Modest Mouse

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2025

December 30, 2025 by The Bam Team Leave a Comment

Well, here we are again with another year in the books. Music, for one, certainly had its ups and downs throughout 2025. There was Kendrick Lamar’s iconic Super Bowl halftime show, the long-awaited return of Britpop legends Oasis and of course the death of Ozzy Osbourne two weeks after performing for the final time that sent shockwaves across the world. Along with those moments, we witnessed quite a few of our own. Whether it was taking in the closest thing to a Rage Against the Machine show you can see these days, The Prodigy tearing down the house for their first North American headline date since 2017, an evening with Primus that was chock full of surprises, My Morning Jacket’s epic return to Red Rocks, one of the summer’s best co-headline tours with The Flaming Lips and Modest Mouse both sharing the stage and Lord Huron’s ascent to newly minted arena act, there was plenty to celebrate and remember over the last 12 months.

But with another year down and 2026 right around the corner, it’s time for us to reveal our annual “Best of” lists as we have done since this blog started more than a decade ago (see our 2024 picks here). As we always say, we will be the first to confess we didn’t attend every show or spin every album that was issued in 2025, but reflecting on the year that was remains just as fun and challenging as when we first started doing this yearly exercise.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2025.

Listen to The Bam Team’s favorite songs of 2025:

Josh Herwitt // Los Angeles

Top 5 Shows of 2025
1. Nine Inch Nails at Kia Forum – Los Angeles, CA – September 18th-19th
When these Hall of Famers announced their “Peel It Back Tour” almost a year ago, we had a pretty good feeling that new music would be on the way. What we didn’t know is that it would for the new “Tron” movie that arrived in the fall. And while permanent members Trent Reznor and Atticus Ross showcased only the soundtrack’s lone single on this run, it was the production featuring a two-stage setup and reimagining of older songs — particularly on the “B Stage” with Boys Noize as Nine Inch Noize — in addition to the unexpected return of former touring drummer Josh Freese that had me thinking about these final two shows of the tour for weeks. That’s what live music can do when an unforgettable performance sticks with you, which was even more remarkable considering Reznor entered his seventh decade just earlier this year.

2. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 15th-16th
3. Queens of the Stone Age at Arlington Theatre – Santa Barbara, CA – November 8th
4. Jack White at Hollywood Palladium – Los Angeles, CA – May 12th-13th
5. Primus at Greek Theatre – Los Angeles, CA – August 6th

Honorable Mention: The Prodigy at The Warfield – San Francisco, CA – April 13th

Top 5 Albums of 2025
1. Geese – Getting Killed
Let me just say first and foremost that this was not my favorite year for albums. That said, there were several that stuck out and the fourth full length from these NYC indie rockers stood squarely at the top. From the sonic chaos that greets us during “Trinidad” and the groovy, Sly Stoned-flavored “100 Horses” (which is apropos given his death in June) to lead single “Taxes” that’s one of its best and the frenetic finale “Long Island City Here I Come”, the variety of sounds being explored on Getting Killed is almost unparalleled. Geese shouldn’t be considered new kids on the block at this point, but there’s a legitimate reason why they were one of the year’s hottest bands and I am still kicking myself for missing their sold-out show at The Fonda Theatre in late October (resale tickets were going for as much as $800 and that was while the Dodgers were in the World Series no less). Well, fingers crossed for my first one in 2026.

2. Clipse – Let God Sort Em Out
3. The Mars Volta – Lucro Sucio; Los Ojos del Vacio
4. Lord Huron – The Cosmic Selector Vol. 1
5. Ty Segall – Possession

Honorable Mention: Lady Gaga – Mayhem

Top 5 Songs of 2025
1. Nine Inch Nails – “As Alive as You Need Me to Be”
I have no problem admitting that I am a sucker for any new NIN music. As one of my favorite bands all time, the industrial rockers had not released a proper album in more than a decade and we’re not sure if the “Tron: Ares” soundtrack technically counts in our book either. But we love it when Reznor leans into the electronic side of the project, and “As Alive as You Need Me to Be” with additional production from Boys Noize scratches that itch for us. While numbers don’t always tell the full story, the fact that it was our top played song on Spotify does mean something when you look back on all of the music we got to consume in 2025. Better yet, Trent and Atticus still making music of this caliber speaks volumes to their craft and talent as true professionals.

2. Clipse – “Chains & Whips” feat. Kendrick Lamar
3. My Morning Jacket – “Beginning from the Ending”
4. DARKSIDE – “One Last Nothing”
5. Lord Huron – “Bag of Bones”

Favorite Soundtrack of 2025: Nine Inch Nails – Tron: Ares

Andrew Pohl // San Francisco

Top 5 Shows of 2025
1. Home Front at Thee Parkside – San Francisco, CA – November 21st
Having caught Home Front last year in SF at Bottom of the Hill I know going into this concert that Home Front was going to absolutely crush it, but man oh man did they completely outdo themselves. Opening act False Flowers warmed up the crowd in spectacular fashion, and The Government did an excellent job as main support. The overly packed room was VERY ready to receive what Home Front was about to give them, and the band destroyed the place inside and out. Sonically crisp and very tight, the band has built a reputation of being a superb live act and it fully lived up to that at this show, playing much of the material from their new album Watch It Die along with material from their previous efforts and a Cock Sparrer cover to end the set.

2. Pile at Rickshaw Stop – San Francisco, CA – September 10th
3. Pixies with Blonde Redhead, Spoon at Greek Theatre Berkeley – Berkeley, CA – August 28th
4. Deep Sea Diver with Byland at The Independent – San Francisco, CA – April 8th
5. Dance Hall Crashers at Great American Music Hall – San Francisco, CA – June 7th

Top 5 Albums of 2025
1. Deftones – private music
For a band that has produced as much quality output as Deftones has over the years, it’s nice to see them outdo themselves like they did on this album. I wouldn’t qualify it as a “return to form” since it has much of the sonic familiarity throughout the rest of their catalog, but the songs themselves are just really strong and stick to your bones more than most of their other recent material. They sound like a unit that came into recording this with confidence and intention. The material also feels like it would translate well live, and based on how footage of their concerts this year looked, I stand correct. This is the album that I kept coming back to over and over again in 2025, which didn’t surprise me given my love for these guys.

2. Momma – Welcome to My Blue Sky
3. Home Front – Watch It Die
4. Deep Sea Diver – Billboard Heart
5. Viagra Boys – Viagr Aboys

Top 5 Songs of 2025
1. Viagra Boys – “Man Made of Meat”
This is such a perfect way to open Viagra Boys’ new album. Right off the bat you get that level of sass and weirdness that we have come accustomed to from the Swedish post-punk band. From the perfectly timed belch in the opening verse to the breakdown where frontman Sebastian Murphy brings up the idea of subscribing “to your mom’s Only Fans,” the song is a buffet of ridiculousness. The chorus is catchy as all get out, and the song as a whole is that perfect mix of accessible and clever. What a fun way for them to get things started.

2. Deftones – “Locked Club”
3. Preoccupations – “Ill at Ease”
4. Home Front – “Light Sleeper”
5. Momma – “New Friend”

Rochelle Shipman // Los Angeles

Top 5 Shows of 2025
1. Kendrick Lamar and SZA at SoFi Stadium – Inglewood, CA – May 24th
It’s hard to imagine anything other than a killer Kendrick show after the run he’s had this past year, but the Grand National Tour went above and beyond and around again. It was one set with songs from both artists’ catalogs being seamlessly interwoven before they came back onstage to perform a few of their hits together. Kendrick was riding his deserved high, while SZA was angelic (literally suspended above the crowd wearing wings) and somehow made it feel like we were watching two Beyoncés. The power and craft on that stage was something so special to witness.

2. Little Simz at Fox Theatre Oakland – Oakland, CA – November 17th
3. Clipse at The Novo – Los Angeles, CA – August 23rd
4. Bright Eyes at The Wiltern – Los Angeles, CA – February 7th
5. Doechii at Gallagher Square (Petco Park) – San Diego, CA – November 5th

Honorable Mention: NxWorries at Hollywood Palladium – Los Angeles, CA – October 19th

Top 5 Albums of 2025
1. Clipse – Let God Sort Em Out
After a false start with Def Jam that resulted in a seven-figure buyout, Clipse finally found a home at Roc Nation for their newest album in 15 years over the summer — and now it’s hard to imagine it happening any other way. The brothers Thornton reunited to educate the kids on what a proper album rollout used to entail, the whole time sharing their experiences and emotions surrounding their parents’ deaths to a degree most men would never dream of doing. The beats and bars hit so hard all the way through they even make some of Pharrell’s cringeworthy moments sound catchy. There’s no question Mom and Dad are proud of them after laying down this masterpiece.

2. Little Simz – Lotus
3. Backxwash – Only Dust Remains
4. Landlady – Make Up / Lost Time
5. Panda Bear – Sinister Grift

Top 5 Songs of 2025
1. Little Simz – “Thief”
Opening her sixth studio album with an intro track that’s as intense as it is eloquent, the London rapper continues to prove she’s not the one to fuck with. Marking the first of a few songs on Lotus that artfully skewers her former musical counterpart Inflo of Sault, “Thief” leaves Simz’s broken heart totally bare against a compelling musical backdrop. It’s never fun to watch close friends have a falling out, but we would be damned if Little Simz didn’t make it sound so good.

2. Clipse – “The Birds Don’t Sing”
3. AJ Tracey feat. Jorja Smith – “Crush”
4. Casey Dienel (fka White Hinterland) – “Your Girl’s Upstairs”
5. Doechii – “Nosebleeds”

Michael Silver // Orange County

Top 5 Shows of 2025
1. Jack White at The Grove of Anaheim – Anaheim, CA – January 25th
The millennial guitar GOAT went on a generational run in 2025. A master of gorilla marketing and last-minute ticket announcements, White commenced his “No Name” tour with an intimate OC performance. The Internet gods were kind to me as I scored front-row access to see the Detroit native blitzed through a 21-song set spanning White Stripes cult favorites (“The Hardest Button to Button”) to The Raconteurs’ gems (“Broken Boy Soldier”) all while mixing in new joints (“Old Scratch Blues” followed by “That’s How I’m Feeling”). Between playing music halls and theaters as well as NFL stadiums with Eminem in front of a national TV audience on Thanksgiving, the virtuoso and ambassador for all things vinyl was officially inducted into the Rock & Roll Hall of Fame as a member of The White Stripes this year and has carved out his own lane in rock history.

2. Freddie Gibbs & The Alchemist at The Observatory – Santa Ana, CA – October 27th
3. The Eagles at Sphere – Las Vegas, NV – October 10th
4. Wu-Tang Clan at Crypto.com Arena – Los Angeles, CA – June 22nd
5. The Used at House of Blues Anaheim – Anaheim, CA – October 11th

Top 5 Albums of 2025
1. Freddie Gibbs & The Alchemist – Alfredo 2
Following up on 2020’s Grammy-nominated collaboration, the Indiana rapper and California producer created a soulful, translucent vibe of hip-hop bravado. The opening guitar licks on “1995” showcase a new era of creativity by The Alchemist, while Gibbs provides a hypnotic and downright maniacal flow. “Mar-a-Lago” and “Lemon Pepper Steppers” define these sophisticated raps, with the emcee in total control painting a visual storyboard.

