Jumping ahead of schedule again, Coachella shares 2025 set times for both weekends while also adding Weezer & Ed Sheeran

Coachella 2025

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2025 //

As the calendar flips from March to April, those of us who are live music fans in Southern California know that means we are only days away from Coachella’s next installment.

The 24th edition of Goldenvoice’s signature event is almost here, and though the renowned concert promoter has been known to wait closer to the festival to release set times, it has jumped a few days ahead of schedule, which organizers also did by unveiling this year’s lineup in November rather than January shortly after celebrating the new year. There’s still several days to go before Coachella’s first weekend, but check out the full schedule below before heading to the desert next week.

What’s different in 2025 is set times for both weekend are being revealed beforehand, but much like in 2024 with Vampire Weekend (Weekend 1) and Kid Cudi (Weekend 2), 2023 with blink-182 (Weekend 1 and 2) and Four Tet x Fred again.. x Skrillex (Weekend 2), and then of course in 2022 with Arcade Fire (Weekend 1) for the first time, there will be two more special guests, both on a Saturday at the Mojave Tent, as Weezer rocks Weekend 1 and Ed Sheeran fills a similar afternoon slot for Weekend 2.

That’s not likely to be the only surprises in the desert, though. With acclaimed hip-hop DJ and producer Mustard hitting the massive Sahara Tent at 11:50 p.m. on Friday while Lady Gaga headlines the fest for the second time in her career after replacing Beyoncé in 2017, we can only guess that Kendrick Lamar will be making an appearance after the two linked up in New Orleans less than a couple of months ago for the award-winning emcee’s Super Bowl LIX halftime show.

The other piece of news that comes with the schedule drop is which day Travis Scott will be performing. Originally booked to headline in 2020 before the COVID-19 pandemic put the kibosh on such plans and the disaster that would unfold a year later at Astroworld Festival (or Diastroworld as we like to call it), the chart-topping rapper — listed toward the bottom of the poster similar to how No Doubt, Calvin Harris and Swedish House Mafia were the last three years despite being labeled this time as some sort of visionary who “designs the desert” rather than someone who merely returns to it — will follow Saturday headliner Green Day on the main stage and begin his special set at 11:40 p.m.

So, who’s making the trek out to the Empire Polo Club? If you are, tell us: what’s your biggest conflict and which act are you most excited to see? And don’t forget to bring plenty of sunscreen and water.

WEEKEND 1 SET TIMES

Coachella 2025 - Weekend 1 - Friday set times

Coachella 2025 - Weekend 1 - Saturday set times

Coachella 2025 - Weekend 1 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2025 - Weekend 2 - Friday set times

Coachella 2025 - Weekend 2 - Saturday set times

Coachella 2025 - Weekend 2 - Sunday set times

MAP

A few days later, Coachella has put out this year’s map and the big change is Quasar trading places with the Do LaB. While both of the aforementioned stages focus specifically on showcasing electronic music, the location change does signal an upgrade for Quasar after last year’s debut by now having its own designated area/corner. If you are looking to dance in more comfortable temperatures though, the air-conditioned Yuma Tent on the other side of the polo fields by 12 Peaks is always a good option day or night.

Coachella 2025 - map

If you are still thinking about going, you can hop on the waitlist here or purchase tickets here along with whatever camping and parking passes are left.

Happy Coachella!

Christmas comes early for Coachella fans as Goldenvoice reveals 2025 lineup headlined by Lady Gaga, Green Day & Post Malone

Coachella - 2025 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2025 //

Surprise! Just when you thought Coachella didn’t have any more tricks up its sleeve, the famed three-day music festival has caught us off guard once again — in this instance, by unleashing a lineup more than six weeks ahead of what we have normally witnessed.

It has become a New Year’s tradition over last two decades for Goldenvoice to pull back the curtains in early January and put out the renowned poster for its signature event every year, but after seeing Paul Tollett and company announce the roster for its country-themed festival Stagecoach in September and reports beginning to swirl this week once Post Malone let the cat out of the bag on his plans, maybe it shouldn’t come as a total shock that Coachella has given fans an early Christmas gift.

Leading the 24th edition will be Lady Gaga, Green Day and the aforementioned Posty, who dropped his 2025 tour schedule only a day ago with the first two dates booked for Indio this April and falling over the same two weekends Coachella had already locked down in the spring.

Below each day’s headliner, this year’s fest features an array of old-school, established and upstart acts spanning everything from pop and R&B to punk and electronic plus more of course. There’s no shortage of talent to point out here, and some of those worth highlighting include Missy Elliott, Charli XCX, Megan Thee Stallion, Benson Boone, Misfits, Zedd, The Marías, Keinemusik, Junior H, LISA, Above & Beyond, JENNIE, The Prodigy, Anitta, Kraftwerk, Parcels, Ivan Cornejo, beabadoobee, FKA twigs, Clairo, Polo & Pan, Mustard, ENHYPHEN, XG, GloRilla, Shoreline Mafia, Basement Jaxx, The Go-Go’s, T-Pain, Keshi, MARINA, Hanumankind, Chase & Status, Sam Fender, Still Woozy, Japanese Breakfast, Beth Gibbons, Jessie Murph, Thee Sacred Souls, Darkside, Arca, Eli Brown, Gustavo Dudamel & LA Phil, Shaboozey, Miike Snow, Jimmy Eat World, Ty Dolla $ign, Circle Jerks, Three 6 Mafia, Viagra Boys, Chris Lorenzo, Disco Lines, Amyl and the Sniffers, Blonde Redhead and Boris Brejcha. See who else is performing at the Empire Polo Club above.

Of course we would be remiss to not also mention the fourth headliner listed at the bottom of the poster that Coachella instituted in 2022 when Swedish House Mafia returned to the desert. And although 2023 saw Calvin Harris hold down the spot before No Doubt reunited to fill it for 2024, Coachella has gone in the direction of hip-hop this time around with Travis Scott set to “design the desert.” For those who are wondering what exactly that means, a representative for the Grammy-nominated rapper has explained he will “debut an entirely new era of music” as well as curate a Cactus Jack takeover to create what he says will be “a fully immersive and experiential world within the desert.” No word on when Scott will hit the stage over Weekend 1 and Weekend 2, but we expect that to become clear in a few months once set times are released.

If you are sold on heading to the desert next year, Goldenvoice recommends that fans try purchasing tickets for Weekend 2. However, you can hop on the wait list for Weekend 1 here after both three-day GA and VIP passes go on sale here this Friday, November 22nd at 11 a.m. PT. It only takes $49 to get this party started! While official hotel packages will be available here through Valley Music Travel, we should also note that new camping options such as upgraded Ready-Set and La Campana tents will make their debut. Whichever weekend you choose and whatever your accommodations are, we wish every Coachellan the best of luck securing their tickets!

UPDATE (March 20th): We have our first artist cancellation this year, with Anitta citing “unexpected personal reasons” for the decision in a statement posted on social media. No word yet on who might replace the Brazilian singer-songwriter, but stayed tuned here for more details in the coming weeks.

Coachella 2025

Outside Lands 2023: Three full days of ‘giving life,’ saving face & switching up the game to celebrate the festival’s 15th anniversary

Outside Lands 2023 - Lands EndPhotos by Christine Kemp & courtesy of Outside Lands // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Taking a beat to fully process the 15th year of Outside Lands, we had a lot to consider in terms of our annual accolades for 2023. Our team has had the pleasure of covering the music festival’s evolution since 2012, and many of us have been on the journey with Bay Area concert promoter Another Planet Entertainment after attending OSL’s inaugural edition in 2008. But while we have learned to anticipate certain logistical nuances and look forward to countless familiarities at Golden Gate Park, this year felt different in several very unexpected and positive ways.

Walking into the festival grounds, the footprint had noticeable modifications from previous years, including brand-new stages and a relocated Wine Lands. McLaren Pass, typically home to Choco Lands, the Bubble Tea Party, Cocktail Magic and various food vendors, now included a paired-down, more communal place to sip wines from the best vineyards in the Bay. Switching spots with Cocktail Magic, the newly located Wine Lands provided a premier viewing location for the Toyota Music Den, which ended up being a backup stage for overflow acts on Saturday and a home base for surprise appearances/pop-up sets throughout the weekend.

Outside Lands 2023 - Lands End - crowd

The largest and most widely agreed upon, favorite new addition to the grounds was the Dolores Stage holding space in the Polo Field entryway. The open-air dance club brought a surge of new talent and life to the main field, highlighting DJs, drag performers and a schedule of explosive LGBTQ+ artists over three days. Providing a welcomed alternative to the SOMA Tent’s long lines and Saturday’s closure for dancefloor maintenance, the Dolores Stage proved to be a true festival MVP. The lineup highlighted an intrinsic part of Bay Area culture that never felt fully recognized on the scale that it should have been. Providing a non-stop homage to SF’s historic ballroom culture, performers hit the stage, runway and ground, keeping the sold-out crowd dancing and happy at one of the festival’s main access points.

Aside from some lineup alterations, structural damage and traffic-flow issues at the entrances and exits, OSL’s 15th anniversary was a massive success. Worried at moments that things could derail, the staff handled the various complications that came their way with super effective and seamless production pivots. Artists were quick to shift sets to alternate stages, pop-up performances kept fans excited and engaged, and the amount of satellite bars, lounges and interactive activations offered more than enough entertainment to keep the capacity crowd stoked. If this year’s success was any indication, we expect the positive changes to become mainstay additions for years to come and look forward to seeing what the future will hold for Northern California’s flagship music festival.

Outside Lands 2023 - ODESZA


ODESZA

OUTSIDE LANDS 2023 AWARDS:

Headliner of the Weekend: ODESZA

Breakthrough Performance: Crumb

Largest Crowd: DJ DIESEL

Best Stage: Dolores Stage

Most Swoonworthy Set: Lana Del Ray

Hardest Hip-Hop Moment: Tobe Nwigwe

Fiercest Performance: Reparations

Tastiest Menu: Shuggies Trash Pie and Natural Wine

Best Vineyard: Deux Punx

Most Magical Cocktail: “Large Marge-arita” // Buttery Tipple

Favorite Lands: Wine Lands

Most Impactful Artist: Balloonski

Satellite Bar Star: #OceanLove Tour by Grey Whale Gin

Favorite Merch: Outside Lands reusable festival cup

Best Marketplace: San Franpsycho

Top Showcase: Hard French at Dolores Stage

Most Memorable Experience: Outside Lands x LIVE by Amazon Music

Bay Area Favorite: Anchor Steam’s final kegs on draft at Beer Lands

Best Night Show: Interpol at The Independent

Celebrating its 15th year in 2023, Outside Lands hands the baton over to Kendrick Lamar, Foo Fighters & ODESZA

Outside Lands - 2023 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Now that a handful of California’s music festivals — whether it’s BeachLife, BottleRock, Coachella, Just Like Heaven or Lightning in a Bottle — have announced what their plans will be this year, it’s once again time for Outside Lands to join the party.

SF’s signature event turns 15 this August at Golden Gate Park, but after returning to its usual timing in 2022 and granting headlining duties to Green Day, Post Malone and SZA, it’s handing the baton over to a triumvirate of standouts in Kendrick Lamar, Foo Fighters and ODESZA.

K.Dot returns to OSL for the first time since the 17-time Grammy winner ambushed the Twin Peaks stage back in 2015, while Foo Fighters, who suffered the tragic loss of drummer Taylor Hawkins last March and have yet to reveal his replacement behind the kit, will end their own decade-long drought after playing the three-day event in 2012. ODESZA’s last appearance, in the meantime, was the most recent of the three in 2018, yet much has changed for the Seattle electronic duo made up of Harrison Mills and Clayton Knight over that time.

In addition to the aforementioned headliners, this year’s undercard is nothing to sneeze at — starting with Lana Del Rey, The 1975, Megan Thee Stallion, Zedd, Janelle Monáe, Maggie Rogers and Fisher. Other names on the 2023 lineup worth paying attention to include Lil Yachty, Noah Kahan, Cigarettes After Sex, J.I.D, Interpol, Willow, Father John Misty, Tobe Nwigwe, Orville Peck, aespa, beabadoobee, L’Impératrice, Cuco, Nora En Pure, Poolside, Alvvays, NIKI, Alex G, Soccer Mommy, Diesel (Shaquille O’Neal), Monolink, Raveena, Trixie Mattel, Mariah the Scientist and ISOxo.

Last year’s edition of OSL saw the SOMA Tent — which remains the fest’s home for all things dance music — expand after making its debut in 2021, and fans can expect the dancefloor to be packed as Âme b2b Trikk, Blond:ish, Claptone, Coco & Breezy, Daniel Avery, Denis Sulta, Disco Lines and more get ready to hit the decks from Friday to Sunday. Check out the poster above for the rest of the artists slated to perform.

