, percussion) and Matt McJunkins (bass, keyboards, vocals). The four-piece is rounded out by Claire Acey (keyboards, vocals) and Nicholas Perez (guitar, keyboards, vocals), and its synth-laden, somewhat soulful music served as a nice prelude for what was to come.

The Beta Machine

APC then followed, starting with the title track on their new full length as frontman Maynard James Keenan stood back center in the dark, coiffed in a pig-tailed wig, which has become his standard “look” with the band. Meanwhile, the group’s other founding member and principal songwriter Billy Howerdel (guitar, keyboards, vocals) stood near the front of the stage, directly across from McJunkins and to the left of Keenan, with Friedl to the left of the singer.

To Kennan’s right stood Greg Edwards, who, as Maynard took a moment to point out, is filling in for James Iha while Iha gets ready for The Smashing Pumpkins’ upcoming reunion tour this summer. Edwards is a founding member of both Failure and Autolux (two incredible bands if I may say so myself), and he has a long history working with Keenan. Failure have been booked to play with Tool several times over the years, dating as far back as 1993 when they opened for them in San Francisco at the gone-but-not-forgotten Trocadero Transfer, and then again at the Bill Graham Civic Auditorium in 2014.

In San Jose, APC sprinkled in songs from all three of their previous albums and included a stirring rendition of Depeche Mode’s “People Are People” toward the show’s midway point. Having had a chance to listen to the new album in advance, I was a skeptical of what I was going to be in for with the new tracks. However, I am happy to report that experiencing the new music live was a wholly different experience. The band breathed new life and enough vibrancy into the material to cast away any doubts that I previously had. But three Eat the Elephant tracks in particular that stood out to me were “The Contrarian”, “Talk Talk” and “Hourglass” before they hit the road next month for an extended U.S. and European tour that’s scheduled to run through the end of the year.

Setlist:
Eat the Elephant
Disillusioned
Weak and Powerless
So Long, and Thanks for All the Fish
Rose
Thomas
People Are People (Depeche Mode cover)
3 Libras (All Main Courses Mix)
The Contrarian
TalkTalk
Hourglass
Counting Bodies Like Sheep to the Rhythm of the War Drums
The Outsider
The Doomed
The Package
Gravity
Feathers

Filed Under: Featured, Photos Tagged With: A Perfect Circle, Autolux, Coachella, Coachella 2018, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2018, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2018, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2018, Event Center at San Jose State University, Failure, The Beta Machine, The Smashing Pumpkins, Tool

Our favorite performances from 2017

December 29, 2017 by The Bam Team Leave a Comment

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Filed Under: Best of, Best of 2017, Editor's Picks, Featured Tagged With: 21 Savage, Action Bronson, AFI, Air, Alice Cooper, Alina Baraz, Amber Mark Beach Slang, Andrew McMahon in the Wilderness, Animal Collective, Annenberg Space for Photography, Apogee Studio, Atlas Genius, BADBADNOTGOOD, Belle and Sebastian, Best of 2017, Bill Graham Civic Auditorium, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Broken Social Scene, Cage the Elephant, Car Seat Headrest, Cate le Bon, Chris Robinson, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, Claude VonStroke, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2017, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2017, Coldplay, Con Brio, Conor Oberst, Courtney Barnett, Courtney Barnett & Kurt Vile, Crystal Castles, Daniel Caesar, Dawes, Day N Night Fest, Day N Night Fest 2017, Day N Night Festival, Day N Night Festival 2017, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, DREAMCAR, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Fox Theater Oakland, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Gorillaz, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, J.I.D., Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jay Som, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, Jr. Jr., Julie Byrne, Julien Baker, Justice, k.flay, Karen Elson, Karl Denson's Tiny Universe, Kaytranada, Kelis, Kendrick Lamar, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, L.A. Witch, La Femme, LANY, Lauv, Lettuce, Levi's Stadium, Lil Yachty, Little Dragon, Lo Moon, Lord Huron, Lorde, Mayan Theater, Miguel, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MO, Moderat, Music Festival Outside Lands Music Festival 2017, Neon Indian, Nicki Bluhm, No Doubt, Noise Pop, Noise Pop 2017, Noise Pop 25, Noise Pop Festival, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Pallbearer, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Phono Del Sol, Phono del Sol 2017, Phono del Sol Music Festival 2017, Playboi Carti, Pond, Porcelain Raft, Potrero del Sol Park, PRAYERS, Real Estate, Royal Blood, Run The Jewels, Ryan Adams, Sampha, Schoolboy Q, serpentwithfeet, Sheer Mag, Shrine Expo Hall, Sigur Ros, Silversun Pickups, Sleep, Sleigh Bells, Sofi Tukker, Solange, Spiritualized, Spoon, Styles P, Sufjan Stevens, Sunflower Beam, Talib Kweli, Tank and the Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, The Accidentals, The Avalanches, The Band Perry, The Coathangers, The Crystal Method, The Drums, The Fillmore, The Hip Replacements, The Masonic, The Mayan, The National, The Palms, The Radio Dept., The Revivalists, The War on Drugs, The xx, Thou, Thundercat, Tobacco, Tool, Touché Amoré, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young The Giant

Our 10 favorite shows from the first half of 2017

July 5, 2017 by The Bam Team Leave a Comment

Ah, where has the time gone? It wasn’t long ago — just six months, in fact — that we dished out our favorite live music acts of 2016, and yet here we are, already at the halfway point of the next calendar year.

But while these first six months haven’t been quite as tragic as they were last year, there still have been some exciting twists and turns. From Beyoncé postponing her Coachella debut to Monterey Pop celebrating its 50th anniversary, experiencing live music in California remains as enthralling and captivating as ever. So, with 2018 already looming, it’s time for us to look back at the best performances we’ve witnessed so far this year.

Here are our 10 favorite shows from the first half of 2017.

Moderat

Rather, they indulged us with one final song from III, treating our ears to the slow burn of “The Fool” as the clock neared midnight. For almost two hours on this night, Moderat transported us to another world. And for those of us who had just come back from spending three days in the desert, that’s exactly what the doctor ordered. -Josh Herwitt, photo by Josh Herwitt

Sigur Rós

The Flaming Lips

When it comes to live performance, The Flaming Lips are one of those bucket-list bands every live music fan should see at least once. Even as Coyne nears the age of 60, the Lips haven’t forgot how to entertain a crowd, whether it’s at a music festival or at one of their own stand-alone gigs. -Josh Herwitt, photo by Josh Herwitt

Bonobo

Bonobo’s DJ sets exemplify his eclectic taste in music, but it’s his live performances that really award him great accolades. Green is often supported by six, sometimes even more, incredibly talented musicians who help craft his music into the performance art that it truly is. -Kory Thibeault, photo by Kory Thibeault //

Ryan Adams

Run the Jewels

By the time El-P and Killer Mike dove into “Blockbuster Night, Part 1” and “Oh My Darling Don’t Cry” from their critically acclaimed sophomore record, the capacity crowd was fully entrenched in RTJ’s aggro-hip-hop stylings. But unlike most of the dates on their “Run the World Tour” so far, this one was loaded with top-notch special guests. -Josh Herwitt, photo by Josh Herwitt

The xx

Taking the audience on a breathtaking journey through light and sound, The xx, outfitted with their stunning new stage design, worked the title of their new album and tour “I See You” into the show. With filtered lights bouncing off rotating mirrors that were interspersed throughout the stage’s parameters, The xx used stark contrasts of chiaroscuro as well as dramatic LED screens to envelop each audience member’s sensory perception. -Molly Kish, photo by Norm de Veyra

Tool

For as long as Tool have made their fans wait for a new album, they can still sell out shows with the best of them. The prog-metal giants have cultivated a fan base whose loyalty is akin to that of Rush’s over the last 25 years, and as they debuted new, mind-blowing visuals to pair with a heavy-hitting setlist for their latest trek across North America, they once again showed that there really isn’t another band out there like them. -Josh Herwitt, photo by Josh Herwitt

Kendrick Lamar

Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. “Levitating” onstage, trading lines with Future, ScHoolboy Q and Travis Scott (all of whom performed separately during Coachella) and running through the hits, Kendrick reminded us that the rap throne belongs to him and only him right now. -Josh Herwitt, photo courtesy of Coachella

Radiohead

But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. And the ensuing five-song encore, punctuated by OK Computer singles “Paranoid Android” and “Karma Police” (with the crowd singing the song’s final lyrics in unison as they walked off stage, which delivered chills down the spine), only provided further validation for making the trip out to the desert this year. -Josh Herwitt, photo courtesy of Coachella

What has been your favorite show of 2017 so far? Let us know in the comments section below!