2. Deftones – private music
3. Turnstile – Never Enough
4. Clipse – Let God Sort Em Out
5. Joey Bada$$ – Lonely at the Top

Top 5 Songs of 2025
1. Turnstile – “Birds”
Has there ever been a more fitting rock anthem to take over the airwaves? Soaring in at 2:27 long, the Baltimore collective blasted into our collective conscience. With high-profile fans like Billie Eilish, Elton John and Hayley Williams singing their praise, it wasn’t long before mainstream radio added them into their rotations. To wrap up a wild press campaign, lead singer Brendan Yates performed the first-ever stage dive at NPR’s Tiny Desk series with “Birds” as his soundtrack.

2. Deftones – “Milk of the Madonna”
3. Diplo – “Flashlight” feat. Project Pat & Juicy J
4. GELO – “Tweaker”
5. Sublime – “Ensenada”

Favorite Soundtrack of 2025: Nine Inch Nails – Tron: Ares

Filed Under: Best of, Best of 2025, Editor's Picks, Featured Tagged With: AJ Tracey, Arlington Theatre, Backxwash, Blonde Redhead, Boys Noize, Bright Eyes, Byland, Casey Dienel, Clipse, Cock Sparrer, Crypto.com Arena, Dance Hall Crashers, Darkside, Deep Sea Diver, Deftones, Diplo, Doechii, Eminem, False Flowers, Fox Theater Oakland, Freddie Gibbs, Freddie Gibbs & The Alchemist, Gallagher Square, Gallagher Square at Petco Park, GEESE, GELO, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grove of Anaheim, Hollywood Palladium, Home Front, House of Blues Anaheim, Inflo, Jack White, Joey Bada$$, Jorja Smith, Juicy J, Kendrick Lamar, Kia Forum, Lady Gaga, Landlady, Little Simz, Lord Huron, Modest Mouse, Momma, My Morning Jacket, Nine Inch Nails, Nine Inch Noize, NxWorries, Oasis, Ozzy Osbourne, Panda Bear, Petco Park, Pile, Pixies, Preoccupations, Primus, Project Pat, Queens of the Stone Age, Rage Against the Machine, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Rickshaw Stop, Sault, Sly Stone, SoFi Stadium, Sphere, Spoon, Sublime, SZA, The Alchemist, The Arlington, The Arlington Theatre, The Eagles, The Flaming Lips, The Fonda Theatre, The Government, The Independent, The Mars Volta, The Novo, The Novo DTLA, The Observatory, The Prodigy, The Used, The Warfield, The White Stripes, The Wiltern, The Wiltern Theatre, Thee Parkside, Tom Morello, Turnstile, Ty Segall, Viagra Boys, Wu Tang Clan

The Flaming Lips & Modest Mouse team up for one of the summer’s best co-headline tours as we witnessed at the Santa Barbara Bowl

September 12, 2025 by Josh Herwitt 1 Comment

The Flaming Lips

By Josh Herwitt //

The Flaming Lips & Modest Mouse with Dehd //
Santa Barbara Bowl – Santa Barbara, CA
September 5th, 2025 //

A couple of weeks ago, we made the case that summer continues to be live music’s biggest and most important season after Louisville five-piece My Morning Jacket closed out their summer tour with three dates in California (see more photos from the shows here).

While the industry has always thrived when the days are long and weather is warm, one of the draws about seeing live music in the summer is the co-headline tour. Back in 2023 there was not only MMJ and Fleet Foxes sharing the iconic Hollywood Bowl’s stage (read our show review here), but also The Revivalists and Band of Horses that subsequently proved to be a fun mix to catch on a night out under the stars (see more photos from the show here).

Last summer didn’t offer much as far as co-headline tours go, and while having Phantogram open for Kings of Leon (see our photos from the show here) marked one of the best double bills from 2024, this year has brought together some new pairings and one standing out right away was psych-rock veterans The Flaming Lips joining forces with indie-rock pioneers Modest Mouse for “The Good Times Are Killing Me” tour across 18 U.S. cities.

Considering the longevity of both bands, each has spent countless hours on the road. Modest Mouse, after all, are no strangers to the co-headline tour, and while no pun was intended there, we do say that after watching them share the stage with Brand New back in 2016 on the heels of releasing their sixth studio album Strangers to Ourselves (read our show review here). Isaac Brock, who has served as the project’s lead vocalist, principal songwriter, guitarist and only constant member since forming out of the Pacific Northwest in the early 90’s, has kept things afloat even with founding members Eric Judy (bass, acoustic and rhythm guitar, keyboards, backing vocals) and of course the late Jeremiah Green (drums, percussion) no longer in the picture.

It has already been more than four years since Modest Mouse put out new music, but they also remain one of a select few indie acts to craft a unique setlist for each show — something you can expect from a jam band — and it’s what has compelled us to be “in the room” whenever they come to town. There are plenty of bigger fans of jam bands than yours truly, yet there’s something about not following the same script every night that makes a Modest Mouse concert feel special.

Modest Mouse

Surprisingly, no material on 2021’s The Golden Casket was touched when Brock and his sidekicks came to the Santa Barbara Bowl for their first visit in almost two decades. Instead, they leaned into older tunes from 2007’s We Were Dead Before the Ship Even Sank, 2004’s Good News for People Who Love Bad News, 2000’s The Moon & Antarctica, 1997’s The Lonesome Crowded West and even 1999’s Night on the Sun EP that was only made available in Japan. Highlights throughout their 75-minute set included several deep cuts starting with “Fly Trapped in a Jar” and “Paper Thin Walls” before “Perfect Disguise” and “Styrofoam Boots” came later as well as the new, unreleased “Dogbed/Sheetrock” that provided a change of pace sonically without Brock’s usual shout-bark vocals. What we found a bit ironic was not hearing the song the tour was named after, though we realized with a little bit of online research that it wasn’t played at any point during the tour and only twice so far in 2025.

The Flaming Lips, meanwhile, are still one of a kind and going strong for 40-plus years. This wasn’t our introduction, having seen them as early as 2003 when they were touring in support of what has become their landmark 2002 LP Yoshimi Battles the Pink Robots, and the feeling of being totally overstimulated by Teletubbies and other costumed dancers onstage at the age of 18 has been burned into my memory forever. Since then, we have caught the Lips in a variety of other settings — from festivals to their own headline gigs — but maybe none better than when they took a sold-out audience in Los Angeles for a ride at The Theatre at Ace Hotel (now known as the United Theater on Broadway), the historic movie palace that was built in 1927 and only seats 1,600 (read our show review here).

As much as its music sounds different from Modest Mouse’s, there is enough crossover appeal with the Oklahoma City outfit led by founding member and frontman Wayne Coyne for a co-headline tour like this to work. In fact, this wasn’t the first time the two groups have played the same night at the Bowl after the “Unlimited Sunshine Tour” that also featured Kinky, Cake and De La Soul stopped through in 2002. And when we saw Modest Mouse celebrate the quarter-century mark for The Lonesome Crowded West just a few years ago at The Wiltern, they covered “Five Stop Mother Superior Rain” on the Lips’ 1990 studio effort In a Priest Driven Ambulance during the encore, so to assume that there is no familiarity between them would be foolhearted. That said, any enthusiast of 90’s rock could get behind what occurred over the next several hours and despite the venue’s tight curfew making for an early start time of 6 p.m., you could not ask for a more picturesque scene on a warm and beautiful Friday evening as Chicago three-piece Dehd kicked things off well over a year after their fifth full length Poetry dropped on Fat Possum Records to favorable reviews.

With all of the antics and shenanigans that transpire during a Flaming Lips performance, there’s no way someone could be bored by the constant barrage of confetti cannons, inflatable stage props, oversized costumes and trippy visuals projected on the large screen behind them. If so, we probably don’t want to hang out with them. There’s so much happening up there it’s easy to get lost in the chaos, but it’s really the music and not the production that has convinced us to come back for more. A cover of “The Golden Path” by The Chemical Brothers that the Lips contributed vocals on, for instance, got its own permanent spot midway through, and Coyne’s homage to Ozzy in the form of Black Sabbath’s “War Pigs” was the most recent tribute to the legendary Prince of Darkness we have witnessed after Primus at LA’s Greek Theatre (read our show review here) and MMJ at Red Rocks Amphitheatre (read our show review here) delivered their own to loud applauses.

Coyne and his cohorts have been honoring the 20th anniversary of Yoshimi for the past three years and their setlist for this tour, unlike Modest Mouse’s, did not deviate at all from one city to the next. Usual live staples “The Yeah Yeah Yeah Song (With All Your Power)”, “She Don’t Use Jelly” and crowd favorite “Do You Realize??” brought things to a fever pitch prior to the final homestretch that saw them end with The Soft Bulletin single “Race for the Prize”, which we remember was the opener for that initial encounter at the Hollywood Palladium. A lot has changed for the Lips in that span, whether it has been welcoming in new cast members or collaborating with household names such as Miley Cyrus, Thievery Corporation, Erykah Badu, Kesha, Nick Cave, Neon Indian and more. Coyne, for one, doesn’t appear to be slowing down at 64 years old, with his charisma channeling a love and zest for life he hasn’t lost, and we sure hope somehow he never does.

THE FLAMING LIPS

Setlist:
Sleeping on the Roof
Yoshimi Battles the Pink Robots, Pt. 1
Yoshimi Battles the Pink Robots, Pt. 2
Turn It On
Pompeii Am Götterdämmerung
Five Stop Mother Superior Rain
The Golden Path (The Chemical Brothers cover)
Feeling Yourself Disintegrate
The Yeah Yeah Yeah Song (With All Your Power)
She Don’t Use Jelly
Do You Realize??

Encore:
War Pigs (Black Sabbath cover)
Race for the Prize

Setlist:
King Rat
Float On
Fly Trapped in a Jar
Teeth Like God’s Shoeshine
Dogbed/Sheetrock
Paper Thin Walls
Ocean Breathes Salty
Perfect Disguise
Night on the Sun
Dance Hall
Dashboard
Little Motel
Third Side of the Moon
Styrofoam Boots
Spitting Venom

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Band of Horses, Black Sabbath, Brand New, CAKE, De La Soul, Dehd, Erykah Badu, Fat Possum, Fat Possum Records, Fleet Foxes, Greek Theatre, Hollywood Palladium, Kesha, Kia Forum, Kings of Leon, Kinky, Miley Cyrus, Modest Mouse, My Morning Jacket, Neon Indian, Nick Cave, Ozzy Osbourne, Phantogram, Primus, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Santa Barbara Bowl, The Flaming Lips, The Revivalists, The Theatre at Ace Hotel, The Wiltern, Thievery Corporation, United Theater on Broadway

After canceling last year’s arena tour, The Black Keys try to forge a new path forward while making their debut at LA’s Greek Theatre

June 9, 2025 by Josh Herwitt Leave a Comment

By Josh Herwitt //

The Black Keys with The Heavy Heavy //
Greek Theatre – Los Angeles
June 3rd, 2025 //

There are certain bands over the past two decades that didn’t attain mainstream success until years after their formation.

One that always stood out is Modest Mouse with the 90’s alt-rock group not reaching radio listeners and late-night TV viewers until their fourth LP Good News for People Who Love Bad News came out in 2004 and boasted Grammy-nominated hit “Float On” despite previously releasing three excellent albums over a four-year stretch at the start.

The Black Keys are another that immediately comes to mind, considering the bluesy garage-rock duo comprised of Dan Auerbach (guitar, vocals) and Patrick Carney (drums) issued five albums in a matter of six years before cracking the Top 10 of the U.S. Billboard 200 with its 2010 breakthrough Brothers.

While the Danger Mouse-produced effort climbed as high as No. 3 on the charts here in the states, it was the Keys’ subsequent studio material — 2011’s El Camino and 2014’s Turn Blue — that saw the two-piece level up to the No. 2 and No. 1 spots, respectively. We remember being struck by the latter upon first listen (read our album review here) that ended up as one of our favorites in a crowded field that year (see our picks here).