Three-day GA, GA+ (a new ticket tier), VIP and Golden Gate Club passes go on sale here for $499, $674, $1,029 and $4,899 this Wednesday, March 8th at 10 a.m. PT, so take a peek at our previous coverage here before you pick one up!

Outside Lands 2023 - daily lineups

UPDATE (April 18th): Daily lineups for OSL 2023 are out, with Kendrick Lamar headlining Friday, Foo Fighters rocking Saturday and ODESZA closing down the festival Sunday. Peek at the daily schedules above before single-day tickets go on sale here for $199 (GA), $299 (GA+) and $449 (VIP) starting this Wednesday, April 19th at 10 a.m. PT. And if you’re thinking about purchasing a three-day ticket payment plan and putting down just $99 up front, you can still do that for a limited time here!

Outside Lands 2023 - Interpol

UPDATE (May 11th): Interpol has confirmed that they will be performing their 2002 debut LP Turn On the Bright Lights in full from start to finish during the band’s set at OSL this year. Fans of the New York post-punk revivalists should pick up their single-day tickets here!

Outside Lands 2023 - Friday set times

Outside Lands 2023 - Saturday set times

Outside Lands 2023 - Sunday set times

UPDATE (August 1st): With less than a couple of weeks to go, your 2023 set times have arrived. See the schedules above for all of your potential conflicts at OSL’s 15th anniversary so you can formulate a plan before getting to Golden Gate Park. Who will the TBA act on Saturday be?!?! Take your best guess in the comments below.

BottleRock goes with Red Hot Chili Peppers, Dave Matthews Band & Stevie Nicks to lead 2020 lineup

BottleRock - 2020 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 22nd-24th, 2020 //

Coachella has predicated itself on being the first major U.S. music festival to drop its lineup at the start of the new year for quite a while, and now that the three-day, two-weekend festival in the desert has booked Rage Against the Machine, Travis Scott and Frank Ocean to headline its 2020 edition, it’s time to turn our attention north as BottleRock regularly reveals its own roster around this time too.

Because if you’re a fan of rock ‘n’ roll, then the Napa Valley event might be right up your alley.

Celebrating its eighth year this Memorial Day weekend, BottleRock in 2020 will be led by Red Hot Chili Peppers, Dave Matthews Band and Stevie Nicks after putting Imagine Dragons, Neil Young and Mumford & Sons atop the bill a year ago. Of course, those are just your headliners.

The undercard, meanwhile, boasts plenty of big names as well, including Miley Cyrus, Khalid, Anderson .Paak & the Free Nationals, Zedd, Brandi Carlile, The Avett Brothers, Janelle Monáe, Maggie Rogers, Blondie, Of Monsters and Men, Maren Morris, Empire of the Sun, FOALS, Tegan and Sara, Jimmy Eat World, Michael Franti & Spearhead, Local Natives and many more.

As usual, attendees will also able to witness live cooking demonstrations between a variety of celebrity chefs, musicians and athletes at the fest’s beloved Williams-Sonoma Culinary Stage.

Tickets go on sale this Tuesday, January 7th at 10 a.m. PT here and start at $349 for a three-day GA pass while VIP goes for $849 (before prices increase). But if you really want to splurge this year, there’s always the three-day skydeck pass for a measly $1,599 or the platinum for $4,350.

The Chemical Brothers give fans at Shrine Expo Hall the electronic show they desperately need in 2019

The Chemical BrothersBy Josh Herwitt //

The Chemical Brothers //
Shrine Expo Hall – Los Angeles
May 15th, 2019 //

When former childhood classmates Tom Rowlands and Ed Simons burst onto the scene in the mid-to-late 90’s as The Chemical Brothers, electronic music for most was still a relatively new phenomenon — even in their home country of England.

Sure, some of the UK duo’s counterparts such as The Prodigy and Fatboy Slim were attracting more mainstream appeal around the same time, but that commercial success at the height of the big beat movement doesn’t hold a candle to what many of the biggest EDM stars today are amassing in the social media age. Just look at what Calvin Harris, Diplo, Skrillex, Zedd or The Chainsmokers are bringing home if you don’t believe me (hint: it’s well over eight figures). Of course, those Las Vegas hotel residencies sure do help their cash flow.

The Chemical Brothers, nevertheless, have managed to maintain a loyal following for three decades now and that was evident by the sold-out crowd that welcomed them to the Shrine Expo Hall last Wednesday for the first of two dates in LA. It’s not often that an artist or band books two different venues in the same city while on tour, but that’s exactly what Rowlands and Simons did with their other LA show taking place up the road at the Greek Theatre only one day later. That said, the Shrine Expo Hall’s open floor plan proved to be perfectly suited for the pair’s dance-ready tracks.

The Chemical Brothers

Leading off with “Go” from their 2015 LP Born in the Echoes, The Chemical Brothers delivered a 24-song set that covered all nine studio albums, including their newest effort No Geography that dropped in April. They seamlessly transitioned from one banger to the next, keeping our spirits high and leaving us not a minute to rest our feet. The onstage production, meanwhile, was next level. With an arsenal full of lights and lasers as well as a massive projection screen mounted behind them, Rowlands and Simons created a scintillating audio-visual experience to remember and one of the best we’ve witnessed in a while.

At a time when electronic music has become relatively predictable and almost formulaic, The Chemical Brothers are still experimenting with new sounds and breathing some fresh air into their live sets. Case in point on this night was a cover of New Order’s 1982 single “Temptation” and a rendition of Come with Us cut “Star Guitar” that wrapped up with a snippet of “Gravity Drops” from No Geography. But the Brothers saved what we all had been anticipating for last, uncorking “Block Rockin’ Beats” off 1997’s Dig Your Own Hole before their encore break.

When they returned, Rowlands and Simons gave us a few more before waving goodbye — not that we needed anymore to feel satisfied. Because if this was what an electronic show in 2019 is supposed to feel like, then we can safely say … mission accomplished, boys.

Setlist:
Go
Free Yourself
Chemical Beats (with vocal sample from “Sometimes I Feel So Deserted”)
MAH
EML Ritual
Swoon
Temptation (New Order cover)
Star Guitar (with “Gravity Drops” outro)
Got to Keep On
Hey Boy Hey Girl
Eve of Destruction
Saturate
Elektrobank
No Geography
Escape Velocity
Hoops / Get Up on It Like This
Under the Influence / Dig Your Own Hole
Wide Open
Galvanize
Leave Home / C-H-E-M-I-C-A-L / Song to the Siren
Block Rockin’ Beats

Encore:
Got Glint?
Catch Me I’m Falling (with “Hold Tight London” intro)
The Private Psychedelic Reel

Coachella reveals 2019 set times

Coachella 2019

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

It’s officially Coachella week, and we all know what that means: scheduling conflicts galore.

The three-day, two-weekend music and arts festival has revealed the set times for its 20th edition just after 11 a.m. PT (11:04 a.m. to be exact), about 16 hours later than it did in 2018.

Coachellans often have some tough decisions to make as to which artists they should see, and 2019 is no different in that respect. But if you’re headed to the desert this month, take a look at the set times below so you can survive all three days at the Empire Polo Club.

Tell us, though … what’s your biggest conflict this year and which performance are you most excited for?

WEEKEND 1 SET TIMES

Coachella 2019 - Weekend 1 - Friday set times

Coachella 2019 - Weekend 1 - Saturday set times

Coachella 2019 - Weekend 1 - Sunday set times

Coachella 2019 - Weekend 1 - Do LaB Stage set times

WEEKEND 2 SET TIMES

Coachella 2019 - Weekend 2 - Friday set times

Coachella 2019 - Weekend 2 - Saturday set times

Coachella 2019 - Weekend 2 - Sunday set times

Coachella 2019 - Weekend 2 - Do LaB Stage set times

There are a few minor schedule tweaks for Weekend 2, as Big Game takes Friday’s opening slot on the Outdoor Theatre at 3 p.m. for Jimbo Jenkins, who has been moved to the Sahara Tent on Saturday at 12:25 p.m. More Saturday changes include More Fire Mondays replacing Gabe Real on the Coachella Stage at 1:50 p.m., CPTN KIRK taking Fundido’s spot in the Gobi Tent at 12:45 p.m. and Lealani kicking things off in the Mojave Tent rather than Yeti Out at 12 p.m. bright and early (and hot, most likely).

On Sunday, Ugly Primo will now be the first act — instead of Alf Alpha — to take the Coachella Stage at 2:15 p.m. while Subsuelo gets things started in the Mojave Tent at 1:40 p.m., replacing Ericalandia, and Cre-8 has been moved in place of R3LL in the Sahara Tent at 1:50 p.m.

UPDATE (April 18th): Christine and the Queens has canceled her Weekend 2 performance at the Outdoor Theatre, sadly due to her mother’s death. Héloïse Letissier announced the news on Twitter in her native tongue of French (see below).

MAP

A little more than four hours after releasing its Weekend 1 set times, Coachella unveiled this year’s map and it looks fairly similar to what we saw in 2018.

One of most notable differences is the relocation of the Gobi and Sonora Tents, which have traded places with the Indio Central Market and the Antarctica dome, the latter being one of the cooler (no pun intended) experiences that the festival has introduced in the past three years. The Heineken House, meanwhile, has also moved (next to Antarctica) and sits more tucked away from Coachella’s eight other stages than it ever used to be.

Coachella - 2019 map

The Mojave Tent will continue to remain in its same location, with a few new additions to the area, including the Calvin Klein, Pantene and Peet’s Cold Brew tents. Believe it or not, there’s even a designated place where you can pick up your Postmates order. Ah, corporate sponsors … because what would America’s most Instagrammed music festival be without them now?

Happy Coachella!

Coachella drops 2019 lineup with Childish Gambino, Tame Impala & Ariana Grande headlining 20th year

Coachella - 2019 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

Sorry, Kanye West fans.

Hours after TMZ reported that the rapper would not perform at Coachella due to negotiations over his stage setup falling through, the renowned three-day, two-weekend music festival has announced the lineup for its 20th edition.

Headlining Goldenvoice’s signature event in Indio this time around will be Childish Gambino, Tame Impala and Ariana Grande. While the first two acts had been previously rumored to top the 2019 bill with both expected to unveil new albums in the coming months, the inclusion of Grande comes as somewhat of a surprise (our guess is that she was likely tabbed to be West’s replacement). All three will headline Coachella for the first time, marking the second straight year that the festival has gone in that direction, although Tame Impala have performed on the polo fields several times in the past and as recently as 2015 (on the main stage before AC/DC). And for the record, Grande, at 25 years old, will be the youngest artist ever to headline.

The rest of Coachella’s 2019 roster, meanwhile, includes plenty of other household names, such as Janelle Monáe, Solange, Khalid, The 1975, Kid Cudi, Weezer, Bad Bunny, RÜFÜS DU SOL, J Balvin, Dillon Francis, BLACKPINK, Billie Eilish, CHVRCHES, Anderson .Paak & the Free Nationals, YG, Kacey Musgraves, Juice WRLD, Christine and the Queens, Playboi Carti, Ella Mai, Wiz Khalifa and H.E.R. As you can see, the focus continues to be on hip-hop, pop and R&B while straying away mostly from rock. But unlike in 2018, there seems to be more electronic music once again with Zedd, DJ Snake, Gesaffelstein, Diplo, Aphex Twin, Dillon Francis, Kaytranada, Bassnectar, Four Tet, Cirez D (aka Eric Prydz), Chris Lake, Bob Moses, Gryffin, Jon Hopkins, NGHTMRE, Gorgon City, Nina Kraviz and even 90’s progressive-house duo Deep Dish receiving fairly high placement on the fest’s famed poster.

Coachella’s first weekend is scheduled for April 12th-14th, with its second weekend slated for April 19th-21st. All tickets will go on sale for both weekends this Friday, January 4th at 11 a.m. PT here.

Ready to party in the California desert this April? Relive our five favorite moments, whether it was Jamiroquai or Eminem, from last year’s installment.

Coachella 2018

Our favorite performances from 2018

Best live shows of 2018 - Foo Fighters, NxWorries, Pusha T & Courtney Barnett

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:


Best of 2018 - Cut Copy

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Washed Out

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Phoenix

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Moby

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer


Best of 2018 - The War on Drugs

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice


Best of 2018 - Jamiroquai

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Eminem

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Big K.R.I.T.