Filed Under: Best of, Best of 2017, Editor's Picks, Featured Tagged With: Best of 2017, Bonobo, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2017, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2017, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2017, Kendrick Lamar, Moderat, Radiohead, Run The Jewels, Ryan Adams, Sigur Ros, The Flaming Lips, The xx, Tool

Tool continue to melt minds on their latest tour

June 28, 2017 by The Bam Team Leave a Comment

By Mike Rosati //

Tool with The Crystal Method //
SAP Center – San Jose
June 21st, 2017 //

With prog-metal giants Tool back on the road for a month-long trek across North America, my first experience at “The Shark Tank” (aka the SAP Center) in San Jose last Wednesday proved to be a memorable one.

After an early and sparsely attended set by big beat pioneers The Crystal Method, Tool hit the stage in standard formation as guitarist Adam Jones stood front left, bassist Justin Chancellor front right, drummer Danny Carey back right and vocalist Maynard James Keenan back left in the dark, sporting tactical assault gear that was replete with Puscifer rainbow logo stickers on his chest and knee pads.

The three-time Grammy winners haven’t released an album since 2006’s 10,000 Days, but they did debut new visuals on this latest tour, which ended with an epic, day-long event at Glen Helen Amphitheater out in San Bernadino, Calif., that also featured performances by Melvins, Fantômas, Clutch and Primus.

Set 1: The Grudge, Parabol, Parabola, Schism, Opiate, Ænema, Descending, Jambi, Third Eye, Forty-Six & 2

Set 2: Drum Solo, The Pot, Sweat, (-) Ions, Stinkfist

Filed Under: Editor's Picks, Featured, Photos Tagged With: Clutch, Fantômas, Primus, Puscifer, SAP Center, The Crystal Method, The Melvins, Tool

A Perfect Circle make their triumphant return to SF at Bill Graham Civic Auditorium

April 26, 2017 by Andrew Pohl Leave a Comment

Photos by Mike Rosati // Written by Andrew Pohl //

A Perfect Circle with PRAYERS //
Bill Graham Civic Auditorium – San Francisco
April 13th, 2017 //

It was a bit of an earlier start for a show even with it being on a weekday, and the Bill Graham Civic Auditorium was only half full through the opening act. Hailing from San Diego, Chicano electronic-rock duo PRAYERS, who describe their music as “Cholo goth” and are comprised of vocalist Rafael Reyes and producer/keyboardist Dave Parley, initially seemed like another one of APC frontman Maynard James Keenan’s side projects given how Reyes looked and behaved similarly to Keenan’s “Country Boner” persona that he assumes with Puscifer, but after taking a closer look, it was obvious that wasn’t the case. PRAYERS’ music was a sharp contrast to A Perfect Circle’s, but they did have some awesome lighting, which helped keep our attention. As their set ended, the venue had sufficiently filled up, which wasn’t unexpected given that the show had been sold out for weeks.

A Perfect Circle kicked off their headlining performance with a giant shroud in front of them and a rad backlight on each band member that created five different shadows. They opened the show with “The Package”, the first track from their sophomore studio album Thirteenth Step, which was a great way to build tension. As he usually does when performing with APC and Tool, Keenan opted to stand concealed in a dark area toward the back of the stage and centered between guitarist James Iha and drummer Jeff Friedl, who were also on their own platforms in addition to Keenan’s. Taking center stage was the band’s creator and guitarist Billy Howerdel, who along with bassist Matt McJunkins, kept the energy at a high level by moving around the front area of the stage from right to left throughout the evening.

The Thirteenth Step-heavy set started with APC’s earlier tunes from their debut LP Mer de Noms before leading into the group’s awesome rendition of John Lennon’s timeless classic “Imagine”. Along the way, they ended up covering Brinsley Schwarz’s “(What’s So Funny ’bout) Peace, Love and Understanding”, which ultimately wasn’t much of a surprise.

As the night moved along, Keenan managed to get a few quips in, at one point mentioning that he could smell the marijuana smoke permeating from the crowd. He even stopped the show at one point to give Iha a chance to tell some vaudeville-esque jokes, which included rimshots from Friedl. My favorite was “Where do penguins keep their money?” … “in a snow bank” (ba-doom, crash!).

Although I didn’t get to hear my favorite APC song (“3 Libras”), I was stoked that they played “Magdalena”, “The Hollow”, “Weak and Powerless” and “The Outsider”. They winded down with “Gravity”, and for the closer, APC treated the audience to a brand-new song that’s called “Feathers”. This hopefully means that the rumored new album on the way may be coming out sometime this year, after their tour ends with a grand finale of a show at the Hollywood Bowl. With this supergroup, you never know, but they’ve been great about surprising us in the past, so keep your eyes peeled for more new music on the horizon.

Setlist:
The Package
The Hollow
The Noose
Weak and Powerless
Rose
Imagine (John Lennon cover)
Thinking of You
By and Down
Thomas
(What’s So Funny ’bout) Peace, Love and Understanding (Brinsley Schwarz cover)
Magdalena
Vanishing
Counting Bodies Like Sheep to the Rhythm of the War Drums
A Stranger
Blue
The Outsider
Gravity
Feathers

Editor’s Note: A Perfect Circle debuted a new song titled “Hourglass” the following night at their April 14th concert in Reno, Nev.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: A Perfect Circle, Bill Graham Civic Auditorium, Failure, Maynard James Keenan, PRAYERS, Primus, Puscifer, The Smashing Pumpkins, Tool

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

December 29, 2016 by The Bam Team 1 Comment

Danny Brown at The Regency Ballroom // Showbams’ Photo of the Year, by James Pawlish

Time flies when you’re having fun, right? Well, while we’re still wondering where the past 12 months have went, 2016 proved to be bittersweet for the entire music community. With David Bowie, Glenn Frey, Paul Kanter, Phife Dawg, Merle Haggard, Prince, Leonard Cohen, Sharon Jones and most recently George Michael all leaving us too soon, it’s been a rough ride to say the least. But amid all the heartbreak, we experienced plenty of amazing moments in music from January to December, and now it’s time for us to once again unveil our annual “Best of” lists just like we did in 2015.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2016.

The 25 Best Live Music Acts of 2016

Listen to The Bam Team’s favorite songs of 2016:

Jim James at Orpheum Theatre // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2016
1. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
When reports started swirling around this time last year that LCD Soundsystem would reunite to headline Coachella a few months later, it was a chance to relive that one time I saw them on the same polo fields six years earlier — the only time I was lucky enough to see James Murphy and company in action before they called it quits way too early. And while band reunions at Coachella are starting to feel like a gimmick these days, LCD had already played a couple of warm-up shows back home in New York by the time they stepped foot on the main stage for their highly anticipated headlining set at the Empire Polo Club. They didn’t perform any new material like some fans may have hoped they would, but rather a setlist laced with hits that also included their live debut of David Bowie’s “Heroes” as well as a nod to fellow headliner Guns N’ Roses. And as the final words to “All My Friends” left Murphy’s mouth that night, I walked away still buzzing from what I had just witnessed.