Auberbach and Carney have put out four more albums since then, with 2019’s Let’s Rock, 2021’s Delta Kream and 2022’s Dropout Boogie landing inside the Top 10 — an impressive feat considering that one was just covers of hill country blues songs they recorded “in about 10 hours.”

Things took a turn last spring when the two childhood friends from Akron unveiled Ohio Players and had to stomach not only the mixed reviews from critics, but also the fact that it marked their first album to not make the Top 20 in 18 years. Ironically enough, lead single “Beautiful People (Stay High)” still managed to receive Grammy nominations for Best Rock Performance and Best Rock Song even if only two other songs were dropped in advance of the 14-track LP.

The charts weren’t the only indication that Ohio Players lacked the same fanfare as the Keys’ previous albums, though. That became even more apparent when the five-time Grammy winners had to cancel their North American arena tour due to poor ticket sales, yet still hard to believe for a band that in 2013 was nominated for Album of the Year. Because as Carney told Rolling Stone earlier this year after the pair fired its management: “Shit happens.”

Just how bad did it get? We will let you be the judge, but they had to forfeit almost $10 million in ticket sales and agreed to play an “America Loves Crypto” concert in their hometown for “a lot of money” as the 2024 elections loomed. If that doesn’t sound at least a tad desperate, then we might be working in the wrong business and aren’t afraid to admit it.

Auerbach and Carney, nonetheless, weren’t waiting to put last year’s turmoil behind them. A month into this year, they had already announced the first leg of their “No Rain, No Flowers” tour beginning in May and revealed the same name for the Keys’ next album a week before a string of U.S. shows scheduled at smaller, yet iconic venues such as Red Rocks Amphitheatre and Berkeley’s historic Greek Theatre.

What’s also hard to believe is that the Keys have never stepped foot onstage at LA’s own Greek Theatre in all their visits to the entertainment capital. It probably wasn’t the way they wanted to make their debut after more than two decades on the scene, but that’s how fast the band’s ascent was in the early 2010’s as it bypassed midsize rooms and went straight from headlining clubs to arenas in a couple of years.

For as much commercial success as The Black Keys have attained however, their live show lacks the same element of surprise that has made Jack White one of today’s best rock acts to catch in the flesh after witnessing him command the stage during his sold-out shows at Hollywood Palladium and Santa Barbara Bowl (read our show review here) last month in electrifying fashion. Auerbach and Carney, on the other hand, aren’t ones to switch up their setlist every night when they definitely could, although it was a pleasure to hear them dust off “Too Afraid to Love You” for the first time since 2015 in LA.

The rest of the evening went pretty much according to plan, with a cover of Canned Heat’s 1968 hit “On the Road Again” that was followed by the title track on their 13th full length coming in August. So far only two songs off No Rain, No Flowers have been revealed, including “The Night Before” that came midway through the Keys’ 90-minute affair at the Greek. What might have been more noticeable toward the end of their two-song encore was no Ohio Players material had been performed, and while that has certainly been the trend on this tour, we would venture to guess it’s not merely by coincidence. Even their recent single “Babygirl” didn’t make the cut, and we would have loved to catch personal favorites like “Just Got to Be” on 2006’s Magic Potion, “Strange Times” from 2008’s Attack & Release and “Shine a Little Light” that opens 2019’s Let’s Rock. If anything, it’s a reminder of just how expansive The Black Keys’ catalog is at this point, and as much as we enjoy hearing “Weight of Love” get its moment in the spotlight, there is something about dialing up the same setlist that feels beneath where a band of this caliber should be. That might be asking a lot of Auerbach, Carney and their cast of touring sidekicks, but as fans from their early days, we know it’s what would keep us coming back for more.

THE BLACK KEYS

Setlist:
Thickfreakness / The Breaks / I’ll Be Your Man
Your Touch
Gold on the Ceiling
Fever
Wild Child
I Got Mine
Everlasting Light
Next Girl
The Night Before
Lo/Hi
Weight of Love
Too Afraid to Love You (first time live since 2015)
Tighten Up
On the Road Again (Canned Heat cover)
No Rain, No Flowers
Heavy Soul
Howlin’ for You
She’s Long Gone

Encore:
Little Black Submarines
Lonely Boy

Editors’ Note: The entire show can be viewed here.

THE HEAVY HEAVY

Setlist:
Parakeets
Miles and Miles
Lemonade
Man of the Hills
All My Dreams
Cherry
Go Down River
Happiness
One of a Kind

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Billboard Hot 100 Festival, Canned Heat, Danger Mouse, Greek Theatre, Hollywood Palladium, Jack White, Modest Mouse, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Santa Barbara Bowl, The Black Keys, The Heavy Heavy

First Times: Covering a show at Pappy and Harriet’s as Death from Above 1979 celebrate 20 years of ‘You’re a Woman, I’m a Machine’

October 18, 2024 by Josh Herwitt 2 Comments

By Josh Herwitt //

Death from Above 1979 //
Pappy and Harriet’s – Pioneertown, CA
October 11th, 2024 //

It’s easy to be spoiled by all of the opportunities to experience live music when you grow up in a city like Los Angeles. So much so, in fact, that it can often be difficult to find a good reason to venture outside of LA County for a show or festival.

Even though one of the world’s major entertainment capitals can provide endless options for fans from January to December, there’s something special about escaping the hustle and bustle of my hometown once in a while to catch a concert out in the wild.

Over the years Southern California’s Hi-Desert region has become one of those places for me that has served as a rather quick and easy getaway. Of course, sharing the same first name as the one-of-a-kind Yucca brevifolia — more commonly known as the Joshua tree — that dominates much of the landscape throughout the region might seem like the obvious reason for yours truly, but it’s no secret that interest in the area has skyrocketed globally since the invention of social media. Just look at how much an average Airbnb rental in Yucca Valley costs these days if you don’t believe me.

But ever since that first backpacking trip during my freshman year of high school, I have always held a deep connection to Joshua Tree National Park. The otherworldly feel of its rock formations and unique vegetation set against the backdrop of a stunning desert sunset is unmatched and something you can’t find anywhere else on the planet. The park, however, is only one of the Hi-Desert’s multiple attractions these days. Whether it’s a visit to The Integratron for a sound bath, Noah Purifoy’s outdoor museum or the seven-story Giant Rock that’s the largest freestanding boulder in North America and purportedly on Earth, there’s plenty to see and even more to do than one might think.

Pioneertown

What we would be remiss to not have on that to-do list is a trip to Pioneertown where actor Dick Curtis built things from the ground up in 1946. Constructing a movie set for Westerns like “The Cisco Kid” and early TV shows, it would also become a regular filming location for the late Gene Autry until 1955. Both commercial production and photography are still allowed although only by permit, but many locals and visitors who turn onto Pioneertown Road from California State Route 62 and make the four-mile drive have one destination in mind: Pappy and Harriet’s.

The honky-tonk, California-style barbecue restaurant (think trip-tip sandwiches, ribs, burgers and more) where a cantina set was originally conceived during the town’s inception was ranked several years ago as one of the 100 greatest American music venues, ahead of other legendary rooms such as Radio City Music Hall and the Troubadour. Initially it was purchased in 1972 by Francis Aleba and became a biker bar serving Mexican fare that was named The Cantina before closing after a decade. In fact, it was not until Aleba’s daughter Harriet secured ownership of the building with her husband Claude “Pappy” Allen about 10 years later that Pappy & Harriet’s Pioneertown Palace as we know it today was officially born. While it continued to be a favorite watering hole for two-wheel riders with a menu featuring family-size Tex-Mex cuisine, it did not take long for fans of live music to also fall in love with different acts gracing their stage every week. It’s why top-notch artists and bands across the spectrum — Paul McCartney, Queens of the Stone Age, Lorde, Robert Plant, Arctic Monkeys, Vampire Weekend, Eagles of Death Metal, Band of Horses, Grizzly Bear, Rufus Wainwright and Alvvays to name a few — have shown up there to perform no matter how many times Pappy’s, as it’s commonly referred to now, has changed hands and who is currently running operations. That trend hasn’t slowed down either, with Phoenix, Slipknot, Modest Mouse, Patti Smith, Coheed and Cambria, Belle & Sebastian, Built to Spill, Orville Peck, Lukas Nelson & Promise of the Real, Pete Yorn, Wynona Judd, Violent Femmes, Sylvan Esso and more all dropping by over the past few years and earning the roadhouse stop a spot on the Los Angeles Times list for the 101 best California experiences in 2022.

After making visits on my own for food and drinks but having never previously taken in a concert, I can understand the appeal and how Pappy’s has turned into a well-oiled machine after more than 40 years. There’s something to be said about feeling like you have teleported back in time, and you get that sense as soon as you drive past the Pioneertown sign, pull into Pappy’s dusty parking lot and take in the smell of smoked meat. But it’s more than just aesthetics that creates the old-timey vibes at Pappy’s. On some days — usually weekends — you can find more than one show booked, and when that happens, it can certainly create for an interesting scene as fan bases collide outside at the bar and merch stand. And if one performance runs behind schedule, you can be assured that any ensuing events won’t be starting on time either. If you ever went to see a friend’s band play a local bar in high school or college, Pappy’s is not removed much from that sort of situation besides its saloon-like setting.

In addition to its diminutive indoor stage with a 350-person maximum, Pappy’s has expanded to include an outdoor stage that can host bigger names and accommodate as many as 850 folks when it’s not too cold at night. Nevertheless, I wanted to make sure that my first show was inside those wooden doors to get the true Pappy’s experience.

Death from Above 1979

So when a band I have followed for more than a dozen years announced that it would be playing a gig inside Pappy’s to make up for the 2024 edition of Desert Daze being canceled, I finally felt moved to hit the open road and travel 140 miles east regardless of the small investment in time and resources that I knew came with my decision.

After all, this was not any performance. The first time I ever saw Death from Above 1979 in the flesh was not that far from Pappy’s. At the time, the dance-punk duo from Toronto was reuniting on the main stage at Coachella more than five years after breaking up despite the positive reception its debut LP You’re a Woman, I’m a Machine received in 2004. Jesse F. Keeler (bass, synthesizer, keyboards, backing vocals) and Sebastien Grainger (drums, vocals) have gone on to release three more full lengths since then, but this year has been dedicated to celebrating the album that gave them the chance to tour with Nine Inch Nails and QOTSA back then.

Based on the way things were unfolding at Pappy’s that evening with the preceding show not starting on time, the special midnight performance DFA 1979 booked had turned into more like a 1 a.m. set when it was all said and done, leaving me and others to wait in line and among a sold-out crowd for close to two hours. Of course, with the state’s 2 a.m. curfew in effect, the last performer of the night is always the one that pays the price — or at least its fans do — and in this case, there proved to be only enough time left on the game clock for Keeler and Grainger to run through You’re a Woman, I’m a Machine from start to finish before wrapping with a two-song encore consisting of lead single “Freeze Me” on 2017’s Outrage! Is Now and “Dead Womb” off the 2002 EP Heads Up that marked the group’s very first studio release. We might have been packed in there like sardines, but I did my best to take it all in while holding onto the rail in front of the stage for dear life — as well as my camera equipment — and trying not to stare into the red eyes of that patriotically bizarre, three-headed horse mural on the back wall.