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Soulwax

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque


Best of 2018 - NxWorries

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray


Best of 2018 - The Roots

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Melvins

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati


Best of 2018 - Glassjaw

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Weezer

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Florence + the Machine

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Janelle Monáe

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Deafheaven

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Jack White

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White


Best of 2018 - David Byrne

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea


Best of 2018 - The National

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Grizzly Bear

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Courtney Barnett

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2018 - Greta Van Fleet

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Foo Fighters

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Pusha T

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield


Best of 2018 - U.S. Girls

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers


Best of 2018 - Daniel Caesar

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Five highlights from Shaun White’s Air + Style 2018

Air + Style 2018Photos courtesy of Air + Style // Written by Josh Herwitt //

Shaun White Presents Air + Style //
Exposition Park – Los Angeles
March 3rd-4th, 2018 //

When three-time Olympic gold medalist Shaun White launched his first Air + Style contest on U.S. soil three years ago in Pasadena (read our review here), it had plenty of kinks to work out like any brand-new event has nowadays. Half snowboard competition and half music festival, Air + Style offered a different twist for those who enjoy a side of extreme sports with their live music, or vice versa.

And in many ways, it still does. Because when you get right down to it, there aren’t a whole lot of events out there, if any, where you can catch some of the best snowboarders in the world go big while also taking in performances from top-notch artists and bands across a wide-range of musical genres. There’s the X-Games of course, but after that, there’s not much else.

White, in that regard, has certainly created something fun and unique in a short amount of time. But as we realized upon arriving at Exposition Park for Air + Style’s fourth installment here in LA, it wasn’t hard to see that there’s a heavy emphasis placed on the music. Maybe it felt that way because this year marked the first time there was no big air event (and we were rather disappointed to find that out on Day 1), even if the consolation prize was moving to a street-style course for the snowboarders and adding skateboarding, which was another first for Air + Style’s LA edition. Or, maybe it was a Coachella-like lineup headlined by Zedd and Phoenix, coupled with the size of the two stages, that made it feel like so many other major music festivals in Southern California that we have previously attended. Even Phantogram frontwoman Sarah Barthel said it herself, calling Air + Style a “mini Coachella” during the group’s hour-long set on the ginormous Winter Stage.

Either way, in a city with so much to do and an overwhelming amount of options when it comes to live music, it’s impressive to see Air + Style still going strong and drawing large crowds like it did this year. It may have been just another way for “The Flying Tomato” to party with friends and celebrate his latest Olympic gold from Pyeongchang, but for us, it served as an opportunity to see some of our favorite musicians in action and catch some others we’ve been eager to check out for a while (more on that below). So, with that said, these are our five highlights from Air + Style 2018.


Air + Style 2018 - Cut Copy

Cut Copy

Whenever Australian four-piece Cut Copy come to town, you know you’re in for a dance party. But a rainy dance party? That’s something that none of us, including frontman Dan Whitford, saw coming. What blindsided all of us was an epic, approximately 10-minute downpour right in the middle of their set. And they thought it never rains in LA! Sorry, Danny boy … but well, it does — you know, every once in a while. As Whitford told the crowd, it was kind of amazing that their equipment didn’t short out, as we were treated to a lot of the usual favorites such as “Hearts on Fire” and “Lights and Music” as well as a few off 2017’s Haiku from Zero, including “Black Rainbows” and “Standing in the Middle of the Field”. For as many times as we’ve seen these guys take the stage over the years, they always seem to deliver — rain or shine.


Air + Style 2018 - DRAM
DRAM

Considering that we wouldn’t exactly call ourselves huge fans of Zedd, Saturday’s bill felt a bit lackluster compared to Sunday’s. But one of the biggest surprises from the weekend proved to be DRAM, who was on a mission to “spread love” while at Air + Style. With so many examples of hate and violence in recent months, it was an important reminder for all of us no matter the setting, and in this case, White’s festival seemed as good as any for Shelley Massenburg-Smith to promote more positivity. DRAM’s performance, though, was more than just one big love fest — rather, it felt like a celebration of life as he performed “Cute” and later “Broccoli” (even if it was sans Lil Yachty), eventually making his way into the crowd to show his fans some more … why yes, love. Keep spreading those good vibes, Big Baby DRAM. We’re all for it.


Air + Style 2018 - Washed Out

Washed Out

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job.


Air + Style 2018- Griz

Griz

Gosh, we can remember when Grant Kwiecinski, aka Griz, was first starting out and opening for his buddies in Big Gigantic more than five years ago. Fast forward to now, and the 27-year-old Detroit native has climbed higher and higher up the festival ladder. Melding hip-hop and electronic music to create his own future-funk sound, Kwiecinski knows how to get the party going with various elements of trip-hop, dubstep and glitch-hop all sprinkled into his tracks, but it’s his jazzy saxophone solos — and some slick guitar work from his sidekick/childhood friend Muzzy Bearr (born Dan Hacker) — that adds another element to the final product. And then there’s his stage production, which Kwiecinski has clearly taken up a few notches as the huge screen on the Summer Stage flashed psychedelic images that would also poke fun at the current state of American politics. After all, what kind of music festival would it be without a few Donald Trump references?


Air + Style 2018 - Phoenix

Phoenix

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now.

Outside Lands 2016: Top sets, awards & what we overheard at Golden Gate Park

Outside Lands 2016Photos by Norm de Veyra & James Pawlish // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2016 //

Celebrating its ninth annual year as Northern California’s premier music, comedy, food and arts festival, Outside Lands took over Golden Gate Park last weekend and entertained crowds of more than 60,000 attendees each day with a massive roster of world-renowned talent. This year’s highlights surmounted all previous editions and exceeded the expectations of the most veteran festivalgoers.

Beyond the daily artist lineups, mouth-watering fare and unparalleled comedy showcases, Outside Lands kicked it up a notch in 2016, playing to what seemed like a more refined crowd on a local and national level. The festival’s organizers created an environment that appealed to both novices and seasoned attendees, with convenience being the key factor and a running theme that helped establish a flow to the fairgrounds that was unattainable in past years.

The fest also worked with PayPal to set up an option for cashless transactions by uploading “Bison Bucks” to your wristband, creating a seamless navigation of all the food/beverage and merchandise options. Furthermore, the debut of additional boutique concessions at Oyster Lands and Cocktail Lands provided a reprieve from the long lines at food trucks, booths and beer stands for the mature palette.

Even the structure and pace of this year’s Outside Lands schedule felt more conducive to less park-length traversing, with each stage focusing more on specific genres and demographics. There are still certain aspects that could use improvement, such as an increased availability of trash receptacles, bathroom options and crowd control at the festival’s entrance, but the issues that Outside Lands faced this year were no different or more overbearing than any other large-scale production.

Now nine years on the circuit, the Bay Area’s premiere destination for festival revelers has definitely matured to an impressive standard in the live music business. As Outside Lands continues to set the bar high thanks to its innovative features, top-notch billing and overall experience, here are our favorite moments from 2016.

Outside Lands 2016 - LCD Soundsystem


LCD Soundsystem

TOP SETS:

Headliner: LCD Soundsystem

Hip-Hop: Anderson .Paak

Pop: Grimes

Singer-Songwriter: Lana Del Rey

Rock: FOALS

EDM: Zedd

Jazz: Kamasi Washington

Experimental: Air

Breakthrough artist: Jidenna

Local act: Down and Outlaws

Heineken Dome: Warren G & E-40 (pop-up performance)

Outside Lands 2016 - Chance the Rapper


Chance the Rapper

OUTSIDE LANDS 2016 AWARDS:

Biggest Crowd: Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses.

Honorable Mention: Lana Del Rey, J. Cole

Most Magical Outside Lands Moment: Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. Relive the full performance here.

Honorable Mention: Big Boi’s set at Heineken Dome (pop-up performance), Jason Isabel performing with Ryan Adams

Outside Lands 2016

Funniest Stage Banter: Ryan Adams and The Shining

Known to be quite the comedian with his sassy stage banter and on-the-spot ad libs, Ryan Adams and his backing band, The Shining, catered to the Bay Area audience by revisiting a moment from his 2014 Hardly Strictly Bluegrass set with a rousing reprise of “3 Balloons”. He not only called out his attending family’s and audience members’ concert etiquette faux pas, but he also mentioned his annoyance with the bass of Major Lazer’s simultaneous set as well as referenced the standout beacon of this year’s festival, which was hoisted up by a group of super fans watching from the crowd. Check out it here.

Honorable Mention: Dr. Teeth and The Electric Mayhem, Lionel Richie

Most Jaw-Dropping Performance: Peaches

For those familiar with the raunchy revelry that a Peaches show entails, we were front and center when the pro-sex powerhouse took the Panhandle stage on Saturday. As for novice audience members or anyone really within the general vicinity during the set, this festival performance was one that frontwoman Merrill Nisker was determined to make sure would be burned into our Outside Lands memories for life. Somewhat of a crossbreed between live sex show and avant-garde performance art, Peaches paired hard-hitting bass lines with spitfire lyrics and a stage show of elaborately X-rated costumes and choreography that left the crowd on one hand speechless and on the other frantically screaming for more.

Honorable Mention: Grimes, The Claypool Lennon Delirium

Best GastroMagic Moment: Skew It on the Bar B with Big Boi, Animal’s Jon Shook & Vinny Dotolo and State Bird’s Stuart Brioza

On the third and final day of Outside Lands, most attendees were camped out at their favorite stage, decompressing from the first two days of excitement and settling in to watch the final performances of the weekend. But if you happened to be one of the few wandering through the Choco Lands overpass or happened to remember Big Boi’s scheduled performance at the GastroMagic stage, you were in for a treat. Those present in the intimate crowd not only got a mini set of both Outkast and solo hits from the vivacious emcee, but they also got samples of some of the most sought-after BBQ shrimp in the Bay Area while listening to remixed versions of each song that incorporated the word “shrimp” into every chorus. Hilariously ridiculous and insanely delicious, those present may never hear those songs performed the same way again. In fact, we’re still giggling and singing “I like the way you shrimp” days later.

Honorable Mention: Beignets and Bounce Brunch (with Big Freedia and Brenda’s Soul Food), Shark Bites (with Jauz, Mother of Pearl and Guittard Chocolate Company)

Outside Lands 2016 - Big Grams


Sarah Barthel of Big Grams

Most “Thirst-Inducing” Performers of the Weekend: Big Gram’s Sarah Barthel, Miguel

Worst Decisions of the Weekend: The girl who climbed the windmill during J. Cole’s set and fell (watch here), deciding to bring a bag with you to the festival

Best Totems: The Red Balloon

Honorable Mention: Rick & Morty, Stranger Things Dustin

Biggest Festival Wear Trend of 2016: Hipster Bandito

Honorable Mention: Animal-themed onesies, flower crowns/bedazzled body parts

Best “Taste of the Bay” Menu Item: Bacon Bacon CA BBQ Bacon Burritos

Best Adult Beverage: Elixir’s Whatamelon Cocktail

Best Non-Alcoholic Nectar of the Gods: Straw’s Basil Strawberry Lemonade

Best Festival Feature: Cocktail Lands

Best Way to Waste Time Between Sets: PayPal Video Game Arcade

Outside Lands 2016 - Radiohead


Radiohead

OVERHEARD AT OUTSIDE LANDS 2016:

The best directly stated and heard in passing at the festival.

“An empty bag is still a bag!” – crowd members policing the “no-bag” entry lines to the festival

“Is this the Trail of Tears section of Outside Lands?” – crowd members while passing through Choco Lands

“I’m in the Upside Down …” – Day 3 entry ways to the festival

“Hurry up, run! The flower crowns are coming, the flower crowns are coming!” – crowd members exiting the Twin Peaks stage area before Lana Del Rey

“I must’ve missed the goth/bandito appropriation memo …” – in reference to this year’s style trends

“Meet me at the Red Balloon!” – various lost attendees throughout the grounds

“Tits out for Radiohead!” – an ambitious crowd member on Saturday night

“Jesus, Rachel!” – in reference to “basic bitch” behavior/clothing choices throughout the weekend

“I be on that shrimp tonight, straight up on that shrimp tonight, I be on that straight up on that, I be on that shrimp tonight.” – Big Boi during his GastroMagic performance

“Mmmm, porcini doughnuts …” (Homer Simpson voice) – mimicking nearby food vendors

“Who even is Lionel Richie … oh, Nicole Richies’ dad?!” – mortifyingly clueless audience member

“We’re all Diana Ross!” – Lionel Richie in reference to his “special guest”

“We’re all gonna die, whatcha’ gonna do about it?” – Sufjan Stevens contemplating life on stage

“This is the best moment of my life, can I live in an LCD set?” – enthused crowd member

“I’d follow you to hell …” – a member of a large group attempting to traverse the grounds

“But my mom and dad are in there …” – festivalgoers attempting to jump the line entering the festival

“You know San Francisco has totally changed, like I went back to my place on the pier and it was taken over by sea lions, like totally gentrified!” – Janus during Dr. Teeth and The Electric Mayhem’s set

Outside Lands 2016: Our 10 favorite festival features

Outside Lands 2016Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2016 //

Outside Lands is a little more than a week away (can you believe it?!?!), and as the final details emerge before next weekend, the anticipation remains at an all-time high for the music festival’s ninth edition.