2. Radiohead at Shrine Auditorium – Los Angeles, CA – August 8th
3. Jim James at Orpheum Theatre – Los Angeles, CA – December 9th
4. Temple of the Dog at The Forum – Inglewood, CA – November 14th
5. Pretty Lights (Live) at Santa Barbara Bowl – Santa Barbara, CA – November 10th

Top 5 Albums of 2016
1. Moderat – III
With so many excellent albums being released each year, picking a favorite is never an easy task — but this year felt even more difficult than usual. And although I’ll admit I didn’t have time to hear every LP that dropped in 2016, it was hard not to choose Moderat’s latest studio effort after much thought and consideration. Time after time, I found myself coming back to III after countless listens. From the record’s opening track “Eating Hooks” to its initial single “Reminder”, the Berlin trio seems to get better and better with each release. As difficult as it can be to describe Moderat’s music, there’s something about the way Sascha Ring’s emotive vocals pair perfectly with the supergroup’s haunting melodies that makes III‘s repeatability incredibly strong. I guess the third time really is the charm for these three gents.

2. Jim James – Eternally Even
3. Anderson .Paak – Malibu
4. Radiohead – A Moon Shaped Pool
5. Kendrick Lamar – untitled unmastered

Top 5 Songs of 2016
1. Jim James – “Here in Spirit”
My Morning Jacket frontman Jim James often receives praise for his unique singing style, but the Louisville native’s songwriting chops remain equally impressive. On his sophomore solo album Eternally Even, James takes a more political stance than what he devised for his 2013 debut Regions of Light and Sound of God. What results is some of James’ most poignant and inspiring material to date, including the soulfully psychedelic cut “Here in Spirit” that bats third in the LP’s nine-track lineup. With lines like “No compromise / But willing to sacrifice / Believe what you want / Go on and be who you are / Go out and get what you want” to open the song, James empowers his listeners to not sit on the sidelines and instead, speak up for what they believe in. He might not be able to solve the world’s problems, but “Yim Yames” knows how to make you think about the issues that matter.

2. Moderat – “Reminder”
3. Glass Animals – “Youth”
4. Tycho – “Division”
5. Run the Jewels – “Legend Has It”

Brainfeeder at Fox Theater Oakland // Photo by Marc Fong

Molly Kish // San Francisco

Top 5 Shows of 2016
1. Brainfeeder at Fox Theater Oakland – Oakland, CA – September 15th
This showcase featuring artists from Flying Lotus’ label, including himself, was an experience to behold. No matter who you went to see on this night, eyes were opened and brains were fed — so to speak — thanks to the sonic diversions that continue to make Brainfeeder one of the most important players in shaping the future of music.

2. Danny Brown at The Regency Ballroom – San Francisco, CA – October 11th
3. James Blake at Fox Theater Oakland – Oakland, CA – October 17th
4. Erykah Badu at The Warfield – San Francisco, CA – November 15th
5. Black Madonna at Public Works SF – San Francisco, CA – November 18th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Elevating the current state of hip-hop by ultimately bringing it back to its jazz roots, Malibu finally brought Anderson .Paak the credit he sorely deserved. The 16-track album boasts an intricately curated, eclectic roster of recording, production and songwriting talent. Easily the most important sophomore full-length release of the year, Malibu opened a brand-new door to a musical stratosphere that .Paak was born to commandeer.

2. Kendrick Lamar – untitled unmastered
3. Kanye West – The Life of Pablo
4. The Avalanches – Wildflower
5. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service

Top 5 Songs of 2016
1. Solange – “Cranes in the Sky”
Another career-skyrocketing release of 2016 that was introduced to the world through this single, “Cranes in the Sky” helped bring attention to “the younger Knowles sister” as a force to be reckoned with. Amidst a track list of powerful ballads and political anthems, this song delivers a personal testimony of introspection that humanizes Solange in a way most artists are too afraid to convey. The track, which was delivered through a series of avant-garde music videos, shook the world of modern soul and R&B with one of 2016’s most influential power moves.

2. Chance the Rapper – “All Night”
3. Blood Orange – “Best to You”
4. Kaytranada – “LITE SPOTS”
5. Flume – “Never Be Like You” feat. Kai

YG at The Wiltern // Photo by Joseph Gray

Joseph Gray // Los Angeles

Top 5 Shows of 2016
1. Kanye West at The Forum – Inglewood, CA – November 1st
Prior to its bizarre, abrupt ending that included a long-winded tirade critical of Beyoncé and some outspoken support for President-elect Donald Trump, Kanye West’s “Saint Pablo Tour” was a once-in-a-lifetime party. Seriously. In LA, the show featured a floating, illuminated and spaceship-like stage that traveled back and forth — while raging youngsters moshed below — to give everybody a great view of their favorite contradiction and/or superhero, who was later hospitalized due to a reported “psychiatric emergency.” With the elevated platform, a smiling and dancing West manned through his conflicts, happiness and faith, reminding us of why he provides the unmistakable feel-good vibes that only he can bring.

2. Young Thug at The Fonda Theatre – Los Angeles, CA – May 16th
3. Isaiah Rashad at Echoplex – Los Angeles, CA – November 14th
4. Jhene Aiko at Avalon Hollywood – Los Angeles, CA – November 21st
5. YG at The Wiltern – Los Angeles, CA – November 29th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
The unearthed gem on rap legend Dr. Dre’s long-awaited Compton opus a year prior, Southern California rapper, singer, songwriter and multi-instrumentalist (he really does it all) Anderson .Paak kicked open the door to his fully-formed world of warm, unbridled expressiveness and raspy soul with Malibu. Brilliantly combining funk and jazz-filled triumphs (“Come Down”) and hip-hop’s reflective grit (“The Season/Carry Me”) with distinct and sprawling elegance (“Room in Here”), .Paak unquestionably put his mark on 2016. A detailed dot (just like the one in .Paak’s moniker), you better not forget it because Malibu proved that you have to pay attention to everything his name is attached to.

2. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service
3. Young Thug – Jeffery
4. NxWorries – Yes Lawd!
5. Kanye West – The Life of Pablo

Top 5 Songs of 2016
1. A Tribe Called Quest – “We the People…”
In a year drenched in political prejudices and panic for many citizens in the U.S., Q-Tip roared through the darkness over the funkiest of synths: “We don’t believe you ’cause we the people / Are still here in the rear / Yo, we don’t need you.” A message that echoed even louder after the presidential election, one of the standouts tracks from their celebrated final LP We Got It From Here… Thank You 4 Your Service invigorates a culture seemingly under attack more than ever.

2. Anderson .Paak – “Come Down”
3. Kanye West – “Real Friends”
4. Anderson .Paak – “Room in Here” feat. The Game & Sonyae Elise
5. Kendrick Lamar – “untitled 07 | 2014 – 2016”

Radiohead at Outside Lands 2016 // Photo by by James Pawlish

Brett Ruffenach // San Francisco

Top 5 Shows of 2016
1. Kanye West at T-Mobile Arena – Las Vegas, NV – October 29th
In some ways, there’s an unspoken hierarchy to the live-concert experience. The structure is simple — the closer you are to the front of the stage, the better your experience is, the bigger the fan that you are. Only the “rail riders” are the truest fans. In my experience seeing Kanye West’s “Saint Pablo Tour” in Las Vegas — a performance that ended up being one of his last uninterrupted shows prior to a breakdown and a subsequent cancellation of several future dates — he not only completely destroyed the hierarchy, he reinvented what a concert can be. Under a floodlight-filled sky, he spent 90 minutes on a floating stage playing a nonstop show that brought out a level of hype in the crowd I’m not sure I’ve ever seen before. On the floor, underneath the stage, you are instantly a part of the performance. As the stage moved back and forth across the arena, West captured a sense of connection with fans, making it nearly impossible to not scream every damn word to every damn song. It was an emotional roller coaster filled with adrenaline (“Black Skinhead”, “Father Stretch My Hands”), joy (“Waves”, “Fade”), swagger (“Can’t Tell Me Nothing”, “Heartless”) and some transcendent moments so intense during reworked songs like “Only One” and “Ultralight Beam” that many in the crowd (myself included) couldn’t help but be brought to tears. I’ve never seen a concert like this one and will probably never see something like it again. But for those 90 minutes as I jumped and sang with my brothers and friends, there was no world outside of Kanye’s floating stage. It’s a memory that I will cherish for the rest of my life as Kanye proved to us there is no hip-hop artist in the world doing what he’s doing.

2. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
3. Beyoncé at Levi’s Stadium – Santa Clara, CA – May 16th
4. Tame Impala at Greek Theatre Berkeley – Berkeley, CA – September 3rd
5. Air at Outside Lands Music and Arts Festival – San Francisco, CA – August 6th

Top 5 Albums of 2016
1. The Avalanches – Wildflower
I really enjoy albums that can be experienced as one cohesive piece. Twelve years in the making, The Avalanches’ Wildflower is best experienced in one listen from start to finish. Using a near-plethora of samples from both ends of the musical spectrum, the Australian plunderphonics pioneers wove together a soundscape that’s not only textured and groovy, but also just plain old fun. From “Because I’m Me” and “Frankie Sanatra” to “Subways” and “If I Was a Folkstar”, the feel and experience of listening to Wildflower simply fills me with joy. After a year like 2016, it’s something we all needed.

2. Radiohead – A Moon Shaped Pool
3. Beyoncé – Lemonade
4. Anderson .Paak – Malibu
5. The Range – Potential

Top 5 Songs of 2016
1. Radiohead – “Present Tense”
In a serene moment watching Thom Yorke and Co. play a live rendition of “Present Tense” at Outside Lands, I first thought to myself that this may be one of Radiohead’s best tracks. Ever. Their stripped-down rendition featuring Johnny Greenwood solidified that thought. “Present Tense” seems to capture all of the things I find most appealing about Radiohead: complex and beautiful chord progressions, subtle and complimentary percussion, and melancholy lyrics and ambient sounds creating a sense of space that no other band I know is capable of producing in a studio or on a stage. It’s an introspective song that blooms into a plea for a return to what was once had with “in you I’m lost …” That melody gives me goosebumps every time.

2. Blood Orange – “Best to You”
3. Brian Eno – “Fickle Sun (iii) I’m Set Free”
4. Hundred Waters feat. Chance the Rapper – “Show Me Love”
5. DJ Shadow feat. Run the Jewels – “Nobody Speak”

Anderson .Paak at South by Southwest 2016 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2016
1. Anderson .Paak & the Free Nationals at South by Southwest – Austin, TX – March 18th
Anderson .Paak played 13 shows in three or four days at SXSW this year. The Pandora show was one of his last ones, so he and his bandmates had their set down to blind perfection and played their hearts out to 150 new fans as the sun went down. Austin was falling in love with .Paak right in front of his eyes, electrifying his performance and even bringing him down into the audience to crowd surf. When he wasn’t behind the drums, he spent the rest of the show dancing on the monitors in between the barrier and the stage, seemingly as close to is fansh as possible. He was just grateful to be there, and it spilled from every ounce of his body. I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you.

2. Conor Oberst at The Cathedral Sanctuary at Immanuel Presbyterian Church – Los Angeles, CA – December 17th
3. Chance the Rapper at Outside Lands Music and Arts Festival – San Francisco, CA – August 7th
4. Islands at Masonic Lodge at Hollywood Forever Cemetery – Los Angeles, CA – June 9th
5. Animal Collective at Scala – London, UK – September 8th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Anderson .Paak has put out a lot of material, even before he was Anderson .Paak and went by Breezy Lovejoy. There are gems sprinkled throughout his early releases, but his latest studio album has a funky backbone that lets .Paak explore aspects of his range that he never shared before. It resulted in a rhythmic, emotional journey that’s flirty, genre-defiant and fun as fuck. Malibu nearly ruined music for me because nothing else is it.

2. Vince Staples – Prima Donna
3. Conor Oberst – Ruminations
4. Gallant – Ology
5. Noname – Telefone

Top 5 Songs of 2016
1. Childish Gambino – “Redbone”
I like Childish Gambino. I’ve always liked Childish Gambino. But the first time I heard his song “Redbone”, every hair on my body stood up and started grooving. It happened the second time and the third time, and even the 643rd time. And this dude is singing about peanut butter chocolate cake with Kool Aid, but because of how he’s singing about it, it’s somehow OK. I made a playlist with only this song on it 20 times over and it was still too short.

2. Anderson .Paak – “The Waters”
3. Sonder – “Too Fast”
4. Danny Brown – “Really Doe” feat. Kendrick Lamar, Ab-Soul & Earl Sweatshirt
5. Mac Miller – “Dang!” feat. Anderson .Paak

Tame Impala at Greek Theatre Berkeley // Photo by James Pawlish

Andrew Pohl // San Francisco

Top 5 Shows of 2016
1. The Cure at Shoreline Amphitheater – Mountain View, CA – May 26th
I saw a ton of amazing shows this year, but seeing The Cure for the first time on my birthday topped them all. For more than three hours I got to catch Robert Smith and company churn out hit after hit, and hanging out with some of my best mates only added to the splendor. A setlist that spanned their entire career on a beautiful evening was just what I needed for my 38th trip around the sun.

2. Tool at Bill Graham Civic Auditorium – San Francisco, CA – January 7th
3. At the Drive-In at The Warfield – San Francisco, CA – June 4th
4. Tame Impala at Greek Theatre Berkeley – Berkeley, CA – September 3rd
5. Temple of the Dog at Bill Graham Civic Auditorium – San Francisco, CA – November 11th

Top 5 Albums of 2016
1. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service
This is the album that we needed, and it was delivered at the right time, in the right way. For a year that had taken so much away from the music world, ATCQ surprised everyone with an LP that delivered a vibrant, thoughtful and politically charged gift to the masses. No guys, thank YOU for your service (RIP Phife Dawg).

2. Mitski – Puberty 2
3. David Bowie – Black Star
4. Mall Walk – Funny Papers
5. Tycho – Epoch

Top 5 Songs of 2016
1. David Bowie – “Lazarus”
Oh, Bowie … even on the eve of your own passing, you knew how to pull out all of the stops and push your art to the limit. A true showman and artist to the end, this song encapsulates all that is raw, beautiful and bizarre about our beloved Ziggy Stardust. Its somber tone is met with a sexy, sinister groove, which leaves you with a sense of unease and is honestly perfect in my opinion. Thank you, sir. RIP.

2. Bob Moses – “Tearing Me Up”
3. Savages – “Evil”
4. Zack de la Rocha – “digging for windows”
5. Deep Sea Diver – “Secrets”

Filed Under: Best of, Best of 2016, Editor's Picks, Featured Tagged With: A Tribe Called Quest, Ab-Soul, Air, Anderson .Paak, Animal Collective, At the Drive-In, Best of 2016, Beyonce, Bill Graham Civic Auditorium, Blood Orange, Bob Moses, Brainfeeder, Brian Eno, Chance The Rapper, Childish Gambino, Chris Cornell, Coachella, Coachella 2016, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2016, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2016, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2016, Conor Oberst, Danny Brown, David Bowie, Deep Sea Diver, DJ Shadow, Earl Sweatshirt, Flume, Flying Lotus, Fox Theater Oakland, Gallant, Glass Animals, Greek Theatre Berkeley, Guns N' Roses, Hollywood Forever Cemetery, Hundred Waters, Islands, Jim James, Kanye West, Kaytranada, Kendrick Lamar, LCD Soundsystem, Mac Miller, Mall Walk, Masonic Lodge, Masonic Lodge at Hollywood Forever Cemetery, Mitski, Moderat, My Morning Jacket, Noname, Orpheum Theatre, Outside Lands, Outside Lands 2016, Outside Lands Music Festival 2016, Parliament-Funkadelic, Pearl Jam, Pretty Lights, Radiohead, Run The Jewels, Santa Barbara Bowl, Savages, Scala, Shoreline Amphitheatre, Shrine Auditorium, Solange, Sonder, Tame Impala, Temple of the Dog, The Avalanches, The Cathedral Sanctuary at Immanuel Presbyterian Church, The Cure, The Forum, The Range, The Warfield, Tool, Tycho, Vince Staples, Zack de la Rocha

Are Umphrey’s McGee LA’s quintessential jam band?