Was it disappointing that we only got about an hour of raw, impassioned punk rock? Sure, we can’t say we would have minded hearing material from 2014’s The Physical World and the Canadian outfit’s most recent effort Is 4 Lovers that dropped more than three years ago at this point. But there’s no doubt going to a show at Pappy’s is not like any other concert experience you have had before. You don’t have to put on a pair of cowboy boots and/or Stetson hat to feel like you belong either, though it wouldn’t be frowned upon if that’s your thing. Anyone and everyone are welcome, and the same ethos has seemingly applied in showcasing all styles of music there. At one moment you might be listening to indie folk, and the next, you’re headbanging to some heavy metal — that’s what really makes Pappy’s so fun and cool. Because while it might not be a hidden gem in the desert anymore after previously hosting Coachella sideshows from Future Islands to Glass Animals, you won’t find anything quite like it to this day.

Setlist:
Turn It Out
Romantic Rights
Going Steady
Go Home, Get Down
Blood on Our Hands
Black History Month
Little Girl
Cold War
You’re a Woman, I’m a Machine
Pull Out
Sexy Results

Encore:
Freeze Me
Dead Womb

Filed Under: Editor's Picks, Featured, First Times, Live Music Reviews, Show Experience Tagged With: Arctic Monkeys, Band of Horses, Belle & Sebastian, Built To Spill, Coachella, Coachella 2011, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2011, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2011, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2011, Coheed and Cambria, Death from Above 1979, Eagles of Death Metal, Future Islands, Gene Autry, Glass Animals, Grizzly Bear, Lorde, Lukas Nelson & Promise of the Real, Modest Mouse, Nine Inch Nails, Orville Peck, Pappy & Harriet's, Pappy & Harriet's Pioneertown Palace, Pappy and Harriet's, Pappy and Harriet's Pioneertown Palace, Patti Smith, Paul McCartney, Pete Yorn, Phoenix, Queens of the Stone Age, Radio City Music Hall, Robert Plant, Slipknot, Sylvan Esso, The Integratron, Troubadour, Vampire Weekend, Violent Femmes, Wynona Judd

First Times: Leaping head first into slowdive’s dreamy shoegaze at a sold-out Fox Theater Pomona

April 29, 2024 by Josh Herwitt 5 Comments

By Josh Herwitt //

slowdive with Drab Majesty //
Fox Theater Pomona – Pomona, CA
April 26th, 2024 //

When you live in a city as big as Los Angeles, it’s not everyday that you find yourself hopping on the 60 Freeway and embarking out to the county’s eastern edge for an evening of live music in Pomona.

But nearly 10 years after making the 45-mile trek on a weeknight to catch The Kills at The Glass House (read our show review here), I still found a good reason to do it again and endeavor trying to beat rush-hour traffic on a Friday in LA (pro tip: it takes a lot of patience).

P-Town, as the locals call it, is Goldenvoice CEO Paul Tollett’s backyard after all. It’s where he grew up and co-founded The Glass House with his brother Perry before teaming up with Goldenovice co-owner Rick Van Santen to conceive the $100 million idea that Coachella would eventually become almost two decades later.

But it was in 2007 when Tollett partnered with Ed and Jerry Tessier to purchase the historic Fox Theater Pomona, a fully restored Art Deco movie palace that remains one of the Pomona Arts Colony’s flagship attractions more than 90 years after opening. Constructed in the classic “Hollywood Style” and used by movie studios around Tinseltown to host sneak previews of their upcoming films, the building received $10 million’s worth of renovations when the Tessier family took control and restored it into a state-of-art music venue for audiences as large as 2,000.

With a capacity of that size, the Pomona Fox Theater can attract some top-notch acts every year and Tollett has seized the moment each April since 2012 by booking some big Coachella sideshows there, from Bon Iver and Modest Mouse to Blur and Jungle most recently. Yet, after all these years covering live music, it was English rockers slowdive who finally convinced me to head east again for my first trip to the Fox — and I’m glad that I didn’t miss it after being out of town during their two LA headline shows at The Bellwether in October.

slowdive, believe it or not, have been around for more than three decades at this point. The five-piece out of Reading was formed back in 1989 by primary songwriter Neil Halstead and Rachel Goswell but has remained intact despite a hiatus that lasted almost 20 years.

And with the group’s label parting ways after its first three studio albums were released by the mid-90’s, it wasn’t until 2017 a few years after reuniting when slowdive dropped their self-titled LP that captivated a whole new swath of fans, who quickly jumped on the bandwagon upon hearing dreamy cuts “Slomo”, “Star Roving”, “Sugar for the Pill” and our personal favorite, “No Longer Making Time” toward the end of the eight-track effort.

I will be perfectly honest and admit that I have not always been the biggest fan of shoegaze. The alt/indie-rock sub-genre that had exploded out of Ireland and the UK in the late 80’s when I was a youngster had escaped me amidst the hair-metal scene and subsequent tidal wave of grunge rock during the early 90’s that my older brother turned me onto. I had completely missed the boat on My Bloody Valentine until much later on and never found myself diving into RIDE or Lush, which left me largely unaware of the movement that has paved the way for more recent acts, including DIIV, Hotline TNT, bdrmm and even Silversun Pickups (Pitchfork actually published a piece on shoegaze’s revival prior to the end of last year, citing slowdive’s “phoenix-like rise from the ashes in recent years” here).

Back inside the Fox where a capacity crowd eagerly awaited their arrival onstage, Goswell (vocals, guitar, keyboards, tambourine), Halstead (vocals, guitar, keyboards), Nick Chaplin (bass), Christian Savill (guitar) and Simon Scott (drums) made their presence known just after 9 p.m. with the opening track to their fifth full length Everything Is Alive that arrived in September via Dead Oceans. But it was older material such as the ensuing “She Calls” from the band’s 1992 compilation Blue Day that caught us by surprise as the constant wash of guitar distortion and echoing vocals put us in a trance-like state for the remainder of slowdive’s 90-minute performance.

If there was anything from the show we could nitpick, it was probably that we didn’t get to hear “Slomo” after it was played a day earlier at The Majestic Ventura Theater, and while we had considered heading north for that date instead, our first time seeing slowdive was far from underwhelming. “Souvlaki Space Station” followed by “kisses” served as one highlight, while an encore beginning with what has become their most popular hit “Sugar for the Pill” and a cover of Syd Barrett’s “Golden Hair” that understandably felt psychedelic in its nature provided a euphoric ending for the long drive home. slowdive might not be the loud rock ‘n’ roll concert you are looking for, but there’s no question — effects pedals and all — that they have carved out quite the following since their reformation. Because with the way things have been trending for them of late, we sure hope they don’t slow (no pun intended) down anytime soon.

Setlist:
shanty
She Calls (started, and abruptly stopped by Rachel, then played in its entirety)
Star Roving
Catch the Breeze
Avalyn
skin in the game
Crazy for You
chained to a cloud
Souvlaki Space Station
kisses
Alison
When the Sun Hits
40 Days

Encore:
Sugar for the Pill
Golden Hair (Syd Barrett cover)

Filed Under: Editor's Picks, Featured, First Times, Live Music Reviews Tagged With: bdrmm, Blur, Blushh, Bon Iver, Coachella, Coachella Music and Arts Festival, Coachella sideshows, Coachella Valley Music & Arts Festival, Coachella Valley Music and Arts Festival, DIIV, Drab Majesty, Fox Theater Pomona, Goldenvoice, Hotline TNT, Jungle, Modest Mouse, My Bloody Valentine, Pink Floyd, Ride, Silversun Pickups, Slowdive, Syd Barrett, The Bellwether, The Glass House, The Majestic Ventura Theater

BeachLife Festival ups the ante again this May with The Black Keys, Gwen Stefani, The Black Crowes & more booked for fourth edition

January 6, 2023 by Josh Herwitt 3 Comments

BeachLife Festival //
Seaside Lagoon – Redondo Beach, CA
May 5th-7th, 2023 //

It’s the first week of the new year, and you know what that means … it’s almost festival season!

No, the Coachella lineup hasn’t dropped yet — although we’ll be sure to cover it here whenever that day comes soon — but in the meantime, another Southern California music festival has already revealed its plans for this year.

Taking over Redondo Beach’s waterfront for a fourth time, BeachLife Festival has put together another quality roster this May that once again leans heavily in the direction of rock ‘n’ roll but also incorporates pop, reggae, jam, funk and punk. And all things black is certainly back in 2023, as The Black Keys and The Black Crowes will bookend the three-day event that has three-time Grammy winner Gwen Stefani set to take the stage Saturday after a special performance from Sublime with Rome of 1992’s 40oz. to Freedom, marking more than 30 years since Sublime released their seminal debut album.

MASSIVE! BeachLife Festival proudly presents our 2023 lineup. See you in the sand! Get tickets NOW! 🙌🎸🌊 https://t.co/CbEMFkhG3u pic.twitter.com/ay3rdthJdX

— BeachLifeFestival (@BeachLifeFest) January 6, 2023

Despite only debuting in 2019, BeachLife has continued to up the ante and its latest roster once again boasts plenty of talent as Pixies, John Fogerty (performing the music of Credence Clearwater Revival), Modest Mouse, Band of Horses, CAAMP, Tegan & Sara, Iration, The Head and the Heart, Kurt Vile and the Violators, Dispatch, Noah Cyrus, LP, Sugar Ray, Mavis Staples, The Aiborne Toxic Event, Aly & AJ and Trampled by Turtles round out an excellent undercard. The inclusion of Modest Mouse is especially noteworthy given that Jeremiah Green, the band’s longtime drummer and one of its founding members, passed away at the age of 45 last week. Check out the poster above for the rest of the acts scheduled to take the stage.

The festival, as it did in both 2021 and 2022, will offer guests the unique opportunity to sit on the main stage and eat a four-course meal while being only a few feet away from the action as part of its DAOU SideStage Experience. So if you’re looking to get a little extra bougie for a weekend, that could be just the experience to make BeachLife a very memorable one this spring.

Speaking of tickets, they’re already on sale here! Three-day GA and GA+ passes can be purchased for $379 or $419, and VIP is available for $849 as well as single-day tickets for $159 (GA), $179 (GA+) and $339 (VIP). Of course, there’s always the three-day Admirals pass for $995 or Captain’s pass for $2,999 and $1,250 (single-day) as well if you’re looking to make a big splash so get ’em while they’re still hot.