Besides gaining traction for its diverse roster of musicians, an all-star comedy lineup and its extensive culinary showcases, the three-day affair invading Golden Gate Park every August also continues to raise standards across the festival circuit with its innovative features both on and off the fairgrounds.

As we start crafting our schedules and await any final details, here are our 10 favorite festival features for Outside Lands 2016.


Outside Lands 2016 - GastroMagic

10. GastroMagic

Inhabiting a stage nestled within the tree section of Hellman Hollow, GastroMagic is a place where food, music, mischief and magic come together. Continually providing some of Outside Lands’ most underrated performances each year, it is the perfect combination of chaos and cross-lineup configurations you’d never be able to catch at any other music festival. See the full schedule here.


Outside Lands 2016 - Outsider Art

9. Outsider Art

Artist, curator and former Google executive Jeben Berg has teamed up with SF’s own Juxtapoz Magazine to bring a stellar roster of talent that highlights the work of incredible scrim artists, live painting, curated installations and performance pieces throughout the entire weekend. See the full roster here.


Outside Lands 2016 - Outside Clams

8. Outside Clams

For the love of seafood, Woodhouse Fish Co. has sourced fresh, local shellfish from Tomales Bay to enjoy either raw or barbecued and paired with the best wines from Napa Valley and Sonoma. Serving up these delicacies along with bowls of chowder, lobster rolls and much more, this new Outside Lands feature located outside of Wine Lands is a must stop for any seafood connoisseur.


Outside Lands 2016 - Night Shows

7. Night Shows

Didn’t get enough live music at the festival? Well, fear not! Another Planet Entertainment has partnered with several historic venues in SF to offer a full gamut of late-night entertainment and keep you rocking all weekend long. A couple of them have already sold out, so make sure to buy your tickets now. See who is playing and more details here.


Outside Lands 2016 - Bike Party

6. Bike Party

Departing from the Bill Graham Civic Auditorium everyday at noon, the festival’s bike party arrives at the Log Cabin Meadow before taking off at 10:30 p.m. each night. Join the fun on America’s only music festival group bike ride!


Outside Lands 2016 - Farmers Market

5. Greening Initiatives

Refillable Water Program: There will be free refillable water stations located in the polo fields and Eco Lands.

Farmers Market: Full Belly Farm will be selling organic and fresh-picked melon slices, peaches, tomatoes, corn, green beans and bell peppers at the festival’s farmers market.

Urban Gardening Workshops: Garden for the Environment will be offering workshops on worm composting twice daily at their booth in Eco Lands.


Outside Lands 2016 - Trestle

4. Forest Feast with Trestle Restaurant

Offering an intimate dining experience that features an upscale tasting menu from Michelin Bib Gourmand recipient Trestle in SF, Forest Feast is nestled in a secluded forest area of the festival grounds and features performances from a New Orleans brass band (still TBA) and real-life magician Jon Armstrong. Seatings are available all three days of the festival (Friday-Sunday) at 2 p.m. and 4:30 p.m. Tickets can be purchased here.


Outside Lands 2016 - Castland

3. Castland

Meet and greet the artists of Outside Lands 2016 at this interactive mecca amidst the festival fairgrounds. Filled with the latest innovations in music and festival technology, you can host your own group disco in the Chromecast private gif booth with the chance to get broadcasted, score festival flare and more.


Outside Lands 2016 - The Back Wine

2. The Back Wine: Mini Golf Course

Located directly behind Wine Lands, The Back Wine is Outside Lands’ three-hole mini golf course that playfully incorporates the scenery of SF in each of its holes. A welcome reprieve from the bustle of the fairgrounds, one can putt putt their way through the sites of the city while sampling the sweet nectar from our Napa Valley neighbors.


Outside Lands 2016 - Mozzeria

1. Summer Pairings Series

Previewing the lineup over 80 restaurants, 40 wineries and 28 breweries, Outside Lands’ Summer Pairing Series teams up with those in charge of curating the festival’s culinary experience to craft special sneak-peaks of what this year’s menu has to offer.

Cheeseland Preview @ Long Meadow Ranch: July 5th-31th (4-8 p.m. daily)

Visit the stunning St. Helena location for pairings of Nicasio Valley San Geronimo Raclette and the 2015 Long Meadow Ranch Sauvignon Blanc.

Bluegrass, BBQ and Blues @ Southpaw: July 26th (7-10 p.m.)

Take part in a Southern-inspired party hosted by Southpaw and Anchor Brewing where you can sample Southpaw BBQ and special release beers (flights and drafts) while enjoying a live set from local bluegrass outfit The Bowties. Tickets can be purchased here.

Pinot, Pizza and Funk @ Bluxome Street Winery: July 30th (5-9 p.m.)

Newcomers to the lineup, Mozzeria bring their creative take on Neapolitan pizzas to Bluxome Street Winery for wine pairings during a live performance by local funk outfit Tortoise & The Pimps. Tickets can be purchased here.


Outside Lands 2016 lineup

Radiohead, LCD Soundsystem & Lionel Richie to headline Outside Lands 2016 lineup

Outside Lands 2016 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2016 //

After rumors swirled in early 2016, Radiohead will indeed return to headline the ninth edition of Outside Lands along with LCD Soundsystem and Lionel Richie.

The British alt-rockers led by frontman Thom Yorke headlined the three-day music and arts festival in its inaugural year back in 2008, touring off their 2007 Grammy-winning album In Rainbows and playing a 22-song set highlighted by such classics “Just”, “Paranoid Android” and “Fake Plastic Trees”. Now with their impending ninth studio album expected to be out some time later this year, Radiohead will be back at Golden Gate Park this summer for one of just three West Coast and six North American dates in 2016, which also include two nights at the world-famous Madison Square Garden, a headlining spot at Lollapalooza in Chicago and two more shows at the Shrine Auditorium in Los Angeles on either side of their Outside Lands performance.

LCD Soundsystem, on the other hand, have been tabbed to headline a myriad of large-scale U.S. and international festivals this year (reminding us of the reunion run Outkast embarked on in 2014), starting with two weekends at Coachella this month and continuing this summer at Primavera Sound, Bonnaroo, Roskilde and Panorama, among others. With a busy touring schedule already set, the band has also confirmed that it will release a new album this year, making us think that James Murphy and company will be showcasing some new material at their upcoming shows.

An original member of the Commodores, Lionel Richie’s last solo album Tuskegee came back in 2012, but Outside Lands has always had a penchant for incorporating legendary artists as headliners, much like they have done with Elton John, Tom Petty, Paul McCartney and Stevie Wonder the past four years. It goes without saying that fans can expect a career-spanning set from Richie, who remains one of the world’s best-selling artists of all time thanks in large to such No. 1 U.S. singles as “Endless Love”, Truly”, “All Night Long (All Night)”, “Hello” and “Say You, Say Me”.

While the three headliners slated to play Outside Lands this year are certainly something to rave about, there are plenty of other highlights sprinkled throughout the lineup, including Lana Del Rey, J. Cole, Duran Duran, Zedd, Ryan Adams, Major Lazer, Air, Sufjan Stevens, Chance the Rapper, Beach House, Miguel, Halsey, Big Grams (Big Boi + Phantogram), Grimes, Jason Isbell, Miike Snow, Third Eye Blind, Kehlani, The Last Shadow Puppets, GRiZ, Brandi Carlile, Thomas Jack, Nathaniel Rateliff & The Night Sweats, FOALS, Lord Huron, JAUZ, The Claypool Lennon Delirium, St. Lucia, Years & Years, Vince Staples, Poliça, Lettuce, Ibeyi, Hiatus Kaiyote, Peaches, Anderson .Paak & The Free Nationals, Snakehips, Oh Wonder, Kamasi Washington, Jack Garratt, RÜFÜS DU SOL, Ra Ra Riot, TOKiMONSTA, The Knocks, DIIV and many more.

This year’s festival will once again include a full lineup of comedy performances as well as its famed Beer Lands, Wine Lands and Choco Lands + Cheese Lands. Because as we all know by now, it’s hard to find much better food or drink options at a music festival than what Outside Lands has to offer on an annual basis.

If you didn’t grab Eager Beaver tickets last week, you can buy Outside Lands tickets starting this Thursday, April 7th at 10 a.m. Three-day GA passes will be sold for $355, and three-day VIP passes can be purchased for $765. Single-day passes will also be sold, with GA prices set at $145 and VIP prices set at $325. Three-day shuttle passes and three-day parking passes are available for $48 and $240, respectively.

Getting excited for Outside Lands after this year’s lineup announcement? Make sure to check out our coverage from the festival’s 2015 edition here.

Outside Lands 2015

Coachella releases 2016 lineup, headlined by LCD Soundsystem, Guns N’ Roses, Calvin Harris

Coachella 2016 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 15th-17th & April 22nd-24th //

Early last week, rumors started to swirl that both Guns N’ Roses and LCD Soundsystem would headline Coachella this April. Now, those rumors have been officially confirmed.

The three-day, two-weekend festival announced its 2016 lineup on Monday night, and both reunited bands (though we’re still not sure which members from Guns N’ Roses will take the stage) will indeed headline the Goldenvoice event along with superstar DJ Calvin Harris, who performed on Coachella’s main stage two years ago and attracted the second largest crowd in its history.

Other notable acts listed on this year’s bill include Ellie Goulding, Sufjan Stevens, Jack Ü, M83, Underworld, The Kills, Foals, Ice Cube, Disclosure, Zedd, A$AP Rocky, CHRVCHES, Halsey, James Bay, Sia, Major Lazer, Flume, Beach House, The 1975, Rancid and Mike Snow.

Coachella’s first weekend is scheduled for April 15th-17th, with its second weekend slated for April 22nd-24th. All tickets will go on sale for both weekends on Wednesday, January 6th at 11 a.m. here. GA passes for Weekend 1 are already sold out, and a limited number of Weekend 1 GA + Shuttle passes remain. The festival’s organizers strongly recommend buying Weekend 2 passes for those interested in attending.

UPDATE: Guns N’ Roses released a statement on Tuesday confirming that original members Slash (guitar) and Duff McKagan (bass) will join frontman Axl Rose onstage at Coachella this year. The band’s Saturday night headlining set will mark the first time all three have played a show together since 1993. The rest of the band’s lineup has not been confirmed yet, but stay tuned for more information here.

The best of Treasure Island Music Festival 2014

TIMF2014_postPhotos by Marc Fong // Written by Mike Frash //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 18th-19th, 2014 //

Treasure Island Music Festival 2014 will be remembered for its triumphant headliners along with its embrace of minimalist, finger-snapping electro-pop. Some of the performing acts that have blown up over the past year or so — including Jungle, Zedd, BANKS and Chet Faker — offered relatively tame performances, struggling to elevate their live music experiences. But many other acts gave inspired, breathtaking or insanely fun sets.

Here’s our best (and worst) of TIMF 2014.

Kaleidascope


Massive-Attack

Show of the Weekend: Massive Attack

Massive-Attack2With perhaps the most appropriate name for musical act on the planet, Massive Attack capped Treasure Island Music Festival 2014 in stunning fashion. With a balancing act of bass-infused downtempo brilliance highlighted by Martina Topley-Bird’s singing and industrialized synth-stabbing electronic pieces, a range of emotion is achieved for the listener. With contrasting tempos and a duality of tranquility then intensity, a cause-and-effect narrative starts to take shape — especially when paying attention to the video elements of the intense songs. “United Snakes” left nothing to the imagination with its barrage of corporate logos and national flags. It appeared the expanded duo slipped in one frame of a Ferris wheel, reminding us that yes, us consumers at TIMF, the only U.S. festival Massive Attack played on this tour, are part of the system. “Future Proof” visuals stripped out rows of zeroes and ones, using the simplicity of computer code to inspire multiple paths of thought, especially while absorbing this show in the Bay Area. And Tunde Adebimpe from TV On The Radio joined in for “Pray For Rain” for the grand finale.