March 11, 2015 by Josh Herwitt 1 Comment

By Josh Herwitt //

Umphrey’s McGee feat. special guest Joshua Redman //
The Wiltern – Los Angeles
March 6th, 2015 //

Los Angeles has never been known as a home for jam bands. For as well-rounded as its music scene stands today, LA hasn’t ever been a prominent city for jam bands quite like Denver, San Francisco and other smaller U.S. markets have.

While psychedelic rock thrived in the City of Angels five decades ago thanks to bands like The Doors and The Byrds, much of the counterculture that was born out of the 60’s and remains connected to today’s jam band scene isn’t one many LA bands strive to recreate, whether it be sonically or culturally.

So, in a city with as much music and creativity as LA, how is that there are no well-known jam bands, past or present, that officially call it home?

Maybe it’s because LA’s penchant for glitz and glamor has always been a major turnoff for most jam bands. Or maybe it’s the city’s high cost of living that is just too demanding for many to survive in nowadays.

But if there’s one jam band that could finally transform that notion here in La-la-land, it might be Umphrey’s McGee.

The six-piece originally hailing from South Bend, Ind., isn’t your typical “jam band” in the traditional sense. Umphrey’s, for one, have always had an affinity for progressive rock and heavy metal, with a long list of influences ranging from King Crimson and Pink Floyd to Iron Maiden and Guns N’ Roses. For that very reason, their fan base’s demographics remain fairly widespread — much like another well-known jam band by the name of Widespread Panic, coincidentally enough — from young, tie-dye-wearing hippies to 50-year-old dads with long, shaggy hair who just want to rock out.

That said, it isn’t hard to spot the group’s jam band qualities either. Over the course of their 18-year career, Umphrey’s have demonstrated quite a few of those characteristics, whether it’s been the band’s live improvisation, ever-changing setlists or open taping policy.

That’s not all, though.

With their repertoire of covers, nothing appears to be off-limits for Brendan Bayliss (guitar, vocals), Joel Cummins (keyboards, vocals), Ryan Stasik (bass), Andy Farag (percussion), Jake Cinninger (guitar, vocals) and Kris Myers (drums, vocals) these days.

Consequently, it’s a recipe that continues to draw more and more fans each time Umphrey’s play LA. After graduating from the House of Blues Sunset Strip to The Wiltern last year, the Chicago-based band returned to the historic, art deco venue on Friday night and had the 1,850-capacity theater packed from the front to the back. If the show wasn’t completely sold out, it felt damn near close. And really, when you think about it, that’s not bad for a band — let alone a “jam band” — that only plays LA once a year. Add in the fact that Cummins and now Myers live in LA, and it makes even more sense that Umphrey’s McGee could be well on their way to becoming LA’s quintessential jam band.

Playing two sets and an encore for a total of almost three hours, Umphrey’s performed a number of cuts from their upcoming ninth studio album The London Session, which was recorded in one day at Abbey Road Studios in London. Unlike the year before where they shocked everyone at The Wiltern with a cover of Michael Jackson’s “Don’t Stop ‘Til You Get Enough,” there were no big surprises this time around. Instead, we were treated to classics like “Bridgeless,” “In The Kitchen” and “Miss Tinkle’s Overture” as well as a cover of The Police’s “Driven to Tears” to close out the second set, not to mention Joshua Redman’s jazzy saxophone lines at various points throughout the night.

Yet, what was also interesting to hear was Tool’s Ænima being played over the PA system in between sets. Whether that was Umphrey’s choice or the venue’s remains unknown, but the selection definitely said something about the type of music fans who occupied The Wiltern that night.

Formed in LA during the early 90’s, Tool has been one of the most respected rock bands over the last two decades. With multiple Grammy Awards and countless sold-out tours inked on their résumé, Tool’s prog-rock/alt-metal tendencies have won over fans both far and near, garnering one of the strongest cult followings in rock despite the fact that their last album 10,000 Days came out practically nine years ago.

As cultivators of “improg” (live improvisation + progressive rock) and fans of heavy metal, Umphrey’s McGee in many ways fall under the same musical tree, even with all of their “jam band” attributes. Sure, they likely won’t be selling out two nights at Staples Center — much like Tool did in 2006 — anytime soon, but with the audience they’ve been gradually building in LA, they may finally be on to something.

UPDATE: Umphrey’s McGee have confirmed to us that Tool was the band’s choice to play during intermission at The Wiltern.

@showbams Tool was our choice. 😉 https://t.co/POWlinQiFN

— Umphrey's McGee (@umphreysmcgee) March 11, 2015

Set 1: October Rain, Bridgeless > Gents > Bridgeless, Booth Love > Rocker Part 2, Professor Wormbog*, Made to Measure* > Bad Friday*

Set 2: Miss Tinkle’s Overture, Hajimemashite -> In The Kitchen, Wife Soup*, 1348* > Educated Guess* > 1348*, Driven to Tears

Encore: Plunger

*with Joshua Redman on saxophone

Filed Under: Featured, Live Music Reviews Tagged With: Joshua Redman, The Wiltern, Tool, Umphrey's McGee

Primus bring Danny Carey from Tool into a Bay Area tradition

January 5, 2015 by Scotland Miller Leave a Comment

Photos by Mike Rosati // Written by Scotland Miller //

Primus – An Uber Drum Spectacular //
Fox Theater Oakland – Oakland
December 31st, 2014 //

There are few things in this world that are as much of a sure thing as a local New Year’s Eve show from the kings of oddity and tweakerdom. If you are unaware, Les Claypool and the boys of Primus have established a tradition in the Bay for the past 25 years, and don’t show signs of stopping any time soon. In his first banterings of the night, Les joked and welcomed everyone to the “45th annual New Years show … only 73 to go!”

In efforts to keep things fresh and new smelling, each year’s celebration is centered around a fantastic and goofy theme to accompany an already weird and bizarre psyche that is Primus. Past motifs have included a night with Charlie and the Chocolate Factory, 3D projection screens and full-album performances. This year was dubbed the “Uber Drum Spectacular”, featuring a second set guest appearance by the percussive giant Danny Carey (Tool, Pigmy Love Circus, Volto!). As if Tim “Herb” Alexander (Laundry, Blue Man Group, Puscifer) wasn’t enough?

There is something especially dirty about having two 180-degree thunder kits next to each other on stage playing “My Name is Mud”, with the closing drum rolls lingering until utter hysteria breaks out in the crowd.

The atmosphere at these well-known evenings is always a feature of the night and rarely disappoints even those who aren’t on some sort of psychedelic substance. “Some people, like Dave Grohl, need to drive around the country looking for inspiration. What do we at Primus do? We suspend a 60-foot inflatable sperm whale in the air and gaze up at it as we play.” It was as if the show was contained in an deep sea wonder world, watched over by Spermy. The patterned ceiling of The Fox was splattered with bluish lights that served to resemble the shimmering of aquatic world of the epic Moby Dick. This would eventually lead to the “Uber Drum Spectacular” that was the post-countdown antics and song selection obviously inspired by the mighty Bonzo himself.