Filed Under: Featured, Festivals Tagged With: Aly & AJ, BabyJake, Bad Cop Bad Cop, Bad Cop/Bad Cop, Band of Horses, BeachLife Festival, BeachLife Festival 2023, CAAMP, Circle Jerks, Coachella, Coachella 2023, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2023, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2023, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2023, Creedence Clearwater Revival, David Ryan Harris, Devon Baldwin, Dispatch, donavon frankenreiter, Eli Smart, Gwen Stefani, Gym Class Heroes, Hearty Har, Iration, Jeremiah Green, Jim Lindberg, John Fogerty, Jonny Two Bags, Kevin Sousa Band, Kurt Vile, Kurt Vile & The Violators, Kurt Vile and the Violators, Linda Le, LP, Mavis Staples, Modest Mouse, No Doubt, Noah Cyrus, Pennywise, Pixies, Poncho Sanchez, Poppy Harlo, Rainbow Girls, SHAED, Shwayze, Social Distortion, Special C, Stacey Dee, Stacey Dee & Linda Le, Stacey Dee and Linda Le, Sublime, Sublime with Rome, Sugar Ray, Tegan & Sara, Tegan and Sara, The 415s, The Airborne Toxic Event, The Beaches, The Black Crowes, The Black Keys, The Head & The Heart, The Head and The Heart, The Wailers, Tomorrow's Bad Seeds, Trampled By Turtles, Travie McCoy, Tropidelic, Winnetka Bowling League, XYZPDQ, Zander Schloss

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

December 30, 2022 by The Bam Team 1 Comment

After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”

Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

Filed Under: Best of, Best of 2022, Editor's Picks, Featured Tagged With: 3rd Secret, Animal Collective, Arctic Monkeys, Arlene Francis Center, At the Drive-In, Baroness, Bauhaus, Big Gigantic, Bonobo, Bright Eyes, Buzzed Light Beer, Cafe Erzulie, Cave In, Channel Tres, Coachella, Coachella 2022, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2022, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2022, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2022, Coheed & Cambria, Eddie Vedder, Far, Fleet Foxes, FOALS, Giants in the Trees, Greek Theatre, Greek Theatre Berkeley, Hater, Hey Mercedes, High Vis, Hollywood Forever, Interpol, Jack White, Jimmy Eat World, Jonny Greenwood, Just Like Heaven, Just Like Heaven 2022, Kendrick Lamar, Khruangbin, Lando Chill, Leggy, Moderat, Modest Mouse, My Morning Jacket, Nine Inch Nails, Nirvana, Open Mike Eagle, Peaches, Pearl Jam, Pilot To Gunner, Primavera Sound LA, Primavera Sound LA 2022, Primavera Sound Los Angeles, Primavera Sound Los Angeles 2022, Pup, Puscifer, Pusha T, Radiohead, Red Rocks Amphitheatre, Rickshaw Stop, Royal Blood, Santa Barbara Bowl, Seaweed, Shrine Auditorium, Smino, Smithsonian, Soul Glo, Soundgarden, Steve Lacy, Telefon Tel Aviv, THE FEST 20, The Fonda Theatre, The Forum, The Kills, The Mars Volta, The Masonic, The Murder City Devils, The Shins, The Smile, The Velvet Teen, The War on Drugs, Thee Sacred Souls, Thom Yorke, Tool, Trent Reznor, Viejas Arena, Viejas Arena at Aztec Bowl, Vince Staples, Yard Act, Yaya Bey, YouTube Theater

Just Like Heaven 2022: Pasadena’s own slice of indie-music bliss

May 25, 2022 by Josh Herwitt 3 Comments

Photos by Josh Herwitt & courtesy of JLH with artwork by Melissa Herwitt // Written by Josh Herwitt //

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 21st, 2022 //

For those of you in California who haven’t noticed yet, we’re right in the midst of festival season.

With Coachella wrapping up last month and Lightning in a Bottle as well as BottleRock taking place over Memorial Day weekend, 2022 has already brought the live music industry back to the Golden State in a big way (and let’s make sure we mention BeachLife Festival, too).

But for those of us who haven’t been attending music festivals for a few years in part due to the COVID-19 pandemic, it’s even more exciting when any concert promoter can assemble a lineup of great artists and bands to perform all on the same day. That’s what Goldenvoice did, in fact, when it announced the return of Just Like Heaven with a dream lineup for any indie-music fan during the mid-2000s, anchored by Interpol, Modest Mouse, The Shins and M.I.A. with Bloc Party, Franz Ferdinand, Chromeo, Santigold, Cut Copy, The Hives, Wolf Parade, Peaches and !!! also listed on the poster.

After taking over the Queen Mary Park in Long Beach for its debut in 2019, Just Like Heaven has found greener pastures to call home 35 miles north in Pasadena at the Brookside Golf Course adjacent to the Rose Bowl. It’s a proven location for hosting music festivals at this point after holding several large-scale events there before like Shaun White’s inaugural Air + Style and both editions of Goldenvoice’s two-day Arroyo Seco Weekend. But with the AEG-owned company’s other single-day fest Cruel World occupying the site two days the previous weekend and more music festivals like This Ain’t No Picnic scheduled for August, it’s safe to say that the Brookside is becoming quite a hotspot for Goldenvoice of late.

Just Like Heaven, nevertheless, seemingly fits the bill for Goldenvoice CEO Paul Tollett. And though the festival didn’t sell out nor was a second day added this time around, it still felt like quite a success given everything we have endured for more than two years. If anything, it was a brief reminder of what life felt like before the pandemic.

Peaches

While there wasn’t one performance at Just Like Heaven that stood above the rest, there were certainly highlights throughout the day — starting as early as 2 p.m. when Peaches stepped onto the main stage with an array of scantily-clad costumes to celebrate the belated 20th anniversary of her second LP The Teaches of Peaches. For those who got there in time to witness the Canadian electroclash musician in all her glory, it was 50 minutes we’ll never forget as Merrill Nisker delivered one erotic moment after the next alongside her backing band and backup dancers who were wearing as little as her. Sure, hearing Wolf Parade play 2005’s Apologies to the Queen Mary right after wasn’t quite as entertaining, but it did feel apropos given Just Like Heaven’s prior location, setting us up for an evening of classic indie rock.

By the time Franz Ferdinand took the stage for their 5:10 p.m. start, you could tell that the attendance had grown considerably compared to what it was earlier for late-afternoon sets by Kele Okereke, The Hives and Cut Copy. Of course the latter did their best to turn the daytime dance party up a notch with crowd-pleasers such as “Lights and Music” and “Hearts on Fire” off 2008’s In Ghost Colours, but it was Franz Ferndinand, Santigold and Bloc Party who shepherded us through the early evening (and one of them even made us pretend like we were back in 2005 listening to Silent Alarm for the first time again).

One of our only grievances with Just Like Heaven this year was scheduling Chromeo to perform exactly when The Shins were, leaving us less of an opportunity to catch both acts during the sunset. But James Mercer and his sidekicks made the most of it after a long time away from touring, offering 15 cuts across the band’s catalog before finishing with a rare cover of Tom Petty and the Heartbreakers’ “American Girl” as the sun fell behind the San Gabriel Mountains.

From there, the remaining hours of the festival belonged to Modest Mouse, M.I.A. and Interpol. With the first two receiving 60 minutes on their respective stages — Orion and Stardust — each made a point to placate the more casual listener with commercial hits like “Float On” and “Paper Planes” receiving their three minutes in the spotlight. But while some of the songs on Modest Mouse’s 2021 album The Golden Casket don’t translate as well to a live setting as their older material and M.I.A.’s show can often be a bit too bizarre for some, Interpol was there at the end to ground us and bring it all home.

The NYC post-punk revival trio has been on the road for about a month after completing The Other Side of Make-Believe, and although we will have to wait until mid-July for their seventh studio effort to arrive, Interpol did provide a preview of sorts with “Fables” and “Toni” sprinkled into a setlist highlighted by one of our personal favorites “Rest My Chemistry” from 2007’s Our Love to Admire. Yet, it was only fitting on this night for Interpol to also uncork “The Heinrich Maneuver” from the same record that hears frontman Paul Banks ask the audience in the opening lyric, “How are things on the West Coast?” before replying, “I hear you’re moving real fine.” With Just Like Heaven alive and well after a three-year hiatus and new music from Interpol on the horizon, there’s no doubt we are now.

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: Air + Style, Arroyo Seco Weekend, Beach House, Bloc Party, Brookside at the Rose Bowl, Brookside Golf Club, CHK CHK CHK, Chromeo, Cinespace, Coachella, Coachella 2022, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2022, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2022, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2022, Cut Copy, Franz Ferdinand, Geographer, Goldenvoice, Grizzly Bear, Interpol, Islands, Just Like Heaven, Just Live Heaven 2022, Kele Okereke, M.I.A., MGMT, Miike Snow, Modest Mouse, music, Passion Pit, Peaches, Phoenix, Queen Mary Park, Rose Bowl, Santigold, Shaun White, The Cribs, The Go! Team, The Hives, The Rapture, The Raveonettes, The Shins, Them Jeans, Tom Petty, Tom Petty & The Heartbreakers, Tom Petty and the Heartbreakers, Wolf Parade, Yeah Yeah Yeah's, Yelle

10 California music festivals you won’t want to miss in 2022

March 1, 2022 by Josh Herwitt Leave a Comment

Written by Josh Herwitt //

With live music returning to stages across the U.S. during the second half of last year and spring now right around the corner, 2022 is shaping up to be a monumental year for the industry and a big reason for that is the comeback of the music festival. California has certainly played a major part in its revival coming out of a global pandemic, with a number of single-day and multi-day events already scheduled to take place up and down the Golden State over the next six-plus months. So, who’s ready for festival season to begin?

If you’re itching to hit a music festival, here are 10 in California you should save your cash for this year.

CRSSD Festival
Location: Waterfront Park – San Diego
Dates: March 5th-6th
Tickets: Buy them here!

One North American concert promoter who wasn’t deterred by the news surrounding the coronavirus’ omicron variant a few months ago happens to be FNGRS CRSSD, the San Diego-based brand that debuted CRSSD Festival back in 2015 and has been going strong ever since with a spring and fall edition of the event each year. Unleashing another electronic-leaning roster for its first installment in 2022 with Glass Animals and SOFI TUKKER as headliners, CRSSD has managed to hold tight with its plans. Four Tet, Get Real (Claude VonStroke and Green Velvet), Gorgon City, 070 Shake, Blu DeTiger, Cautious Clay, Chet Faker, Parcels, Franc Moody, Lastlings, SG Lewis and more stack the undercard.

READ MORE HERE

Smokin Grooves Fest
Location: LA State Historic Park – Los Angeles
Dates: March 19th
Tickets: Buy them here!

Smookin Grooves’ lineup has easily matched what it offered fans in 2018 (read our review here) and 2019 (read our review here) after putting on excellent showings both years sheerly by landing Erykah Badu, Nas, The Roots, Miguel and Jhené Aiko to lead the charge. But adding The Internet, Flying Lotus, Kamasi Washington, Thundercat, Smino, Toro y Moi, SiR, Little Dragon, Hiatus Kaiyote and more to the roster makes this another must-see production. The one-day fest is also getting a change of scenery as it relocates north to the 32-acre LA State Historic Park in the Chinatown neighborhood of downtown LA that once hosted FYF Fest and several HARD events.

READ MORE HERE

Coachella Valley Music and Arts Festival
Location: Empire Polo Club – Indio, CA
Dates: April 15th-17th & April 22nd-24th
Tickets: Buy them here!

The three-day, two-weekend event is finally ready to give it another go in April after becoming one of the first large-scale music festivals in the U.S. to postpone its plans when the COVID-19 pandemic took the world by storm almost two years ago. Harry Styles and Billie Eilish will spearhead the 2022 lineup, with Swedish House Mafia back at Coachella for the first time in a decade since the electronic supergroup’s closing set on the main stage in 2012 and The Weeknd added late to help replace Ye (fka Kanye West). The famed California fest has had a penchant for booking more international acts — from BLACKPINK to Bad Bunny — in recent years, and 2022 will be no different.

READ MORE HERE

BeachLife Festival
Location: Seaside Lagoon – Redondo Beach, CA
Dates: May 13th-15th
Tickets: Buy them here!

The three-day event moved to September in 2021 due to the COVID-19 pandemic, but it’s back to its normal month of May this year with plenty to get excited about. Leading the fest’s third installment will be Weezer and 311 as co-headliners on Friday while The Smashing Pumpkins and Steve Miller Band will have their own days — Saturday and Sunday, respectively — to shine even after the sun dips into the Pacific Ocean. Black Pumas, Vance Joy, Sheryl Crow, Stone Temple Pilots and Lord Huron, in the meantime, anchor an impressive undercard for what’s sure to be a party down by the shore.

READ MORE HERE

Just Like Heaven
Location: Brookside at the Rose Bowl – Pasadena, CA
Dates: May 21st
Tickets: Buy them here!