OutKast-Big-Boi

Biggest Bay Area Party of the Year: OutKast

OutKast-DreIt’s almost the end of the biggest reunion tour in decades, and TIMF patrons were lucky enough to witness one of OutKast’s last shows. The Bridge Stage was more packed in than any show in memory, and festivalgoers outwardly had more fun compared to performances from past years. The set was perfectly paced, with André 3000 seemingly having a fun time — an important part of the equation compared to Big Boi’s rock-steady appearances throughout 2014. The guys gave shout-outs to Casual and The Misfits in the “local love” part of the show, and “Roses” (including a half-hearted apology for the “crazy bitch” outro) once again was one of the highlights. The set ended at least 20 minutes before the scheduled end of the day, emptying a large percentage of patrons into the shuttle line at the same time — there were some reports of people not making it back to SF until 2 a.m.


alt-J

Most Likely to Headline Festivals Very Soon: alt-J

alt-J is no longer a band on the rise, but one of the biggest bands in the world with this just-launched tour in support of the group’s second LP. This hour-long set at TIMF seemed like a coronation of sorts as it was the first festival set the now-quartet has played with new material. The highlights from An Awesome Wave still act as the backbone of the set while the best cuts from This Is All Yours were cherry-picked and sprinkled in perfectly to enhance their already-inspiring live show. “Hunger of the Pine” got things going while “Left Hand Free” worked well, getting away from the heady elements for a bit. “Dissolve Me” into “Matilda” is still so incredibly beautiful and emotive — alt-J should never break these two songs up. “Every Other Freckle” is the one song where I wish the guys would have considered new lyrics, but it’s a small complaint for a concert experience that had a huge crowd rapturously involved. When music implores a festival audience to be fully invested as alt-J pulled off on Sunday, with no one talking during the quiet intimate parts, it becomes clear you are ingesting something special. Even though their rise in popularity has happened remarkably fast, that trend should continue to move upward through festival season next year.


Classixx

Most TIMF Set of the Weekend: Classixx

On paper, Classixx is the ideal act for Treasure Island Music Festival 2014, and the duo delivered on this promise in the all-important sunset time slot. Restrained but upbeat enough, pop-oriented yet progressive in its sound, the LA-based remixers-turned-original producers brought Saturday together based on what we expect from past TIMF years. Their on-stage centerpiece, a modern take on a 1980’s-era television, visualizes Nancy Whang for “All You’re Waiting For” and YACHT’s Claire L. Evans for a remix of “Psychic City”. The television set offers a surreal scene juxtaposed with the backgrounded City skyline, functionally helping to break down the walls of disembodied vocals.


TVOTR

Best New Material: TV On The Radio

TVOTR2TVOTR gave one of the best sets of the weekend with their wonderful mix of slow burners, dance-punk blasts of energy along with three new songs: “Happy Idiot”, “Careful You” and “Could You”. The latter two were particularly impressive and fit perfectly into the band’s catalog. A couple other notes on the show: producer and multi-instrumentalist David Sitek now looks like Bono, Kyp Malone is still professionally chill and Tunde Adebimpe continues to be offended when listeners don’t give him full attention. After completing “Wolf Like Me”, wherein the TI faithful went nuts, the lead singer said that he couldn’t believe he saw someone leave during the song. Agreed Tunde, and we’re looking forward to the forthcoming record.


Janell-Monae

Best Recovery: Janelle Monáe

What’s exactly the point of sound checking a microphone if you’re not going to do it completely? The guy setting up the mic put it on the stand after unsuccessfully getting it to work, and Monáe sang the first song completely unaware her voice wasn’t projecting through the speakers. After some crowd chanting, a new microphone, and three different people near me saying “Why doesn’t she use the backup singer’s mic?” order was finally restored. Also, when we got “Tightrope”, all hope of seeing Monáe join mentor Big Boi during OutKast was shot. Still, there’s no doubt the Electric Lady is just beginning a long and illustrious career. And as she proved with “Cold War”, it’s damn near impossible to take your eyes or ears off her when it’s her time to shine.


Bill-Murray

Best Pop-Culture Friend-Finder: Bill Murray

Bill Murray is clearly the most important American pop culture icon, and this group knows it. They also had a high-flying Bill Murray flag to triangulate positions.


Ana-Tijoux

Best Festival Outlier: Ana Tijoux

French-Chilean MC and singer-songwriter Ana Tijoux brought the best change of pace on Saturday, something apparent from the beginning of “Vengo”. Upbeat and passionate fire-spitting about social injustice with electronic elements and a horn section? Yes please — this was perhaps the only set on the dance-oriented first day without finger snapping or words in English.


Washed-Out

Most TIMF Set of the Weekend Part 2: Washed Out

It’s impressive how Ernest Greene has evolved Washed Out from bedroom project to leader of the chill-wave movement to a live performer that can mimic the energy of a dance show through instrumentation. Like Classixx, this one just felt right for TIMF.


Polica

Most Immersive Set: Poliça

Sultry. Intensely Moody. World music-infused. These are the words I wrote down before being completely drawn into this set. Once awakening after completing locking in to a couple songs, I opted to get to alt-J early for a good spot. It was a tough call since Poliça were thoroughly captivating — I’ll be looking to see them again soon.


Mo

Best Unintentional Festival Blending:

MØ emerged on stage sporting a black eye-patch, seemingly joining in on the pirate theme that has defined TIMF over the years. But after a song, Karen Marie Ørsted needlessly admitted to an eye infection, even though the optical accessory worked well with her braid and masculine power stances. MØ stood above the other new minimalist-glitch offerings on display at TIMF 2014 with her authentic energy, ownership of the stage and video support. Mixing oddly-appealing archival footage on loop, including a small animal’s still-beating heart in the palm of a hand, with imagery of herself working background vocals, made this electropop highlight even more memorable.


White-Denim

Band that Deserves More Listeners: White Denim

It’s a shame White Denim couldn’t be featured later in the day for more festivalgoers on Sunday. The seemingly spastic song structures and prog-rock mentality make White Denim a group to add to that list of bands you try to see perform live when they come to town.


The-New-Pornographers

Set that Thinned Out the Most: The New Pornographers

Along with the TIMF headliners, The New Pornographers have the most seniority out of all TIMF acts. Cuts from their underestimated 2014 record Brill Bruisers created the backbone of the set with fan favorites laced in throughout. Songs led by Destroyer’s Dan Bejar, with their skewered and self-inflicting lyrics, resonated strongest. This show thinned out as the set went on while most younger festivalgoers were queuing up for Chet Faker, signifying the current state of indie music popularity. Sadly, the eight members of the group walked off stage to nary an audible clap.


Silent-Disco

Best Constant Dance Party: Silent Disco

With no overlapping sets, Silent Disco is always an option if you want house music instead of the provided musicians on stage.


BANKS

Best Pop-Culture Friend-Finder 2: Kim Kardashian with Laser Beam Eyes at BANKS

BANKS kind of sums up the direction indie-turned-pop music has gone in 2014. Sleek bare-bones production, glitch elements and moody synth lay the ground work for whispery vocals. This aural cocktail has captured the collective zeitgeist (along with much of the TIMF curation) this year. Jillian Banks has an immaculate voice and is mega popular worldwide, but her set felt like more of the same. BANKS banned media photography for her TIMF set, so here’s a photo of one of the best location markers of the weekend: Kim Kardashian with laser beams coming out of her eyes.


The-Growlers

Most Entertaining Hype Man: The Growlers

Weirdo garage rock! The Growlers almost didn’t make their set according to the introduction given by the group’s eccentric hype-man named DMTina. But the psych-goth surf rock was pleasant enough, with “Chinese Fountain” giving a fun tone to the afternoon, but the dude in the robe pretty much stole the show.


St.-Lucia

Most Shiny Electro-Pop of the Weekend: St. Lucia

I have to be honest, St. Lucia is a bit too shiny and synth-heavy for me, but damn do they give it their all. If you’re into the nu-disco pop revival, St. Lucia is for you. OutKast was a priority, though.


Jungle

Most Surface-Level Fun: Jungle

Churning soul-disco mystery collective Jungle is a more well-known entity now, and the skyrocketing, UK-based outfit adeptly loops morsels of pleasurable phrasing as a house DJ would. But it all sounds the same. And given their debut record, I expected many similarities from song to song but still hoped for something more out of their live interpretations. Jungle is generic to the point of being an emotional blank slate, tofu without any other tastes involved. But there’s no better time than now to get involved in some Giants pandering — the “Let’s Go Giants” chant sparked by Josh Lloyd-Watson’s jersey and reference to SF’s World Series-bound team was one of the biggest crowd responses of the set.


Robot-Dance-Party

Best Mobile Dance Party: Robot Dance Party

Robot Dance Party can’t stop, won’t stop.


Chet-Faker2

Most Unlikely Show with People on Shoulders: Chet Faker

Chet-FakerChet Faker had the crew bring out a huge bass speaker to put directly behind him after his first song to give his music more oomph. And when he dipped into his career-making collaborations with Flume, “Left Alone” and “Drop the Game”, the Tunnel stage instantly began moving like the rhythm of the ocean. But otherwise, the set was downtempo to the point of boredom. And it’s not a good idea to take one of your best songs, “Talk is Cheap”, and strip it down even more. Some ladies still felt compelled to rock their friend’s shoulders as if it was a dance show, something that I’m still trying to figure out.


Zedd

Biggest Spectacle Over Substance: Zedd

More than any other set at TIMF 2014, Zedd felt out of place. By this point on Saturday, the fest needed a jump of adrenaline, but the Top 40 producer wasn’t the solution. Where acts like Knife Party or Bassnectar would have fallen more in line with the traditional ethos of TIMF, Zedd brought his world of contemporary pop to the island. There was no layering or transitions, his drops didn’t stand out from the EDM pack, and the show lacked any memorable surprises.

What were your favorite sets of Treasure Island Music Festival 2014?

Treasure Island 2014 trends toward indie dance-pop

Treasure Island Music Festival

Treasure Island Music Festival //
Treasure Island, CA
October 18-19, 2014 //

Dance-oriented pop is taking over music festival curation, while rock is beginning to die a slow death when it comes to Bay Area festival lineups. Overall, this appears to be the trend for Treasure Island Music Festival in the San Francisco Bay.

While the daily lineups haven’t been announced yet, the upbeat dance acts for Saturday and the rock-oriented Sunday performers were easy to divvy up at this point in past years. It appears this line has been blurred significantly. Sure alt-J, TV On The Radio, The New Pornographers, White Denim and The Growlers seem like solid bets for the traditional day of rest, if past years hold true, but who will headline Sunday between OutKast and Massive Attack? Rap acts have always seen the stage on Saturday, so we’re thinking OutKast is a lock for Saturday.

And speaking of the first rap headliner in Treasure Island Music Festival history, San Francisco proper will get a visit from the ATLiens after their highly successful headline set in Napa a few weeks back. Since catching their stride, 3 Stacks and Big Boi have been murdering large crowds across the globe with a mix of hits, old favorites and a smattering of solo material. So, go re-learn the “Roses” dance for what is sure to be the peak of energy on the island. Also with Janelle Monáe on the bill, expect at least one special guest appearance for the Big-Boi produced “Tightrope”.

READ OUR REPORT FROM TIMF 2013

BqWqdSuCAAAKH8a.jpg-large

2014 breakout acts Jungle, Banks and Chet Faker, all of whom recently played sold out shows at the Independent in SF, are remarkably high on the bill, but odds are they will be in the perfect slot come October. If you haven’t heard of Jungle yet, they performed on Jimmy Kimmel Live last night and crushed it. Emerging acts that can catalyze ticket sales are an increasingly important premium when curating a festival lineup, hence Jungle & Banks’ mid-to-upper lineup position.

Female acts are never appropriately represented based on the statistical division of sexes at a festival, but TIMF has done a great job of lessoning the gap this year. Janelle Monáe, The New Pornographers, St. Lucia, Banks, Jungle, MØ, Poliça and more will be at the Festival on the Bay come October.

alt-J played at Bottom of the Hill in December 2012, and here they are as a prime sub-headliner. The response to the recent announcement of their second album and tour behind it shows that this makes sense.

The New Pornographers also announced a brand new album recently, and they’ll be returning to the bay via TIMF with original members Neko Case and Dan Bejar from Destroyer.

There may be less rock in the vein of Interpol, The Strokes and Parquet Courts than past years, but there is no doubt this lineup is loaded with fun, upbeat acts. What are you most excited to see at TIMF 2014?

2-Day GA, VIP tickets and Parking Passes On Sale Thursday, June 19th at 10AM PT!

OutKast
Massive Attack
Zedd
alt-J
TV On the Radio
Janelle Monáe
The New Pornographers
Washed Out
St. Lucia
Banks
Jungle
White Denim

Poliça
The Growlers
Classixx
Chet Faker
Ryan Hemsworth
Ana Tijoux
Asgeir
Xxyyxx
Ratking
Tobacco
Bleached
Painted Palms
Waters

Treasure Island Music Festival Scene

Showbams Photography 2013: A year in review

Purity-Ring

Purity Ring // Marc Fong
First City Festival // 8.25.13


The power and impact of a great photo is undeniable. Striking photos take you to another place, inserting you into a spectacular moment from the past.

The photographers in the Bam Fam have produced many memorable, inspiring live music photos in 2013. Feast your eyes on 50 of our best shots from the past year.

Click a band or artist name to view the original article.