As the second set hammered on with “Herb” and Danny dueling away on such songs as “Last Salmon Man” and “Southbound Pachyderm”, the clock neared midnight. “Jerry Was a Race Car Driver” ended, and Les dribbled his way through a Hendrix rendition of “The Star-Spangled Banner”. 2015 closed in and the balloons fell like backwards bubbles from above Spermy’s watery home. The oh so familiar engine-like rumblings of Van Halen’s classic “Hot for Teacher” began as a long, unseen member of the Primus family appeared. Bob C. Cock performed the vocals in his best David Lee Roth garb and impression, only substituting the chorus with “I’m hot for cock”. The “Spectacular” culminated with an extended rendition of Led Zeppelin’s “Moby Dick”.

Primus has had very few lineup changes since their original EP release Suck on This, but the addition of Danny Carey to the mix is surely to be a well-remembered appearance. After filling in for “Herb” earlier in the year, it was a great surprise to see his name on the bill.

PRIMUS SUCKS!!!

Set 1:
Sailing the Seas of Cheese
John the Fisherman
The Toys Go Winding Down
Frizzle Fry
Lee Van Cleef
Del Davis Tree Farm
The Heckler

Set 2 with Danny Carey:
Those Damn Blue-Collar Tweekers
Last Salmon Man
Southbound Pachyderm
Too Many Puppies (Ænema chorus included)
Eleven
My Name Is Mud
Jerry Was a Race Car Driver
The Star-Spangled Banner (countdown to midnight)
Hot for Teacher (Van Halen cover with Bob Cock)
Moby Dick (Led Zeppelin cover)

Encore:
American Life
Here Come the Bastards

Filed Under: Featured, Live Music Reviews Tagged With: Danny Carey, Fox Theater Oakland, Primus, Primus Sucks, Tool

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2014

December 31, 2014 by The Bam Team 2 Comments

St. Vincent at Fox Theatre Oakland // Showbams' Photo of the Year, by Pedro

St. Vincent at Fox Theater Oakland // Showbams’ Photo of the Year, by Pedro Paredes

Ah, year-end lists — they’re an exercise in subjectivity and personal experience if there has ever been one. But what better way is there to learn from each other and discover some great new music while capping off the year and beginning anew?

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2014.

The 25 Best Live Music Acts of 2014
Showbams’ Top 50 Albums of 2014

Listen to The Bam Team’s favorite songs of 2014:

Darkside at The Fillmore // Photo by James Nagel

Mike Frash // San Francisco

Top 5 Shows of 2014
1. Darkside at The Fillmore – San Francisco, CA – January 24th
Looking at my top five shows list for 2014, it appears I favor the weird, ya know, the good weird. This Darkside performance, the only SF show ever (for now) since Nicolas Jaar and Dave Harrington have put the project on indefinite hold, had patrons at The Fillmore in SF breathing and moving in unison. There was a magical feeling in the air as the hybrid of electronic and organic played out wonderfully with the duo tipping their hat to the past and setting a new standard for the brave new future of live music.

2. Panda Bear at The Fillmore – San Francisco, CA – May 22nd
3. tUnE-yArDs at The Fillmore – San Francisco, CA – June 6th
4. Phish at MGM Grand – Las Vegas, NV – October 31st
5. Volcano Choir at The Fillmore – San Francisco, CA – January 21st

Top 5 Albums of 2014
1. Run the Jewels – Run the Jewels 2
Ever since Jamie and Mikey blew my mind performing Run the Jewels almost in its entirety at The Independent in August of 2013, I’ve been a loyal RTJ soldier. And without taking a break, El Producto and Killer Mike stepped it up to an even higher plateau with their production precision, an uncanny balance of fun and intense, while lyrically honing more on the important issues of our time. Sensing the unstoppable momentum, Run the Jewels are already heading back into the studio for Run the Jewels 3. When Mike was recently asked if they’d continue to name their albums numerically, he said “Why not?!? Zeppelin did it!” Exactly. Say it with me now: Festival headliners circa 2016?

2. The War on Drugs – Lost in the Dream
3. D’Angelo – Black Messiah
4. Aphex Twin – Syro
5. The Antlers – Familiars

Top 5 Songs of 2014
1. Sturgill Simpson – “Turtles All the Way Down”
This is country music turned on its head, while staying mostly true to the hallmarks of the genre. Lyrically subversive while instrumentally emotive to the core, this song kept me coming back throughout 2014. It’s positive message of love winning over all else is certainly timeless, but when was the last time you heard a country tune tell a story of mind over matter transcendence? “There’s a gateway in our minds that leads somewhere out there, far beyond this place / Where reptile aliens made of light, cut you up and pull out all your pain.” Stirgill Simpson is as progressive as you can get within the realm of Americana, urging the listener to both think and feel.

2. St. Vincent – “Digital Witness”
3. Future Islands – “Seasons (Waiting on You)”
4. FKA twigs – “Two Weeks”
5. Flying Lotus – “Never Catch Me” feat. Kendrick Lamar

Nine Inch Nails // Photo by Rob Sheridan for NIN.com

Josh Herwitt // Los Angeles

Top 5 Shows of 2014
1. Nine Inch Nails & Soundgarden at Red Rocks Amphitheatre – Morrison, CO – July 21st
What a dream come true. Having the opportunity to see two of my favorite childhood bands at one of the best venues in the country would be hard to beat any year, let alone in 2014. Sharing the bill with Soundgarden on this tour, Trent Reznor made the most of a minimalist stage setup and trimmed-down lineup of sidekicks. Of the four shows (Red Rocks, Chula Vista, Irvine and Hollywood) I saw on this tour, this one felt particularly special. If this was one of the last times I ever got to see Nine Inch Nails perform live, it was a night I will never forget.

2. Jack White at The Fonda Theatre – Los Angeles, CA – June 10th
3. Cinquanta featuring Puscifer, A Perfect Circle and Failure at The Greek Theatre – Los Angeles, CA – May 10th
4. Queens of the Stone Age at The Forum – Los Angeles, CA – October 31st
5. Tool at Valley View Casino Center – San Diego, CA – March 16th

Top 5 Albums of 2014
1. The Black Keys – Turn Blue
Akron’s favorite rockers answered the call this year, following up their Grammy-winning album El Camino with arguably their most ambitious effort to date — especially when you consider the turmoil that surrounded Dan Auerbach’s life at the time of its recording. Over the last five years, the Keys have become one of rock’s biggest bands, but they haven’t stopped taking risks as a result. Turn Blue dabbles in a myriad of styles, from the psychedelic sound of Pink Floyd on its opening track “Weight of Love” to the hip-hop groove on “10 Lovers.” For as many critics as they have, Auerbach and Patrick Carney have come a long way since their early years as strictly a blues duo.

2. The War on Drugs – Lost in the Dream
3. Jack White – Lazaretto
4. Aphex Twin – Syro
5. Death from Above 1979 – The Physical World

Top 5 Songs of 2014
1. Jack White – “High Ball Stepper”
Jack White seems to be on another level these days. The former White Stripe has grown into one of rock ‘n’ roll’s most exciting talents, and this blues-heavy, instrumental track showcases that better than any other offering on Lazaretto. White’s ferocious guitar riffs dominate the tune, taking listeners on an emotional roller coaster from start to finish. And when he plays “High Ball Stepper” live, the song takes on a new whole life of its own.

2. Foo Fighters – “Something for Nothing”
3. Interpol – “All the Rage Back Home”
4. TV on the Radio – “Happy Idiot”
5. Tycho – “Awake”

Jack White at Bill Graham Civic // Photo by David James Swanson

Steven Wandrey // San Francisco

Top 5 Shows of 2014
1. Jack White at Bill Graham Civic Auditorium – San Francisco, CA – August 22nd
From the dramatic curtain drop that slammed into high-octane rock, this show never let off the gas. Even with a bum ankle, Jack White stalked the stage and held power over the crowd. When the slowest moments of a show are White Stripes ballads that you’re giddy to hear and the other half of the show is headbanging, guitar-slinging rock, it’s easy to see how this show cemented itself as the best of 2014.