The one-day music festival put on by Goldenvoice, which debuted in 2019 and was an instant success, has dropped a 2022 roster that should be a dream come true for any indie music fan. And after a two-year absence due to the COVID-19 pandemic, the show is ready to go on again — although this time it’s migrating north from the Queen Mary Park in Long Beach to take over the Brookside Golf Course at the Rose Bowl — and we still can’t remember the last time heaven ever looked this good. NYC indie rockers Interpol will have the honor of headlining this time around, but sets by Modest Mouse, The Shins, M.I.A., Bloc Party, Franz Ferdinand, Chromeo, Santigold, Cut Copy, The Hives, Wolf Parade, Peaches, !!!, The Raveonettes and more are likely to leave a lasting impression.

READ MORE HERE

Lightning in a Bottle
Location: Buena Vista Aquatic Recreation Area – Bakersfield, CA
Dates: May 25th-30th
Tickets: Buy them here!

After being forced to cancel its 15th edition more than 18 months ago due to the COVID-19 pandemic, the “transformational festival” is returning to Kern County over Memorial Day weekend and The Do LaB has retained a handful of acts on the 2020 roster from headliners like Kaytranada and GRiZ to several undercard standouts such as Purity Ring, Big Wild, Four Tet, Empress Of and Jon Hopkins. But LIB in 2022 will also feature some new blood, starting right at the top of the poster with Glass Animals as well as a pair of Brits in SG Lewis and Little Simz — who are newcomers to the event — on the bill. Other notable names include Chet Faker, Black Coffee, CloZee, Seth Troxler, Monolink, G Jones B2B Eprom, Maya Jane Coles, Goldlink, OPIUO, Chika, Mr. Carmack, Big Freedia, Dirtwire and more, including a Desert Hearts launch party with Lee Reynolds.

READ MORE HERE

BottleRock Napa Valley
Location: Napa Valley Expo – Napa, CA
Dates: May 27th-29th
Tickets: Buy them here!

Despite announcing its lineup at the beginning of this year when COVID-19 cases were skyrocketing across the U.S. due to the omicron variant, the three-day event is marching ahead toward its normal timing of Memorial Day weekend after canceling in 2020 and sliding the festivities back to Labor Day weekend in 2021. And much like BottleRock’s previous rosters, 2022’s follows very much in the same vein (i.e. lots of rock ‘n’ roll) with Metallica, P!NK, Twenty One Pilots and Luke Combs topping the bill. The Napa fest’s ninth edition should serve as a special performance for Metallica no less, considering that the legendary heavy-metal band has called the Bay Area home for almost three decades.

READ MORE HERE

Outside Lands Music and Arts Festival
Location: Golden Gate Park – San Francisco
Dates: August 5-7th
Tickets: Buy them here!

After being forced in 2021 to push back its 13th year (read our review here) to Halloween weekend due to the COVID-19 pandemic, the three-day music festival is finally returning to its usual timing in August and spring is when we normally anticipate the lineup dropping every year. But the latest installment of SF’s signature event has a slightly different feel than in years past as Green Day, Post Malone and SZA assume headlining duties with Jack Harlow, Weezer, Phoebe Bridgers, Illenium, Lil Uzi Vert, Kali Uchis, Disclosure, Mitski, Polo & Pan and Anitta leading the undercard. And though all three headliners will be topping the poster at OSL for the first time, Green Day’s performance should carry a little extra weight given that the legacy act is originally from the East Bay.

READ MORE HERE

This Ain’t No Picnic
Brookside at the Rose Bowl – Pasadena, CA
Dates: August 27th-28th
Tickets: Buy them here!

Concert promoter Goldenvoice is bringing back This Ain’t No Picnic to SoCal for the first time since 2002 and taking over the Brookside Golf Course at the Rose Bowl for two days in late August (warning: it will be hot) with a killer two-day roster that screams “Pitchfork Fest!” The event has a history of exposing the raw energy of punk-leaning, indie darlings such as Sonic Youth, Sleater-Kinney and Guided by Voices in 1999 before taking another step toward the mainstream by booking Beck, Yo La Tengo, Built to Spill, At the Drive-In and Modest Mouse for its 2000 edition. A couple of NYC products in The Strokes and LCD Soundsystem will serve as headliners in 2022 while the fest’s undercard offers its own set of highlights starting with the reunion of Le Tigre, another NYC product who last reunited in 2016 to give us “I’m with Her” as their latest single.

READ MORE HERE

Primavera Sound Los Angeles
LA State Historic Park – Los Angeles
Dates: September 16-18th
Tickets: Buy them here!

Primavera Sound has been a staple across the music festival circuit since launching back in 2001 with its Spanish roots firmly planted in Barcelona. But we would be lying if we didn’t admit here that we have eagerly been anticipating the release of Primavera Sound LA’s inaugural lineup, which was originally set to make its U.S. debut in 2020 before the COVID-19 pandemic put a hold on things, and that news has finally become a reality with Arctic Monkeys, Lorde and Nine Inch Nails set to headline. That said, Arca, Bicep (Live), Buscabulla, Cigarettes After Sex, Clairo, DARKSIDE, Faye Webster, James Blake, Jehnny Beth, Khruangbin, Kim Gordon, King Krule, Low, Mitski, Stereolab and Tierra Whack have all signed on as well to mark what’s looking like a banner year for live music in the City of Angels.

READ MORE HERE

Which of these music festivals are you going to? Which are you looking forward to the most?

Filed Under: Editor's Picks, Featured, Festivals Tagged With: !!!, 070 Shake, 311, Arca, Arctic Monkeys, At the Drive-In, Bad Bunny, Beck, Bicep, Big Freedia, Big Wild, Billie Eilish, Black Coffee, Black Pumas, BLACKPINK, Bloc Party, Blu DeTiger, BottleRock, BOTTLEROCK 2022, BottleRock Napa, BOTTLEROCK NAPA 2022, BottleRock Napa Valley, BOTTLEROCK NAPA VALLEY 2022, Brookside at the Rose Bowl, Buena Vista Aquatic Recreation Area, Built To Spill, Buscabulla, Cautious Clay, Chet Faker, Chika, Chromeo, Cigarettes After Sex, Clairo, Claude VonStroke, Claude VonStroke and Green Velvet, CloZee, Coachella, Coachella 2022, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2022, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2022, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2022, Cut Copy, Darkside, Dirtwire, Empire Polo Club, Empress Of, Eprom, Erykah Badu, Faye Webster, Flying Lotus, Four Tet, Franc Moody, Franz Ferdinand, G Jones, G Jones B2B Eprom, Get Real, Glass Animals, Golden Gate Park, Goldenvoice, Goldlink, Gorgon City, Green Velvet, GRIZ, Guided by Voices, Harry Styles, Hiatus Kaiyote, Interpol, James Blake, Jehnny Beth, Jhené Aiko, Jon Hopkins, Just Like Heaven, Just Like Heaven 2022, Kamasi Washington, Kanye West, Kaytranada, Khruangbin, Kim Gordon, King Krule, LA State Historic Park, Lastlings, LCD Soundsystem, Le Tigre, LIB, LIB 2022, Lightning in a Bottle, Lightning in a Bottle 2022, Little Dragon, Little Simz, Lord Huron, Lorde, Los Angeles State Historic Park, Low, Luke Combs, M.I.A., Maya Jane Coles, Metallica, Miguel, Mitski, Modest Mouse, Monolink, Mr. Carmack, Napa Valley Expo, Nas, Nine Inch Nails, Opiuo, Outside Lands, Outside Lands 2022, Outside Lands Music Festival, Outside Lands Music Festival 2022, P!nk, Parcels, Peaches, Primavera Sound, Primavera Sound 2022, Primavera Sound LA, Primavera Sound LA 2022, Primavera Sound Los Angeles, Primavera Sound Los Angeles 2022, Purity Ring, Rose Bowl, Santigold, Seaside Lagoon, Seth Troxler, SG Lewis, Sheryl Crow, SiR, Sleater-Kinney, Smino, Smokin Grooves, Smokin Grooves 2022, Sonic Youth, Stereolab, Stone Temple Pilots, Swedish House Mafia, The Hives, The Raveonettes, The Roots, The Shins, The Smashing Pumpkins, The Strokes, This Ain't No Picnic, This Ain't No Picnic 2022, This Ain't No Picnic Festival, This Ain't No Picnic Festival 2022, Thundercat, Tierra Whack, Toro Y Moi, Twenty One Pilots, Vance Joy, Waterfront Park, Weezer, Wolf Parade, Ye, Yo la Tengo

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2021

December 28, 2021 by The Bam Team 3 Comments

The past 12 months have been interesting to say the least. While the COVID-19 pandemic continues to rage across the world after almost two years, 2021 did prove to be a little better than its predecessor on the calendar and a big reason for that was undoubtedly the return of live music during the second half of this year. For so many of us after being locked down at home, just having the chance to attend a concert or festival in person again provided some sense of normalcy to our everyday lives.

But as we look forward to hopefully better days in 2022, it’s time for us to unveil our annual “Best of” lists like we have done since this blog first began (see our 2020 picks here). No, we didn’t have time to catch every show or hear all of the albums released in the last 365 days, but forcing ourselves to make difficult decisions can be a fun exercise that helps us reflect on the year in music before turning the page.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2021.

Listen to The Bam Team’s favorite songs of 2021:

My Morning Jacket (Jim James) at Santa Barbara Bowl

My Morning Jacket at Santa Barbara Bowl // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2021
1. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – September 23rd
Almost six years had passed since the last time Jim James and company performed at one of Southern California’s best music venues, but after surviving 18 months without witnessing any live music, the wait for MMJ’s return to the stage felt even longer. Fortunately for us, the Louisville-bred quintet brought its A game to kick off a string of West Coast dates and powered through a collection of 23 songs at the Santa Barbara Bowl that included the emotive “In Color” off the band’s new self-titled album as well as “Where to Begin” from the “Elizabethtown” soundtrack. MMJ have earned a reputation over the years as one of the best live acts still out there, and they certainly validated that claim with a 2.5-hour performance that made the 90-mile drive from LA on a weeknight totally worth it.

2. Modest Mouse at The Theatre at Ace Hotel – Los Angeles, CA – September 25th
3. Caribou at Greek Theatre – Los Angeles, CA – November 15th
4. Lord Huron at Hollywood Forever – Los Angeles, CA – September 30th
5. Primus “A Tribute to Kings” at Greek Theatre – Los Angeles, CA – October 17th

Top 5 Albums of 2021
1. The War on Drugs – I Don’t Live Here Anymore
What can we say about Adam Granduciel that hasn’t already been said? After composing and producing The War on Drugs’ best material during his previous two trips into the studio with the latter effort winning a Grammy, we knew it would be tough for the Philadelphia native to match that same level of excellence attained in 2014 and 2017 with Lost in the Dream and A Deeper Understanding. And though I Don’t Live Here Anymore doesn’t quite get there, it marks another LP from Granduciel and his cohorts that you can listen straight through from start to finish without skipping a track. Because in an era when our attention spans have been shrunk thanks in large part to technology, that’s something we should all applaud.

2. Modest Mouse – The Golden Casket
3. DARKSIDE – Spiral
4. My Morning Jacket – My Morning Jacket
5. Royal Blood – Typhoons

Top 5 Songs of 2021
1. Royal Blood – “Boilermaker”
The English alt-rock duo comprised of lead singer/bassist Mike Kerr and drummer Ben Thatcher shared “Boilermaker” in the lead-up to releasing its third full length this year, and the promotional single certainly stands out from the pack as one of the best songs on Typhoons. Produced by Queens of the Stone Age leader Josh Homme, it opens with Kerr’s fuzzed-out riff and quickly builds into a head-banging anthem over the course of three and a half minutes. If you haven’t heard it before, just make sure to also check out the badass music video that’s directed by and stars Liam Lynch. Enjoy!