Fiona-Apple-and-Blake-Mills

Fiona Apple & Blake Mills // Sam Heller
Zellerbach Hall at UC Berkeley //10.8.13


Killer-Mike

Killer Mike // James Nagel
The Independent // 7.31.13


Crystal-Castles

Crystal Castles // Marc Fong
Fox Theater Oakland // 4.27.13


Phantogram

Phantogram // Marc Fong
Treasure Island Music Festival // 10.19.13


Warpaint

Warpaint // Marc Fong
The Independent // 9.17.13


Cut-Copy_

Cut Copy // James Nagel
Fox Theater Oakland // 11.2.13


Geographer_post

Geographer // Sterling Munksgard
Bimbo’s 365 Club // 11.23.13


Thee-Oh-Sees

Thee Oh Sees // Pedro Paredes
Great American Music Hall // 12.18.13


Grouplove

Grouplove // James Nagel
The Independent // 9.14.13


James-Blake

James Blake // Marc Fong
Treasure Island Music Festival // 10.20.13


Matthew-Dear

Matthew Dear // Mike Frash
Mezzanine // 5.22.13


Palma-Violets

Palma Violets // James Nagel
The Independent // 4.23.13


Polyphonic-Spree

Polyphonic Spree // Marc Fong
The Chapel // 8.19.13


Zedd

Zedd // Marc Fong
Fox Theater Oakland // 10.9.13


Robert-Randolph

Robert Randolph // Steve Kennedy
Notes For Notes Benefit // 12.6.13


Savages1

Savages // James Nagel
The Independent // 9.27.13


Steve-Aioki

Steve Aoki // Sterling Munksgard
Bill Graham Civic Auditorium // 11.16.13


The-Flaming-Lips

The Flaming Lips // James Nagel
Bill Graham Civic Auditorium // 10.31.13


The-xx

The xx // Marc Fong
The Greek Theatre // 6.1.13


Atoms-For-Peace

Atoms For Peace // Marc Fong
Treasure Island Music Festival // 10.19.13


Thundercat1

Thundercat // James Nagel
The Independent // 11.13.13


Trey-Anastasio-Band

Trey Anastasio Band // Sam Heller
Fox Theater Oakland // 4.20.13


Alabama-Shakes

Alabama Shakes // Marc Fong
Fox Theater Oakland // 3.5.13


AlunaGeorge

AlunaGeorge // Marc Fong
The Independent // 9.11.13


Autre-Ne-Veut

Autre Ne Veut // Mike Frash
The Independent // 3.11.13


chk-chk-chk

!!! // James Nagel
Great American Music Hall // 2.28.13


CSS

CSS // James Nagel
The Independent // 6.16.13


Danny-Brown

Danny Brown // Marc Fong
Treasure Island Music Festival // 10.19.13


Father-John-Misty

Father John Misty // Marc Fong
First City Festival // 8.24.13


HAIM

Haim // Marc Fong
Treasure Island Music Festival // 10.19.13


How-To-Dress-Well

How To Dress Well // Sam Heller
The Independent // 8.26.13


Jagwar-Ma

Jagwar Ma // James Nagel
The Independent // 12.11.13


Jamie-Lidell

Jamie Lidell // Sam Heller
The Independent // 3.29.13


Primus

Primus // Sam Heller
High Sierra Music Festival // 7.5.13


Run-The-Jewels1

Run The Jewels (El-P & Killer Mike) // James Nagel
The Independent // 7.31.13


Toro-Y-Moi

Toro Y Moi // James Nagel
Fox Theater Oakland // 11.15.13


Wild-Belle

Wild Belle // Eldon Christenson
The Independent // 9.26.13


alt-J

Alt-J // Sam Heller
Fox Theater Oakland // 8.29.13


Andrew-Bird

Andrew Bird // Sam Heller
Congregation Sherith Israel // 12.16.13


Andrew-WK

Andrew W.K. // Marc Fong
The Independent // 10.12.13


Anna-Calvi

Anna Calvi // Marc Fong
The Independent // 11.17.13


Big-Boi

Big Boi // Mike Frash
Mezzanine // 5.17.13


Deerhunter

Deerhunter // Marc Fong
First City Festival // 8.25.13


MS-MR

MS MR // James Nagel
The Independent // 6.16.13


Phoenix

Phoenix // Chaya Frash
The Independent // 4.1.13


Rogue-Wave1

Rogue Wave // Marc Fong
The Independent // 7.12.13


Sigur-Ros

Sigur Rós // Marc Fong
Fox Theater Oaklnad // 4.16.13


STS9_Post

STS9 // Sam Heller
Fox Theater Oakland // 3.1.13


Washed-Out

Washed Out // Marc Fong
First City Festival // 8.25.13

Zedd shows his Bay Area fans at the Fox Theater Oakland that he’s not just the future of pop music, but also the immediate present

ZeddPhotos by Marc Fong // Written by Mike Frash //

Zedd //
Fox Theater Oakland – Oakland
October 9th, 2013 //

Zedd has settled on a pretty effective and lucrative EDM sound. Just take a look at the German DJ’s two sold-out shows in Oakland last week while on his “Moment of Clarity World Tour.”

Let’s be honest here: This is not just the future of pop music, but the immediate present. Encroaching into Kaskade’s long-developed aesthetic but producing singles like “Clarity” even more accessible for radio play, Zedd’s music is anthemic and centered around angelic female vocals.

Along these lines, Zedd is now cashing in — wouldn’t you? — by producing tracks for Lady Gaga and Justin Bieber. A Zedd show still packs a punch, giving bass heads the drops and video-game inspired noises they crave, and we were on the scene at the Fox Theater to capture every moment of it.

Setlist:
Spectrum (Tristan Garner & Gregori Klosman Knight Remix)
In My Mind (Swedish House Mafia cover)
Here & Now (Ummet Ozcan cover)
Wake Me Up (Avicii cover)
It’s You (Duck Sauce cover) (DJ Snake Remix)
Komon (Madeon cover)
Breakn’ a Sweat (Skrillex cover) (Zedd Remix)
Kick Out the Epic Motherfucker (Dada Life cover)
BBBS (Clockwork cover)
Anxiety (Charlie Darker cover)
Ode to Oi (TJR cover) (Crookers Remix)
Slam the Door
Cinema (Benny Benassi cover)
Animals (Martin Garrix cover)
Animals (Martin Garrix cover) (Martin Garrix & Victor Niglio Trap Remix)
Animals (Martin Garrix cover) (Botnek Remix)
Karmma (Deep Dish cover)
Stay the Night (DJ Snake Remix)
Toulouse (Nicky Romero cover) (Tommy Trash Remix)
Clarity
Nuke (Wolfgang Gartner cover)
Silhouettes (Avicii cover) (Syn Cole Mix)
LRAD (Knife Party cover)
Bubble Butt (Major Lazer cover) (Dada Life Remix)
Atom (Nari & Milani cover) (Afrojack Edit)
Mercy (Kanye West feat. Big Sean, Pusha T & 2 Chainz cover) (RL Grime & Salva Remix)
Clarity (Brillz Remix)
Niggas in Paris (Jay-Z & Kanye West cover)
Bird Machine (DJ Snake cover)
Coming Home (Diddy – Dirty Money cover)
Quasar (Hard Rock Sofa cover)
Follow You Down
Reload (Sebastian Ingrosso cover)
Safe and Sound (Capital Cities cover) (Tommie Sunshine & Live City Remix)
Save the World (Swedish House Mafia cover) (Zedd Remix)
ID (Dillon Francis cover)
Awooga (Calvin Harris cover)
I Love It (Icona Pop cover) (Sick Individuals Remix)
Push Play
Sub Zero (Rick Mitchells cover)
The Legend of Zelda Theme (Koji Kondo cover)
Just Another Groove (Mighty Dub Katz cover) (Lookback Remix)
Datsun Tropicalia (2 Edit cover) (Torro Torro Remix)
Through the Night (Botnek cover)
Codec
Sweet Nothing (Calvin Harris cover)
Greyhound (Swedish House Mafia cover)
Tung! (Deniz Koyu cover)
Stache
Fall Into the Sky
Freak (Lucky Date cover)
Bender (Tom Piper cover) (Angger Dimas Remix)
Bounce (Marco del Horno cover)
Uncle Sam (Dirty Disco Youth cover)
Spectrum
Lost at Sea
Alive (Empire of the Sun cover) (Zedd Remix)

Outside Lands 2013: Here are our top sets from this year’s festival

Outside Lands 2013Photos by Tim Hampson, Pat Tyrrell & Eric Shaden // Written by Mike Frash, Molly Kish, Kevin Quandt, Kevin Raos, Sean Little & Dara Shulman //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

Outside Lands Music and Arts Festival is the ideal adult playground for live music fans — you can chow sardine chips and a Denogginizer from Drake’s while taking in a secret set in Choco Lands. Or maybe you prefer to laugh your face off at The Barbary or dance your ass off in the Heineken Dome. It may be a “walking festival” to some, but Outside Lands is at it’s best when you run. Feet don’t fail me now, use ’em while you got ’em.

SF’s music fest is clearly in a groove now. A free comprehensive webcast was brought back this year, enticing future festival-goers near and far to be super jealous and to start saving money for next year. Beer Lands was moved to a strategically perfect spot opposite the Land’s End Stage on the polo fields, making a quick stop-off convenient on the way to the next show. And it was cold — duh, it’s August in the Bay Area.

For the festival’s sixth incarnation, Outside Lands patrons witnessed the festival’s biggest headliner to date: Paul McCartney.

But Macca wasn’t the only auditory treat at Outside Lands. Here are our top sets from 2013.


Outside Lands 2013

DAY 1

Midi Matilda
Friday • Twin Peaks Stage • 12:45 p.m.

For an early afternoon festival spot, Another Planet booked properly when deciding to put Midi Matilda on the Friday bill. Kicking off what undoubtedly was going to be a long weekend with bang, this percussion-heavy duo immediately got the crowd moving. Rife with dance-heavy beats, an animated stage show and no expense spared on the lights and fog machines, Midi Matilda came out swinging. The most memorable moment occurred when both guys jumped on the drum set during their last song to deliver a joint solo to close out the set. –MK


Houndmouth
Friday • Panhandle Stage • 1:30 p.m.

Houndmouth provided a delightful opening to Outside Lands for many on the festival’s smallest stage, which is solar-powered. From the opening line of “Penitentiary”, which references San Francisco, the foursome brought bluesy gospel goodness right into everyone’s faces. With lyrics that seemed rooted in finding one’s self — and sobriety — Katie Toupin’s seductive stage presence and heavenly vocals were downright delightful. -MF

Wild Belle


Wild Belle

Wild Belle ~ TOP SET
Friday • Twin Peaks Stage • 2:15 p.m.

Wild Belle has been making a splash since releasing their debut album in early 2013, and they have only been getting bigger. As one of the first acts of the weekend, Wild Belle got the crowd moving in a major way with their psychedelic reggae beats. Comprised of brother-sister duo Elliot and Natalie Bergman, Wild Belle were lucky enough to draw one of the only moments of sunshine the entire weekend. One could say it was the incredible vocals of Natalie Bergman that elicited the sun’s rays. Wild Belle has been progressively adding more pieces to the puzzle throughout their short career, and they unveiled their latest piece during their performance at Outside Lands. The newest addition to their live show is a large “wall of sound” speaker system meant to enhance their live sound, and boy did it sound good. Wild Belle was an unexpected jewel Friday and one of the reasons we go to festivals: to discover new music. -KR


Twenty One Pilots
Friday • Twin Peaks Stage • 3:50 p.m.

Twenty One Pilots might be trying to be cool, and that seemed to be on the mind of Tyler Joseph, as he kept referencing the ‘cool factor’ in a self-depreciating way. But the duo turned the stage antics up to 11, performing backflips off the grand piano, jumping into the crowd, and donning a full ski mask while climbing to the top of the Twin Peaks stage. And ya know, as much as it was Macklemore-esque cheese, the passion and musicianship these two young men exhibited transcended any second thoughts. -MF


The Plump DJs
Friday • The Dome by Heineken • 4 p.m.

There’s nothing quite like an afternoon break-beat set in the Heineken Dome to get the blood moving. British duo, Plump DJs featuring Lee Rous and Andy Gardner, greeted the crowd with smiles on their faces and fists in the air. Although the Dome is slightly different than their usual SF stop, The Mighty in Potrero Hill, they brought their high-energy 2 a.m. beats to their Friday 4 p.m. set. Their beat selection was progressive and original; transitions and mixing were flawless as always. –DS


Rhye
Friday • Sutro Stage • 4:45 p.m.

Rhye’s soothing sounds blanketed Lindley Meadow’s Sutro Stage at the midpoint of Day 1. The sun had fallen behind the eucalyptus trees, sprinkling the stage with beams of light — a perfect setting to relax to the peaceful beauty of Rhye. Rhye sounded excellent, delighting the crowd with many tracks from their 2013 debut album Woman. Minimal, yet captivating, Rhye demonstrated superior musical prowess with their performance, led by the delicate vocals of Mike Milosh. Their set was drawing to a close, and instead of squeezing in extras songs the group opted for a long version of the song “Open”. The extended version of the enchanting song highlighted the bands’ improvisational ability. Although very mellow, Rhye put on a magical performance. A must-see act. -KR


The National
Friday • Land’s End Stage • 5 p.m.