2. Atomic Bomb! The Music of William Onyeabor at The Warfield – San Francisco, CA – May 6th
3. The War on Drugs at The Independent – San Francisco, CA – April 1st
4. Run the Jewels at Mezzanine – San Francisco, CA – November 14th
5. Duck Sauce at Outside Lands Music Festival – August 9th

Top 5 Albums of 2014
1. Flying Lotus – You’re Dead!
This album makes me feel like I’m actually traveling through the underworld to the land of the dead. From front to back, the first thing that caught me about this album was its consistent message. Steven Ellison has an inviting sense of storytelling that’s infused with hip-hop but touches on an array of different music styles, involving a star-studded cast of guests, including Kendrick Lamar, Thundercat and Snoop Dog. I have a feeling Flying Lotus is on the forefront of creative hip-hop and that this album will prove to be influential down the line. More importantly, I just love listening to it. Taking wild turns from frenetic to serene, listening to this album from start to finish is a journey.

2. Aphex Twin – Syro
3. Run the Jewels – Run the Jewels 2
4. Future Islands – Singles
5. Tweedy – Sukierae

Top 5 Songs of 2014
1. Run the Jewels – “Oh My Darling Don’t Cry”
The minimalist production and deep, rumbling bass frequencies have helped this track become my No. 1 listened to on the album and also No. 1 for the year. The complimentary flow that El-P and Killer Mike have together is on display in this track. This cut has infected my brain like a virus (the good kind?), and I just can’t get enough.

2. Future Islands – “Seasons (Waiting on You)”
3. Sam Smith – “I’m Not the Only One”
4. Flying Lotus – “Never Catch Me” feat. Kendrick Lamar
5. Perfume Genius – “Queen”

Future Islands at The Chapel // Photo by Pedro Paredes

Kevin Quandt // San Francisco

Top 5 Shows of 2014
1. Future Islands at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 12th
It’s been a banner year for the Baltimore darlings we have grown to love as Future Islands. Breaking through the underground touring circuit to being a highly sought-after festival act was quick and clean as the passionate stage performance of Samuel Harrington could not be ignored by growing audiences. A packed Gobi Tent was eating from the frontman’s palm as Herrington poured himself out on stage, belting out a set heavy on new tracks and old favorites. It was a pivotal point where both the band and audience knew that Future Islands had arrived at the next stage of their career.

2. The Cure at BottleRock Napa Valley – Napa, CA – May 30th
3. Phish at MGM Grand Arena – Las Vegas, NV – October 31st
4. Connan Mockasin at The Independent – San Francisco, CA – May 15th
5. Deerhoof at Great American Music Hall – San Francisco, CA – November 18th

Top 5 Albums of 2014
1. The War on Drugs – Lost in the Dream
Adam Granduciel had one helluva 2014 to brag about. His third studio album Lost in the Dream was an overwhelming success, and all for good reason as the lush waves of rock swell over the listener like a warm Christmas sweater, just less ugly than the one you wore to that one party. “Under the Pressure” opens this release in epic fashion and does not let up from there. Guitar rock is not dead!

2. Todd Terje – It’s Album Time
3. Run the Jewels – Run the Jewels 2
4. D’Angelo – Black Messiah
5. White Fence – For the Recently Found Innocent

Top 5 Songs of 2014
1. Flying Lotus – “Never Catch Me” (feat. Kendrick Lamar)
Steven Ellison’s left-field meditation on death, as demonstrated on 2014’s release You’re Dead!, is not for everyone and is more about the full album than the sum of its parts (tracks). However, there is one shining beacon of a collaboration that could not be cast aside in the form of “Never Catch Me”. The partnership of one of the hottest MCs with one of the most sought-after producers was meant to be a brutally infectious slice of off-kilter street music.

2. Caribou – “Can’t Do Without You”
3. Future Islands – “Seasons (Waiting on You)”
4. Beck – “Blue Moon”
5. Ariel Pink – “Put Your Number in My Phone”

Ryan Adams at Hardly Strictly Bluegrass 2014 // Photo by Pedro Paredes

Pete Mauch // Los Angeles

Top 5 Shows of 2014
1. Phish at MGM Grand – Las Vegas, NV – October 31st
Phish has made the tradition of covering other artists albums on Halloween, and this year they completely outdid themselves by covering essentially an album of only narrative and spooky sounds. The Disney-produced album The Thrilling and Chilling Sounds of the Taunted House was turned into a rock opera of sorts as Trey and company worked through completely new songs based off just minimal sounds, but the night didn’t just end there. The band played this rock opera sandwiched between two very strong sets of original Phish songs that could have held its own alone.

2. Lettuce’s Late Night in Red Barn at Summer Camp Music Festival – Chillicothe, IL – May 22nd
3. Future Islands at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 12th
4. Ryan Adams at The Fox Theater Pomona – Pomona, CA – October 11th
5. Todd Terje at FYF Fest – Los Angeles – August 24th

Top 5 Albums of 2014
1. Ryan Adams – Ryan Adams
When someone as prolific as Ryan Adams puts out a new record, you buy that record and you listen intently. The songs in his first self-titled album may seem simple at first listen, but they stay with you in the back of your mind until you just can’t take it and you re-listen again and again. This is exactly how what I’ve been doing the past few months since the release. Songs like “Gimme Something Good” and “Am I Safe” prove once again that Adams is still on top of his game.

2. The War on Drugs – Lost in the Dream
3. moe. – No Guts, No Glory
4. Todd Terje – It’s Album Time
5. Greensky Bluegrass – If Sorrows Swim

Top 5 Songs of 2014
1. Future Islands – “Seasons (Waiting on You)”
“People change / You know but some people never do / You know when people change, they gain a piece but they lose one too.” These lyrics are so uplifting and real, and the music to accompany these amazing lyrics ties the emotion perfectly together.

2. The War on Drugs – “Under the Pressure”
3. The Barr Brothers – “Come in the Water”
4. Temples – “Shelter Song”
5. Caribou – “Can’t Do Without You”

Old Crow Medicine Show at The Regency // Photo by Pedro Paredes

Pedro Paredes // San Francisco

Top 5 Shows of 2014
1. Darkside at The Fillmore – San Francisco, CA – January 24th
The album Nicolas Jaar and Dave Harrington put together in 2013 was a delight for the ears, but with the show they played at The Fillmore, they were going after every sense in your body. Jaar once said that Darkside’s music was more experiential rather than musical, and they surely succeeded in delivering one of the best musical experiences to all the lucky attendants on that cold January night.

2. Future Islands at The Chapel – San Francisco, CA – April 10th
3. St. Vincent at The Fox Theater Oakland – Oakland, CA – March 22nd
4. James Blake at The Chapel – San Francisco, CA – December 7th
5. Old Crow Medicine Show at The Masonic – San Francisco, CA – September 20th

Top 5 Albums of 2014
1. Beck – Morning Phase
Beck’s Morning Phase follows the same breezy style as Sea Change, but the latter’s serenity seems to come from darker places. Morning Phase is, as the title suggests, a bit brighter and sets the tone for all the good things yet to come.

2. Run the Jewels – Run the Jewels 2
3. Real Estate – Atlas
4. The War on Drugs – Lost in the Dream
5. Perfume Genius – Too Bright

Top 5 Songs of 2014
1. alt-J – “Nara”
It is hard to isolate “Nara” as the best song of Alt-J’s latest album This is All Yours since the story told in it is not exclusive to that song and it comes back in different sections of the album (as well as in some of the musical arrangements). But “Nara”, a song about love, deserves to be listened again and again. The 2:58 mark is bliss to my ears.

2. tUnE-yArDs – “Water Fountain”
3. Run the Jewels – “Love Again”
4. Perfume Genius – “Fool”
5. Angel Olsen – “Hi-Five”

St. Vincent at Fox Theater Oakland // Photo by Pedro Paredes

Andrew Pohl // San Francisco

Top 5 Shows of 2014
1. Nine Inch Nails & Soundgarden at Shoreline Amphitheatre – Mountain View, CA – August 24th
I had never seen either band live before and based on my experience, it was like they had never broken up or aged since the ’90s. Amazing stage/light shows to go along with what was hands down my most eagerly anticipated show of the year.