2. My Morning Jacket – “In Color”
3. Modest Mouse – “Walking and Running”
4. The War on Drugs – “I Don’t Wanna Wait”
5. Bonobo – “Rosewood”

Favorite remix: Four Tet – “Never Come Back” (Caribou)

Andrew Pohl // San Francisco

Top 5 Shows of 2021
1. Kowloon Walled City at The Golden Bull – Oakland, CA – November 30th
Regardless of the fact that I didn’t go to many shows this year, this would have likely been my No. 1 even if I went to more. I had only recently been turned on to Kowloon Walled City, but I was immediately drawn to their heavy sound and they proved to replicate that sonic fury live. The Golden Bull is a nice, intimate setting for live music, and the fact that KWC were able to dial in such a balanced sound at a small club made a huge difference given how BIG they sound on their studio albums. Everyone was fixated on the band throughout its entire set, and I barely noticed anyone looking at a phone — one of the modern-day signs of a great show.

2. Quicksand at Great American Music Hall – San Francisco, CA – October 15th
3. Bad Religion & Alkaline Trio at The Masonic – San Francisco, CA – November 24th
4. The Slackers & The Aggrolites at Cornerstone Berkeley – Berkeley, CA – December 9th
5. Lagwagon with Red City Radio & Decent Criminal at Bottom of the Hill – San Francisco, CA – November 4th

Top 5 Albums of 2021
1. Quicksand – Distant Populations
During a turbulent time like what we’ve all been collectively experiencing since last year, I think this album resonated with me so much because Quicksand has always been such a solid standby. Distant Populations is heavy in all of the right ways without being abrasive while also effectively showcasing Walter Schreifels’ dynamic song-crafting abilities. Quicksand aren’t necessarily breaking the mold here, but they’re a band that had already set the bar high with their earlier albums and this LP is an excellent continuation of their contribution to the hardcore scene.

2. Turnstile – Glow On
3. IDLES – Crawler
4. Kowloon Walled City – Piecework
5. Snail Mail – Valentine

Top 5 Songs of 2021
1. IDLES – “The Wheel”
I love how IDLES have the ability to take a song about a heavy subject like chemical dependency and turn it into an absolutely infectious banger. “The Wheel” is a perfect example of this, leaving you drawn in and tapping your foot while giving you something to ponder. The way that it can make you feel equal parts uplifted and uncomfortable is part of the appeal to me, and this was easily one of my most played songs of the year.

2. Decent Criminal – “Reap”
3. The Dirty Nil – “Doom Boy”
4. Kills Birds – “Rabbit”
5. Snail Mail – “Valentine”

Adam Schatz at The Gold Room // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2021
1. Adam Schatz at The Gold Room – Los Angeles, CA – November 18th
The Landlady frontman actually served as the opener on this night, but armed with little more than his saxophone, keyboards and loops, it’s safe to say Schatz stole the entire show. Fresh off a tour playing with Japanese Breakfast, he stepped onstage and quite literally let loose. It was the most refreshing, freeform, organic set full of wit and wonder, offering a sharp reminder why we need to protect the live music space (and to buy the killer album Landlady put out this year, too).

2. Foxx Bodies with Suzie True & Lando Chill at Resident DTLA – Los Angeles, CA – November 7th
3. Islands at Lodge Room – Los Angeles, CA – September 9th
4. Spoon at Teragram Ballroom – Los Angeles, CA – September 28th
5. Armand Hammer & The Alchemist at Echoplex – Los Angeles, CA – September 19th

Top 5 Albums of 2021
1. Foxx Bodies – Vixen
The raw emotions that come through Foxx Bodies’ debut on indie label Kill Rock Stars grabbed me by the ankles and knocked me off my feet the first time I heard it. For an album that explores everything from mental illness, sexual abuse, eating disorders, gender fluidity and beyond, it’s equally shocking how upbeat and uplifting it comes off. It’s part empowering riot grrrl and part rollicking surf punk, full confessional. Trigger warning: it will change your life.

2. Olivia Rodrigo – Sour
3. Tyler, the Creator – Call Me If You Get Lost
4. Backxwash – I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
5. Noga Erez – KIDS

Top 5 Songs of 2021
1. Hiatus Kaiyote – “Red Room”
This song is the antithesis to 2021. It’s so warm and beautiful, so intimate as though it was conceived in a world where social distancing doesn’t even exist. Nai Palm’s soft, raspy vocals envelop you, and the uncharacteristically subtle sounds (for Hiatus Kaiyote) deliver perhaps the most consistent semblance of peace felt this year.

2. Olivia Rodrigo – “Brutal”
3. Foxx Bodies – “BPD”
4. Yaya Bey – “fxck it then”
5. Little Simz feat. Cleo Sol – “Woman”

Favorite remix: Kari Faux feat. J.I.D – “While God Was Sleepin’… (Remix)”

Filed Under: Best of, Best of 2021, Editor's Picks, Featured Tagged With: A Tribute to Kings, Ace Hotel, Adam Schatz, Alkaline Trio, Armand Hammer, Backxwash, Bad Religion, Best of 2021, Bonobo, Bottom of the Hill, Caribou, Cleo Sol, Cornerstone Berkeley, Darkside, Decent Criminal, Echoplex, Four Tet, Foxx Bodies, Golden Bull, Great American Music Hall, Greek Theatre, Hiatus Kaiyote, Hollywood Forever, Hollywood Forever Cemetery, IDLES, Islands, J.I.D., Japanese Breakfast, Kari Faux, Kills Birds, Kowloon Walled City, Lagwagon, Landlady, Lando Chill, Little Simz, Lodge Room, Lord Huron, Modest Mouse, My Morning Jacket, Noga Erez, Olivia Rodrigo, Primus, Quicksand, Red City Radio, Resident DTLA, Royal Blood, Rush, Santa Barbara Bowl, Snail Mail, Spoon, Suzie True, Teragram Ballroom, The Aggrolites, The Alchemist, The Dirty Nil, The Gold Room, The Golden Bull, The Masonic, The Slackers, The Teragram Ballroom, The Theatre at Ace Hotel, The War on Drugs, Turnstile, Tyler the Creator, Yaya Bey

Just Like Heaven boasts stellar 2022 lineup led by Interpol, Modest Mouse, The Shins & M.I.A.

June 21, 2021 by Josh Herwitt 4 Comments

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 21st, 2022 //

With California fully reopening last week on June 15th, normalcy is slowly but surely returning to the Golden State. And lucky for us, so is Just Like Heaven.

The one-day music festival put on by Goldenvoice made its debut in 2019 and proved to be an instant success — a second day was actually added after tickets sold out — with Phoenix, Yeah Yeah Yeahs, MGMT, Beach House, Passion Pit, Grizzly Bear, The Rapture, Miike Snow and more invading Queen Mary Park in Long Beach.

But after a two-year absence due to the COVID-19 pandemic, the show is ready to go on again next year and Just Like Heaven has dropped a 2022 roster that should be a dream come true for any indie music fan.

it’s TIME ✨ saturday, may 21 in pasadena! want in? register now at https://t.co/I1diy5uSCZ for early access to tickets + mark your calendars for the presale starting thursday, june 24 at 10am PT pic.twitter.com/o5TQ6O5qJy

— Just Like Heaven Fest (@JLHeavenFest) June 21, 2021

Migrating more than 30 miles north up the 710 Freeway to the Brookside Golf Course at the Rose Bowl, the fest will feature performances by Interpol, Modest Mouse, The Shins, M.I.A., Bloc Party, Franz Ferdinand, Chromeo, Santigold, Cut Copy, The Hives, Wolf Parade (performing their 2005 debut LP Apologies to the Queen Mary), Peaches, !!!, The Raveonettes and more for one Saturday in May. Check out the poster above for the rest of the lineup.

Want to go? Make sure to register for the presale here before GA passes go on sale this Thursday, June 24th at 10 a.m. PT for $139 (Tier 1) and eventually increase to $159 (Tier 2) and $179 (Tier 3). VIP, Saturday Clubhouse and Saturday Clubhouse Platinum tickets, meanwhile, will also be available for $349, $599 and $899 plus fees, respectively.

And while that’s quite a chunk of change to shell out for a bunch of indie artists and bands who might have peaked more than a decade ago, we still can’t remember the last time heaven ever looked this good.

UPDATE (April 25th): As the days count down to Just Like Heaven’s return in less than a month, this year’s set times have arrived. With the lineup being as stacked as it is, there of course are conflicts to sort out, whether it’s Wolf Parade vs. Kele Okereke, The Hives vs. Cut Copy, Franz Ferdinand and/or Bloc Party vs. Santigold, The Shins vs. Chromeo or Modest Mouse vs. M.I.A. Interpol, meanwhile, will headline as expected with no competition and the entire crowd to itself. Peep the full list above to see who’s playing on which stage and when.

Filed Under: Featured, Festivals Tagged With: !!!, Beach House, Bloc Party, Brookside at the Rose Bowl, Brookside Golf Club, CHK CHK CHK, Chromeo, Cinespace, Cut Copy, Franz Ferdinand, Geographer, Grizzly Bear, Interpol, Islands, Just Like Heaven, Just Live Heaven 2022, Kele Okereke, M.I.A., MGMT, Miike Snow, Modest Mouse, Passion Pit, Peaches, Phoenix, Queen Mary Park, Rose Bowl, Santigold, The Cribs, The Go! Team, The Hives, The Rapture, The Raveonettes, The Shins, Them Jeans, Wolf Parade, Yeah Yeah Yeah's, Yelle

Albums you’ll want to hear in 2017

January 9, 2017 by Josh Herwitt Leave a Comment

Written by Josh Herwitt //

For as bad as 2016 might have been, there’s no question it yielded some excellent albums. So, what’s in store for 2017? It’s still early, but from what we know right now, there’s plenty of new music on the horizon — and a lot of it we can’t wait to get our hands on.

Here are 10 upcoming albums (in chronological order by release date) that you’ll want to hear and could very well end up being on some “Best of 2017” lists in another 12 months.

Bonobo – Migration

Release date: January 13th
Record label: Ninja Tune

British musician, producer and DJ Simon Green has organically built a loyal following among electronic music fans for almost two decades with a unique sound that combines downtempo electronica with trip-hop and world-music influences. Since 2013’s The North Borders, he has moved to Los Angeles and recorded his sixth LP Migration, which boasts a few notable guest appearances from Nick Murphy (fka Chet Faker), Rhye and Hundred Waters.

The Flaming Lips – Oczy Mlody

Release date: January 13th
Record label: Warner Bros.

Wayne Coyne and his psychedelic sidekicks have been busy over the last few years, recording Beatles cover album With a Little Help From My Fwends in 2014 and releasing a collaborative LP with Miley Cyrus the following year. On their 15th studio effort, the difficult-to-pronounce Oczy Mlody that drops on Coyne’s birthday, the Lips return to the days of Yoshimi Battles the Pink Robots and get a little help from their pop-star “fwend” on closing track “We a Famly”.

SOHN – Rennen

Release date: January 13th
Record label: 4AD

London native Christopher Taylor has been known for working extensively with such artists as BANKS, Lana Del Rey and Rhye, but his transition in becoming a legitimate solo act was cemented with the release of his 2014 debut LP Tremors, which peaked at No. 31 on the UK charts. Now calling LA his home, he has spent the last three years constructing Rennen, his second record as SOHN that’s led by “Signal” and its frighteningly beautiful music video.