As many learn every August, SF is not known for its stunning summer weather, but sometimes a little haze can add to the emotive release that is Matt Berninger and The National. However, the group lit the stage on fire with their stylish take on moody indie rock, opening with crowd-pleaser “Fake Empire” before fully utilizing Kronos Quartet’s strings on “I Should Live in Salt” and “Demons”, among others. Berninger’s characteristic baritone was strong, though not at it’s best on this day, but his lively mannerisms were in full effect as he paced nervously around on the large Land’s End stage. Once “Mr. November” had begun, it was inevitable that “Terrible Love” would close the set, but a late guest appearance in the form of Bob Weir of the Grateful Dead would truly put an exclamation point on this afternoon set. -KQ


Zedd
Friday • Twin Peaks • 5:25 p.m.

Zedd may not be the best DJ in the world, but his energy is hard to deny. It was the first truly “rager” set of the festival, and you could see people losing their minds all over the place, getting out the pent up energy they had been sitting on all week in anticipation of the Outside Lands. It ended up being a strong set and a lot of fun with hits “In My Mind” and “Clarity” satisfying the masses. –SL


CHIC


CHIC featuring Nile Rodgers

CHIC featuring Nile Rodgers ~ TOP SET
Friday • Sutro Stage • 6:05 p.m.

The last-minute D’Angelo replacement was a surprise hit Friday evening at the Sutro Stage. Guitarist Nile Rodgers accompanied by a crew of horns and backup singers “le freaked” out the crowd with super funky dance hits. Rodgers expressed to the audience, “Now if this is your first Chic show, I have to make you understand something, you absolutely have to sing and you absolutely have to dance.” No problems there. Highlights included “We Are Family”, “I’m Coming Out” and a groovy singalong to Daft Punk’s “Get Lucky” over the PA system after Rodgers had set down his electric guitar. –DS


Yeasayer
Friday • Twin Peaks Stage • 7 p.m.

Pitted against the incomparable Sir Paul at a festival is a spot that most bands would dread to be placed in. If you’re Yeasayer, however, it’s a challenge to be lived up to and utilized to your advantage. Knowing the crowd that evening would be filled with strictly die-hard fans, the boys pulled out all the stops. Playing a fan favorite set that included the most dance-heavy tracks from their entire catalogue, the intimate crowd was whipped into a collective frenzy. The best part — there was plenty of room for everyone to lose themselves in the energy of the moment. –MK


Paul McCartney ~ TOP SET
Friday • Land’s End Stage • 7:10 p.m.

It doesn’t get a whole lot better than Paul McCartney’s show, honestly, it’s nearly 3 hours of brilliantly competent showmanship, blazingly pleasing song selection and sheer crowd emotion. One highlight was watching Paul become giddy when Kronos Quartet joined him for a masterfully beautiful take on the tender Beatles classic, “Yesterday”. Even in his 70s, Macca keeps his crowds, and likely even himself, on their toes with an ever-changing setlist and bombastic surprises up his sleeve in the form of pyrotechnics during “Live and Let Die.” Selections from Wings were pleasantly received, especially “Band on the Run”. Closing the set, as he normally does, the crowd sang along to the timeless communal song “Hey Jude”. Friends locked arm in arm, and all was right in the world. Young and old were abuzz with the show they had witnessed on the exodus out of the park, whether it was vets finally hearing “Lovely Rita” or first-timers discussing their emotion during “Blackbird”. I mean, hey, it’s not everyday a legend plays your backyard. -KQ


Pretty Lights
Friday • Twin Peaks • 8:40 p.m.

Pretty Lights was the perfect Friday night closer for the Twin Peaks Stage and to oppose Sir Paul. Derek Vincent Smith featured most of his new album A Color Map of the Sun, plus the stand-by favorites remixed just enough on the fly to make them fresh and new. His musical ability is truly amazing, and his vibe was infectious as he’d build huge grooves then dropped them into massive basslines with his trademark soul vocals overlays that catapulted foggy Hellman Hallow to the stratosphere. Smith seemed genuinely happy and it bled into the crowd. By the night’s end, everyone was grooving and giving out high fives. –SL


DAY 2

Atlas Genius


Atlas Genius

Atlas Genius
Saturday • Twin Peaks Stage • 2:10 p.m.

Another example of perfect placement, Atlas Genius continued Saturday with pop-centric bliss. Catching what little sunshine the weekend had to offer on the hillside of the Twin Peaks stage, one could view the expectedly young crowd so genuinely stoked to catch this band, and couldn’t help but make you smile. No matter how tired you were of hearing that top forty hit, you were undoubtedly up and dancing when it finally played. Spontaneously starting the morning with a sing-along really was a great way to kick off Saturday on the right foot. –MK


Youth Lagoon ~ TOP SET
Saturday • Twin Peaks Stage • 3:40 p.m.

“Robert De Niro” — Trevor Powers uttered the famous actor’s name casually between songs early in his set. Oddly there wasn’t any other memorable stage banter, just hypnotic renditions of the highlights from Powers’ recent Dropla. Youth Lagoon has always thrived on a sharp aural duality; the contrasting of minimalist, quiet soundscapes for half of a song — then BANG — the blooming, triply explorations are more exciting and create a more impacting memory in the listener. You could call it “post-drop” music. And on the Twin Peaks Stage where dance fans usually got their fix, the bass was body-rattling, forcing the maximal parts of the songs to hit harder than one might expect. Consequently, the crowd mostly obliged with the subtle, quiet parts, allowing “Mute” and “Dropla” to play quite nicely. -MF


Gary Clark Jr.
Saturday • Land’s End Stage • 2:20 p.m.

Gary Clark Jr. simply rips, there is no doubt about it. One should be careful to even consider covering a Jimi Hendrix song, but based on Clark’s rendition of “Third Stone From the Sun”, Jimi is smiling down at a man that is following in his footsteps over 50 years later. Clark floats around the stage with ease, flashing easy smiles then melting faces with his reverberating guitar solos. This was a set where it would be best to be close to the stage (or close to speakers) — the sound was entirely too low in some spots, allowing friendly festival conversations to drown out this 29 year-old legend in the making. “Bright Lights” ended the set per usual, coalescing the large audience into the moment. -MF


Young the Giant
Saturday • Land’s End Stage • 3:40 p.m.

Sameer Gadhia is one helluva a front man, and YTG’s rise from the small stage in Orange County to the big show at events across the world is nothing less than earned. They filled both the Lands Stage and polo fields with infectious alterna-indie-pop offerings from their lone self-titled release. Luckily, the group had some new selections they were eager to test on the sizable early afternoon crowd, which seemed to go over well, especially to diehards awaiting new material. Singles “My Body” and “Cough Syrup” obviously received the loudest response, and Sameer’s venture down the center barricade further poured on the feverish energy they thrive on. -KQ


Bombino
Saturday • Panhandle Stage • 4:30 p.m.

The energy Omara “Bombino” Moctar and his band Bombino exhibit while performing is the first thing that is noticeable. They are constantly moving, dancing — vibing to their own music. When a group creates good music, this physical ‘being in the moment’ presence is an effective way to draw the audience into your world, and this tactic worked for Bombino (both the man and the band) in Golden Gate Park. The group stays true to their African roots through their politically anthemic music, and they rock their Tuareg garb with pride, showcasing their culture on the road as the buzz grows with each performance. After seeing them at Outside Lands, it makes sense — they left it all on the Panhandle Stage, pouring their hearts into each song. -MF


Jurassic-5-Mike-Frash


Jurassic 5

Jurassic 5 ~ TOP SET
Saturday • Land’s End Stage • 5 p.m.

Los Angeles hip hop ambassadors Jurassic 5 took the Land’s End stage to a BIG midday crowd, especially for a hip hop act at a primarily indie rock & electronic festival, which is a testament to their crossover appeal and lasting legacy. Maybe this demonstrates how hungry the people are for more hip hop and rap. The best part of the set went down when Cut Chemist scratched with a turntable guitar strapped to his chest while DJ Nu-Mark elicited sounds from the ridiculously large turntable set up square in the middle of the stage. This collective, allegedly in the midst of a ‘reunion tour’, has most definitely honed their act since Coachella, and festival-goers ate up every minute, following commands as if in a massive yoga class. –SL


Baauer
Saturday • Twin Peaks • 5:15 p.m.

Is the “Harlem Shake” dead? Yeah, but that still doesn’t mean that we can’t get thoroughly down to the bass-heavy set of this “Rookie/One-Hit-Wonder of the Year” candidate that goes by the name of Baauer. His take on Outkast’s “B.O.B” beckoned back to Big Boi’s triumphant set from last year’s Outside Lands, while simultaneously making asses shake and hands fly skyward in ecstasy. Much like Coachella, a youthful cult of EDM lovers are ever-present at any, and every, set that pulsated bass and catered to that beloved phenomena known as “the drop”. And surprisingly, the crowd kind of shrugged when his virally ubiquitous anthem was played, go figure. -KQ


The Mother Hips
Saturday • Panhandle Stage • 6:05 p.m.

Organizers of the festival always strive to showcase local Northern California acts, young and old, and this year, Chico’s own legendary act, the Mother Hips, brought their defining take on California rock and roll sound to the under-appreciated Panhandle Stage. “Toughie” opened this set before launching into “White Falcon Fuzz”, which showcased the raw, vibrant sounds of Tim Bluhm and the band. Though few were in attendance, at least a couple of patrons had to have been won over by the soul-drenched psychedelia that these vets bring every time they grace a stage. -KQ


Yeah Yeah Yeahs
Saturday • Land’s End Stage • 6:30 p.m.

Equal parts punk rock and dance party, the Yeah Yeah Yeahs held nothing back Saturday, perfectly segueing into whichever headliner you chose to witness. Pulling hits from their entire body of work, the set was equally as entertaining for hardcore fans and new converts alike. The band’s energy was at an all-time high, transferring a sense of mania in the crowd, which created dance circles and mosh pits throughout the entire set. The polo fields were electric and gained much more raw energy during the last five minutes, when Karen O. decided to let her body do the talking. After her signature deep-throating, she not only placed the bedazzled microphone down her shirt, but also into the front of her pants, while further emphasizing her need to be heard. Saturday night had officially started, and from that moment on it was going to be epic, whichever stage you ended up at. –MK


Grizzly Bear
Saturday • Twin Peaks • 6:50 p.m.

One of the toughest decisions of the weekend was choosing the electricity of Karen O and Yeah Yeah Yeahs or the tightness of the well-toured Grizzly Bear. Well, everyone won in their respective choices, but Grizzly Bear’s growing crowd demonstrated that these Warp label, psych-folk rockers are more than capable of stepping up to the festival plate and knocking one out of the park, so to say. Shields was well represented on this final tour stop, after 105 shows on the road behind the release. The vocal interplay is one of their strongest suits as the responsibilities are well shared over their contagious take on the rising avant-rock sound. -KQ


Nine Inch Nails ~ TOP SET
Saturday • Land’s End Stage • 8:25 p.m.

Like The National, the fog which veiled the Land’s End stage created an aura of dark beauty for serious talent to shine through. Saturday’s headlining set by Trent Reznor and cohorts was one of nostalgia equally coupled with the future possibilities of Nine Inch Nails. Opening with a trio of new tracks that beckons closer to Radiohead and How to Destroy Angels than Pretty Hate Machine era industrial rock Nails, it was evident Reznor didn’t, nor shall he ever, miss a beat with his primary project. “1,000,000” into “March of the Pigs” picked up the energy, and built upon the ever-shifting new stage setup that has been winning accolades the past three banner festival performances (think Stop Making Sense meets Aliens). Though the masses were at Phoenix, the crowd energy was high, especially during “Terrible Lie” and “Closer”. As per usual, “Hurt” left the crowd in an introspective gloom, though their hearts were surely still pounding from the assault that is Nine Inch Nails live. -KQ


Phoenix
Saturday • Twin Peaks • 8:40 p.m.

French indie-rock sensation, Phoenix, rallied the youth with a strong set featuring many songs from their 2009 album Wolfgang Amedeus Phoenix. “Listomania,” “Rome,” and “1901” were just some of the highlights. Front man Thomas Mars was spot on with his vocals. “This next song is a dancing one, so feel free …” was followed by longtime fan favorite “If I Ever Feel Better”. They played a solid handful of tracks from their 2013 release Bankrupt! such as “SOS in Bel Air” and “Entertainment”, but the clear goal of Phoenix’s headlining festival set is get the crowd rallied and ready to dance. The rock riffs were on point and the visuals were equally entertaining and Mars crowd surfed the entire audience near the end of the set as has been the habit this tour. Yes, he safely made it back to the stage with a little help from his friends. -DS


Outside Lands 2013

DAY 3

Dumpstaphunk
Sunday • Land’s End Stage • 12:10 p.m.