2. Cibo Matto at Slim’s – San Francisco, CA – February 26th
3. American Football at The Fillmore – San Francisco, CA – December 12th
4. Failure at Great American Music Hall – San Francisco, CA – May 14th
5. Crosses at The Independent – San Francisco, CA – March 30th

Top 5 Albums of 2014
1. St. Vincent – St. Vincent
This album comes off like a chameleon, with many shifts but always staying very characteristically St. Vincent. I feel that she is one of the more important artists to come around over the last few years, and I am excited to see what she does next.

2. Nothing – Guilty of Everything
3. Beck – Morning Phase
4. Fugazi – First Demo
5. The War on Drugs – Lost in the Dream

Top 5 Songs of 2014
1. Spoon – “Do You”
Spoon have a knack for throwing a good toe tapper in their albums. This song is short and sweet, and you cannot help but get caught up in its infectiousness.

2. Ryan Adams – “Give Me Something Good”
3. St. Vincent – “Prince Johnny”
4. TV on the Radio – “Could You”
5. Nothing – “Bent Nail”

Arcade Fire at Shoreline Amphitheater // Photo by Justin Yee

Justin Yee // San Francisco

Top 5 Shows of 2014
1) Future Islands at South by Southwest (Cheer Up Charlie’s) – Austin, TX – March 13th
2) Arcade Fire at Shoreline Amphitheatre – Mountain View, CA – July 30th
3) Chromeo at The Independent – San Francisco, CA – April 12th
4) James Blake at The Chapel – San Francisco, CA – December 7th
5) Outkast at Treasure Island Music Festival – San Francisco, CA – October 18th

Top 5 Albums of 2014
1) Future Islands – Singles
2) The War on Drugs – Lost in the Dream
3) ODESZA – In Return
4) Flying Lotus – You’re Dead!
5) Caribou – Our Love

Top 5 Songs of 2014
1) Future Islands – “Seasons (Waiting on You)”
2) Chromeo – “Come Alive” feat. Toro y Moi
3) Flying Lotus – “Never Catch Me” feat. Kendrick Lamar
4) Chet Faker – “1998”
5) Mac Demarco – “Let Her Go”

James Blake at The Chapel // Photo by Pedro Paredes

Eric Shaden // San Francisco

Top 5 Shows of 2014
1. James Blake at The Chapel – San Francisco, CA – December 7th
I feel bad telling friends about how great this show was since so few people were able to get tickets. An intimate venue hosting such a phenomenal artist was a no-brainer for my top pick. James covered hits from his albums as well as debuted new tracks and an incredible interlude of house jams. I just wish more friends could have seen this!

2. Chromeo at The Independent – San Francisco, CA – April 12th
3. Todd Terje at FYF Fest – Los Angeles, CA – August 24th
4. tUnE-yArDs at The Fillmore – San Francisco, CA – June 6th
5. Holy Ghost! at San Francisco Museum of Modern Art – San Francisco, CA – April 30th

Top 5 Albums of 2014
1. Run the Jewels – Run the Jewels 2
What else can be said about this album that hasn’t been covered already? An outstanding sequel to Run the Jewels that expands on the original with top-notch production and punishing delivery from El-P and Killer Mike. Without a doubt my top choice of the year.

2. Syd Arthur – A Monstrous Psychedelic Bubble
3. D’Angelo – Black Messiah
4. Sinkane – Mean Love
5. Todd Terje – It’s Album Time

Top 5 Songs of 2014
1. D’Angelo – “Sugah Daddy”
I imagine D’Angelo coming back with his long-awaited album in December showed which writers/blogs/etc. wrote their “Best of the Year” lists early. His style of soulful R&B is sorely needed, and “Sugah Daddy” is my favorite from the album. Looking forward to his tour in 2015!

2. Caribou – “Our Love”
3. Aphex Twin – “minipops 67 [120.2]”
4. Jungle – “Time”
5. Jamie xx – “Sleep Sound”

High Sierra Music Festival // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2014
1. High Sierra Music Festival – Quincy, CA – July 2nd-5th
2. Paul McCartney at Candlestick Farewell – Candlestick Park – San Francisco, CA – August 14th
3. Jamestown Revival at Great American Music Hall – San Francisco, CA – November 28th
4. The String Cheese Incident at Fox Theater Oakland – Oakland, CA – April 24th
5. Greensky Bluegrass at The Fillmore – San Francisco, CA – November 14th

Scott Martin // San Jose

Top 5 Shows of 2014
1. California Roots Music Festival at Monterey Fairgrounds – Monterey, CA – May 23rd-25th
2. Rival Sons, Soft White Sixties & Sir Madam at The Fillmore – San Francisco, CA – September 25th
3. The Pimps of Joytime at The Independent – San Francisco, CA – February 15th
4. Caravan Palace & Rosin Coven at The Regency Ballroom – San Francisco, CA – April 16th
5. Jackie Greene at The Catalyst Club – Santa Cruz, CA – March 26th

Top 5 Albums of 2014
1. Bears Den – Islands
2. Milky Chance – Sadnecessary
3. Lana Del Rey – Ultraviolence
4. Mighty Oaks – Howl
5. Solstafir – Otta

Top 5 Songs of 2014
1. Bears Den – “Agape”
2. Bears Den – “Isaac”
3. Milky Chance – “Down by the River”
4. Mighty Oaks – “The Great Northwest”
5. Crosses – “Bitches Brew”

MIA at BFD // Photo by Marc Fong

Nikki DeMartini // San Francisco

Top 5 Shows of 2014
1. MIA at Shoreline Amphitheatre for BFD 2014 – Mountain View, CA – June 1st
It had been four years since I saw MIA live and even though I’d prefer to see her play her own show rather than a set at a music festival, I was super excited to see her at BFD last summer. It was the first time in nearly 10 years that my cousin and I went to LIFE105’s annual summer show together. We lucked out and upgraded our tickets just in time to see MIA’s performance. Both of us were out of our seats, singing and dancing along to every song as soon as her set started. I was beside myself as MIA herself made her way off the stage, up into the seats of the venue and stopped near our row to spit lyrics as fans gathered and danced around her, myself included. I still can’t believe I danced with MIA!

2. OK Go at The Independent – San Francisco, CA – July 16th
3. Die Antwoord at The Fillmore – San Francisco, CA – May 22nd
4. Sylvan Esso at The Fillmore – San Francisco, CA – June 6th
5. MS MR at The Fillmore – San Francisco, CA – April 15th

Top 5 Albums of 2014
1. Sylvan Esso – Sylvan Esso
When I covered Sylvan Esso at The Fillmore earlier this year (when they opened for tUnE-yArDs), I had no idea who they were but ended up leaving the show a fan. Their self-titled debut album is an uplifting mix of danceable electropop tracks and indie rock that’s easy to lose yourself in. Their sparkly, layered and melodic sounds translate well whether you’re listening to the album or seeing them live. Sylvan Esso is one of three albums I bought in 2014, and it’s been on repeat ever since I picked it up.

2. Glass Animals – Zaba
3. Die Antwoord – Donker Mag
4. Iggy Azalea – The New Classic
5. First Aid Kit – Stay Gold

Top 5 Songs of 2014
1. Tove Lo – “Habits (Stay High)”
I really enjoy the simple percussion-driven melody and voluptuous vocals of Tove Lo’s hit single “Habits (Stay High)”. The subtle, yet engaging buildup to her belting, emotionally-charged lyrics has me singing along and turning it up every time I hear it on the radio. While it is very catchy, it’s not a super dancey song. However, it is a great go-to for karaoke.

2. Die Antwoord – “Rat Trap 666”
3. Sylvan Esso – “Hey Mami”
4. First Aid Kit – “My Silver Lining”
5. The Dead Weather – “Buzzkill(er)”