The Sunday morning main stage “Gospel Slot” was appropriately given to Ivan Neville’s (and NOLA’s) Dumpstaphunk — where two bassists and double-bass drum work got booties shaken’ early. Original Neville Brother Ivan asked the crowd if we had been to New Orleans, and when we’d be going back — you’ve gotta love how musicians are the best sellers of tourism for the Crescent City. “Meanwhile…”, a song about still having a good time in post-Katrina NOLA, showcased the spirit of New Orleans perfectly. “You might as well have yourself a good time…there might not be a next time” — a refrain that glows longer then the verses that detail political corruption and violence. It may all read as a didactic song for the TV show Treme, but no one deals with hardship better than New Orleans, led by the “can’t stop, won’t stop” musicians that call the city home. -MF


Fishbone
Sunday • Land’s End Stage • 1:30 p.m.

Fishbone rocked out Sunday afternoon with their ska/punk-rock hybrid sound. Angelo Moore, aka Dr. Madd Vibes, pumped crowd the crowd up with his high energy vocals and stage banter. Not only did Moore and audience members crowd surf during their fifty-minute set, but Moore introduced “Flying Jay”, clad in a red cape, the ultimate crowd-surfing trombone player. Moore also encouraged a mosh pit during their Sublime cover, “Date Rape”. Highlights included “Party at Ground Zero” and “Everyday Sunshine”, when Moore tried to solicit the sun to come out…the fog won. –DS


Rudimental
Sunday • Twin Peaks Stage • 2:05 p.m.

An unexpected highlight on this year’s bill, this mash up of blues, rock, funk and soul with DNB percussion was legit. A lively and large band fronted by two modelesque vocalists (knock off Fergie included), the group is accompanied by an assortment of horns, drums, piano, guitar and a live DJ. Rudimental pumped up the crowd for a positively charged last day, and they proved to be an act worth seeing at any venue – whether you’re looking to start a party or keep the fire burning at the end of a festival weekend. –MK


Kurt Vile and the Violators ~ TOP SET
Sunday • Sutro Stage • 2:30 p.m.

Sunday’s weather left a little to be desired, but that didn’t deter the throngs from arriving a bit early for the likes of Kurt Vile. This seasonal festival veteran’s breezy sound lent perfectly to the tepid atmosphere thick with “San Francisco cigarette” plumes. Nodding heads were rewarded with classics like “Freak Train” and newer offerings, “Wakin’ on a Pretty Daze” and “Girl Named Alex”. Some monitor issues didn’t slow the already laid back pace of the band, even when FOALS’ sound started to bleed into Lindley Meadow. -KQ


FOALS


FOALS

FOALS ~ TOP SET
Sunday • Land’s End Stage • 2:50 p.m.

Front man Yannis Philippakis walks around with purpose, like he has a chip on his shoulder – something to prove. Maybe it’s hard to go from headliner back home in the UK, then play broad daylight performances in the US like they did at Outside Lands. Philippakis and lead guitarist Jimmy Smith are doing everything they can do to catch the US up to them as FOALS gain more traction and success each week. The polo fields were pretty packed as “Prelude” began, and once Smith appeared ripping on lead guitar, pure fire ensued. FOALS’ purvey cutting-edge rock – their so-called “math rock” deals heavily in progressive time chord changes, while emphasizing the offbeat ones and threes in melodies that mimic rhythm. Absolute rager “Milk & Black Spiders” finished out the all-too short hour in manic fashion — come back to the Bay soon FOALS for a proper show please. -MF


The Head and The Heart (secret show)
Sunday • Choco Lands’ Hell Brew Review • 3:50 p.m.

The tweet came across at 3:30, which inspired thoughts of Jack White performing a special Choco Lands set last year on Sunday. Reeling off of FOALS’ amazing set, a quick solo sprint to the Hell Brew Review across from Lamb Lands paid off magnificently. The three mainstays from Head and The Heart emerged on the tiny vaudeville stage for a hushed acoustic set, which included their new song “Shake”. Then crowd-pleaser “Lost In My Mind” took center stage when Josiah Johnson asked the close proximity crowd mid song, “Does anyone want to come help sing with us up here?” The stage was quickly at maximum capacity, a couple drunk goofballs stood in front of the performers, and someone managed to pull the plug, ceasing all speaker sound. This only made the sing-along more essential, especially for a song that already relies heavily on community spirit. -MF


Hall and Oates
Sunday • Lands End Stage • 4:20 p.m.

Everyone’s favorite 70’s and 80’s nostalgia act took to Land’s End Stage Sunday afternoon sandwiched between two of today’s most influential acts, FOALS and Vampire Weekend. Hall and Oates have been the benefactors of a complete career resurgence despite the fact their only recent album was a Christmas record in 2006. A slow start to their set sent many people to Dawes and A-Trak, but those who stuck around were delighted with classic hits such as “Maneater”, “I Can’t Go for That (No Can Do)” and “Rich Girl”. The corny nostalgia was high, but so were the good times. You can’t ask more from a Sunday afternoon set. -KR


A-Trak
Sunday • Twin Peaks Stage • 5:10 p.m.

Producer, DJ/live mixer extraordinaire A-Trak brought the heat quickly Sunday, feverishly building to sneaky drops that revealed deliciously crunchy beats. The most pleasurable part about taking in Alain Macklovitch live is during transition time, when his scratching abilities deserve close up attention on the video screen. He does it all in a robotic trance; what A-Trak does is on par with what a jazz guitarist does in a blues club or what Ivan Neville did earlier in the day on the main stage — it’s freestyle jamming with pin-point control. After an almost EDM-free Saturday, A-Trak got things going the final day with Duck Sauce’s “Big Bad Wolf” and a raging remix of Kanye West’s “New Slaves”. Fool’s Gold! -MF


Vampire Weekend


Vampire Weekend

Vampire Weekend ~ TOP SET
Sunday • Lands End Stage • 5:50 p.m.

Perhaps one of the most anticipated sets of the weekend came from one of the biggest bands of the year, Vampire Weekend. The polo fields were packed as everyone and their mother (Hall and Oates performed before them) wanted a piece of the boys from the North East. Vampire Weekend came out firing contemporary classics “Cousins”, “White Sky” and “Cape Cod Kwassa Kwassa”. Next came the first offerings from their latest record Modern Vampires of the City, “Diane Young” and “Step”. Vampire Weekend dedicated “Step” to Bay Area hip hop legends Souls of Mischief, who were the song’s source of inspiration. Take one listen to Souls of Mischief’s “Step To My Girl” and you will hear the resemblance. During “Oxford Comma”, the camera zoomed in on a sign a fan created that read “I give a f*ck about an Oxford Comma.” Vampire Weekend wound down their set with “Giving Up the Gun” and my personal favorite from the new album “Hannah Hunt”. Two more tracks from their self-titled album concluded the impressive set with “One (Blake’s Got a New Face)” and “Walcott.”

Throughout the performance, the crowd was equally enamored with the older classics as they were with the new material. Vampire Weekend is currently at the top of their game, and their dominance was on full display as they delivered one of the strongest performances of the festival. They may not appear to be enjoying themselves while performing, but open your ears and listen for a moment — you will hear a band in their prime. -KR


Dillon Francis
Sunday • Panhandle Stage • 7:35 p.m.

Oddly placed at the Panhandle Stage, reminiscent of Wolfgang Gartner last year, there was no way Dilllon Francis wasn’t going to be a rager. Crowds rolled deep to watch this bass heavy set, and in no way did this DJ disappoint. Small stage be damned, Francis killed it, rattling off a consistent set of club bangers and EDM hits. The crowd ate up every second of the eardrum pounding womps, causing many members of the passing crowds to second guess the direction they were headed. The haystacks were packed deep with frottage and pool noodles dancing wildly. –MK


Red Hot Chili Peppers
Sunday • Lands End Stage • 7:45 p.m.

Red Hot Chili Peppers closed out the festival Sunday evening, a slot many thought would be reserved for Sir Paul McCartney when the initial lineup dropped. Whether it was a scheduling conflict or Ranger Dave optimizing his own schedule, the Chili Peppers proved that they were up to the task. In a roughly two hour set, the Chili Peppers were playing with something to prove as they ripped through single after single with fervent intensity. Their energy did not cease for the duration of the show as the band took the audience on a musical journey of one of the most celebrated funk-rock bands in history. Hits like “Under the Bridge”, “Californication”, “Give it Away” & “Around the World” sent off the rock fans happy. After a sand-swept Coachella performance, expectations were not very high, so it’s not shocking that they exceeded them at Outside Lands. They might not be the most relevant bands in today’s musical landscape, but they proved they can still bring the freaky styley when the time is right. -KR


Kaskade ~ TOP SET
Sunday • Twin Peaks Stage • 8:25 p.m.

For those in dire need of one more dance party before the weekend came to a close, alas Ryan Raddon was primed to set the field ablaze with his hard-hitting take on deep-house music. The moist air felt nice as revelers fist-pumped and bounced to a particularly bass-heavy set from the longtime San Francisco resident and torch-bearer for the new American electronic sound which gained immense popularity some years back. A tasteful remix of Lana Del Rey’s “Young and Beautiful” was a highlight, and as 9:35PM ticked closer, many hoped the speakers wouldn’t compromise with dead silence. -KQ


Outside Lands 2013 - Twin Peaks

Beer Lands!

In only it’s second year onsite, Beer Lands has become a popular meeting spot, and, obviously, the place for the best local suds this region has to offer. An upgraded location in the polo fields, as opposed to tucked in the back of Lindley Meadow, made this spot even more popular and viable for social get-togethers. Doing away with the $1 ‘tickets’ as opposed to cash and card was a relief to those who would rather opt to not drink Heineken all day and night. Sierra Nevada offered a fragrant, herbal Saison exclusive to Outside Lands. Anchor Brewing brought their popular new California Lager and debuted an Autumn Maple Red Ale that was a tasty treat to those paying attention to the constantly rotating cast of taps. Drakes 1500 Pale Ale was this writers beverage of choice, but honestly, there were no losers in the bunch, and many look forward to this addition every year. Bottoms up. -KQ

We didn’t catch them all this year! We missed Chromatics, The Tallest Man on Earth and Daughter — amongst others. What were your favorite shows at Outside Lands 2013?

Torch us in the “Comments” section below.

2013 Outside Lands schedule announced!

Outside LandsPhotos by Mark Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

The schedule has been released for the completely sold-out 2013 Outside Lands Music Festival, meaning the schedule conflict stress has already begun. Some folks have the misplaced assumption that they can see half, or even most of the artists on the OSL bill. They are wrong. With four stages and long walks from Lands End/Sutro to Twin Peaks/Panhandle (and back), you won’t see more than 1/4 of the performers on any given day.

So, now it’s time to start dealing with this first-world festival problem by making some tough choices. But remember, you don’t have to commit! Sometimes it’s best to choose shows while at the fest based on your mood.

Here are the biggest conflicts we see on the schedule — along with the sets we are most likely to attend in bold.

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FRIDAY SCHEDULE // AUGUST 9th

Paul McCartney vs. Yeasayer, Chromatics & Pretty Lights
*Macca has a two-hour, 45-minute set!

The National vs. Rhye vs. Zedd vs. Stanton Warriors
• Band of Horses vs. Jessie Ware vs. Twenty One Pilots vs.
• Surfer Blood vs. Wild Belle vs. Jeffrey Ross
Smith Westerns vs. Midi Matilda

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SATURDAY SCHEDULE // AUGUST 10th

Nine Inch Nails vs. Phoenix

Yeah Yeah Yeahs vs. The Head & the Heart vs. Grizzly Bear
Jurassic 5 vs. Thao & The Get Down Stay Down vs. Baauer
• Young the Giant vs. Youth Lagoon
Gary Glark Jr. vs. Milo Greene vs. Atlas Genius

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SUNDAY SCHEDULE // AUGUST 11th

• Red Hot Chilli Peppers vs. Dillon Francis, Kaskade

Vampire Weekend vs. Willie Nelson & Family vs. Matt & Kim vs. MS MR
• Dawes vs. A-Trak
Hall & Oates vs. Trombone Shorty vs. King Tuff
*4:20 Hall & Oats set. Just sayin’
FOALS vs. Kurt Vile and The Violators vs. Deap Vally
*Winner of worst conflict: FOALS vs. Kurt Vile


Check out our previous Outside Lands articles:
Outside Lands 2013 Beer/Artist Pairings
Outside Lands 2013: Ten sets not to miss
Outside Lands Music Festival Lineup 2013: Rumors vs. Reality

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