The xx – I See You

Release date: January 13th
Record label: Young Turks

No impending album in the first quarter of 2017 may have as much hype around it as The xx’s I See You, their long-awaited follow-up to 2012’s Coexist. The build-up to its release in the last few months has seen the London trio perform on SNL, where they showcased lead single “On Hold” and debuted “I Dare You”, and play shows in Eastern Europe to go along with the news of guitarist/vocalist Romy Madley Croft’s recent engagement.

Cloud Nothings – Life Without Sound

Release date: January 27th
Record label: Carpark Records

Lo-fi noise rockers Cloud Nothings have come a long way since Dylan Baldi started recording songs in his parents’ basement. With their last two LPs — 2012’s Attack on Memory and 2014’s Here and Nowhere Else — garnering critical acclaim from the music media, the four-piece will release Life Without Sound, its fifth studio album and first with lead guitarist Chris Brown now officially a member of the band, later this month.

Japandroids – Near to the Wild Heart of Life

Release date: January 27th
Record label: ANTI-

Known for their DIY approach and high-energy performances, Brian King and David Prowse are back after what some may have considered a brief hiatus since touring in support of their 2012 studio album Celebration Rock. This time, the Canadian garage-punk duo is signed to a new label, with its third LP Near to the Wild Heart of Life set to drop on ANTI- in a couple of weeks before embarking on a 20-date North American tour this winter.

Elbow – Little Fictions

Release date: February 3rd
Record label: Polydor

2017 marks a big year for Elbow. The Mercury Prize winners have been going at it for 20 years, and to celebrate the occasion, frontman Guy Garvey and company are unveiling their seventh studio album Little Fictions, which features collaborations with The Hallé Orchestra and their choir after longtime drummer Richard Jupp announced in 2016 that he was leaving the group to pursue other creative projects, from expanding his drum school to various charity work.

Sampha – Process

Release date: February 3rd
Record label: Young Turks

Sampha Sisay, who performs under his mononymous stage name, has built much of his reputation on working with high-profile artists like Drake, Kanye West and Solange. But almost seven years after unveiling his debut EP Sundanza, the South London electronic musician, singer-songwriter and producer is finally dropping his own full-length effort, highlighted by previously released singles “Timmy’s Prayer” and “Blood on Me”.

Ryan Adams – Prisoner

Release date: February 17th
Record label: PAX AM/Blue Note

At the age of 42, Ryan Adams is as prolific as any musician out there right now, with Prisoner marking his 16th LP and the follow-up to his Taylor Swift cover album. And while he has been teasing the record for about six months, originally hinting at a possible November release, the alt-country songwriter gets ready for his next chapter, which he says was inspired by 80’s rock giants like Bruce Springsteen and AC/DC despite coping with a very public divorce at the time.

The Shins – Headworms

Release date: March 10
Record label: Columbia

By the time The Shins unleash their fifth LP this March, it will be nearly five years between album releases for the Portland-based outfit. Of course, it’s no secret that bandleader James Mercer keeps a tight schedule between The Shins and Broken Bells, but on Heartworms, the Albuquerque native made sure to include “So Now What”, the song he wrote for the “Wish I Was Here” soundtrack that he later said was “one of the best things” he has ever done.

The following artists and bands are expected to release new albums in 2017 but have yet to confirm an official release date and/or an album title:

ANTEMASQUE
Arcade Fire
Broken Social Scene
Bruce Springsteen
Chic
Chromatics
Depeche Mode
Diddy
DJ Premier
Gorillaz
Grizzly Bear
GZA
Haim
Jesu/Sun Kil Moon
John Mayer
Kanye West
The Killers
LCD Soundsystem
Lupe Fiasco
Major Lazer
Mastodon
Modest Mouse
My Morning Jacket
The National
The Offspring
Pond
Ride
Sky Ferreira
Spiritualized
St. Vincent
T.I.
Troye Sivan
Vampire Weekend
Wyclef Jean
Zack de la Rocha

Filed Under: Editor's Picks, Featured, New Music Tagged With: Antemasque, Arcade Fire, Bonobo, Broken Social Scene, Bruce Springsteen, Chic, Chromatics, Cloud Nothings, Depeche Mode, Diddy, DJ Premier, Elbow, Gorillaz, Grizzly Bear, GZA, Haim, Japandroids, Jesu, john mayer, Kanye West, LCD Soundsystem, Lupe Fiasco, Major Lazer, Mastodon, Modest Mouse, My Morning Jacket, New Music, Pond, Ride, Ryan Adams, Sampha, Sky Ferreira, SOHN, Spiritualized, St. Vincent, Sun Kil Moon, T.I., The Flaming Lips, The Killers, The National, The Offspring, The Shins, The xx, Troye Sivan, Vampire Weekend, Wyclef Jean, Zack de la Rocha

BottleRock unveils 2017 bill, topped by Foo Fighters, Tom Petty & the Heartbreakers, Maroon 5

January 3, 2017 by Josh Herwitt 1 Comment

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 26th-28th, 2017 //

The New Year is here, and festival organizers aren’t waiting long to unveil their 2017 lineups.

After CRSSD kicked things off two weeks ago by revealing their own bill, BottleRock Napa Valley has made it official with Foo Fighters, Tom Petty & the Heartbreakers and Maroon 5 booked as headliners for its fifth edition this Memorial Day weekend.

The three-day festival in downtown Napa will feature more than 80 artists and bands across four stages. Notable artists include Macklemore & Ryan Lewis, Modest Mouse, Ben Harper & the Innocent Criminals, The Roots, Silversun Pickups, Band of Horses, Fitz and The Tantrums, Dirty Heads, Live, The Naked & Famous, The Devil Makes Three, Michael Franti & Spearhead, Gavin DeGraw, St. Lucia, House of Pain, Bob Moses, Catfish and the Bottlemen, Saint Motel, The Strumbellas, AlunaGeorge, Frightened Rabbit, Andra Day, Galactic, Charles Bradley & His Extraordinaires, Mavis Staples and many more.

Like it did last year with classic stoner-comedy duo Cheech & Chong as well as former “Hell’s Kitchen” star Gordon Ramsay, BottleRock’s Williams-Sonoma Culinary Stage will be back on the grounds to pair celebrity chefs with some of Hollywood’s biggest names.

Tickets go on sale this Wednesday, January 4th at 10 a.m. here and start at $309 before going up to $349 for a three-day GA pass. VIP passes will be sold for as low as $659 (and as high as $709), and a three-day platinum pass is as much as $3,500.

In the meantime, make sure to take a peek at our 2016 coverage of BottleRock, which saw Stevie Wonder, Florence & the Machine and the Red Hot Chili Peppers serve as headliners.

Filed Under: Featured, Festivals Tagged With: AlunaGeorge, Andra Day, Band of Horses, Ben Harper & the Innocent Criminals, Bob Moses, BottleRock, BottleRock 2017, Bottlerock Festival, BottleRock Napa, BottleRock Napa 2017, BottleRock Napa Valley, BottleRock Napa Valley 2017, Catfish and the Bottlemen, Charles Bradley & his Extraordinaires, Dirty Heads, Fitz and the Tantrums, Foo Fighters, Frightened Rabbit, Galactic, Gavin DeGraw, House of Pain, Live, Macklemore & Ryan Lewis, Maroon 5, Mavis Staples, Michael Franti & Spearhead, Modest Mouse, Saint Motel, Silversun Pickups, St. Lucia, The Devil Makes Three, The Naked & Famous, The Roots, The Strumbellas, Tom Petty & The Heartbreakers

The 25 best live music acts of 2016

December 30, 2016 by The Bam Team 2 Comments

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo fields before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Filed Under: Best of, Best of 2016, Editor's Picks, Featured Tagged With: A$AP Ferg, Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, Anderson .Paak, Anderson .Paak & The Free Nationals, Atlas Genius, Aubrie Sellers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, BØRNS, Beach House, Beats Antique, Bernhoft and The Shudderbugs, Best Coast, Best of 2016, Big Freedia, Big Gigantic, Big Grams, Big Wild, Black Milk & Nat Turner, Bloc Party, Bob Moses, Bob Mould, Brand New, Brett Dennen, Capital Cities, Cate le Bon, Chairlift, Chance The Rapper, Chelsea Wolfe, CHK CHK CHK, Chris Robinson Brotherhood, Chromeo, Chuck Mosley, Claude VonStroke, Coachella, Coachella 2016, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2016, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2016, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2016, Cold War Kids, Dan Deacon, Danny Brown, Deftones, Dirtwire, Disclosure, DMA's, DMX, Dr. Teeth and The Electric Mayhem, Drew Holcomb and The Neighbors, Duran Duran, Early November, Emancipator Ensemble, Every Time I Die, Eyes on the Shore, Ezra Furman, Faith No More, Fantastic Negrito, Fell Runner, Femi Kuti, Floating Points, Florence & the Machine, Flume, Flying Lotus, FOALS, Fruition, Geographer, Glass Animals, Gorgon City, Grimes, Guns N' Roses, Halsey, Heartwatch, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, Iamsu!, IAMX, Ibeyi, Ice Cube, Iggy Pop, Isaiah Rashad, J. Cole, Jack Ü, Jack Beats, Jack Garratt, James Bay, Jamie xx, Jhené Aiko, Jidenna, Jim James, Jimmie Vaughn, Joywave, Julia Holter, Julien Baker, k.flay, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, Kurt Vile, Kurt Vile & The Violators, Lafa Taylor, Lana Del Rey, Lapsley, LCD Soundsystem, Les Sins, Lettuce, Lionel Richie, Little Scream, Lord Huron, Lucius, M. Ward, M83, Mac Demarco, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Miike Snow, Moderat, Modest Mouse, Moon Taxi, My Morning Jacket, Nahko & Medicine for the People, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Oh Pep!, Oh Wonder, Panic! At The Disco, Parliament-Funkadelic, Peaches, Petite Noir, Porches, Pretty Lights, Prince Rama, Purity Ring, Pusha T, Ra Ra Riot, Radiohead, RÜFÜS DU SOL, Rin Tin Tiger, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Rudimental, Run The Jewels, Ryan Adams, Saosin, Sarah Neufeld, Shabazz Palaces, Shlohmo, Sia, Sigur Ros, Silversun Pickups, snakehips, Solange, Son Little, St. Germain, St. Lucia, Stormzy, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sylvan Esso, Tacocat, Taking Back Sunday, Tame Impala, Tedeschi Trucks Band, Thao & The Get Down Stay Down, The Arcs, The Avett Brothers, The Boxer Rebellion, The California Honeydrops, The Claypool Lennon Delirium, The Crux, The Devil Makes Three, The Faint, The Gaslamp Killer, The Head and The Heart, The Heavy, The Infamous Stringdusters, The Joy Formidable, The Kills, The Last Shadow Puppets, The Lone Bellow, The Naked and Famous, The National, The Pharcyde, The Polish Ambassador, The Regrettes, The Revivalists, The Rubens, The Russ Liquid Test, The Sam Chase & The Untraditional, The Seshen, The Struts, The Trims, This Will Destroy You, Thomas Jack, Thundercat, Toro Y Moi, Tortoise, Tory Lanez, Tourist, Troye Sivan, Ty Segall, Tycho, Umphrey's McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, zhu, Ziggy Marley

Modest Mouse and Brand New aren’t ‘Strangers’ to each other, but their fans are a different story

August 1, 2016 by Josh Herwitt 1 Comment

Modest Mouse

By Josh Herwitt //

Modest Mouse & Brand New //
Kia Forum – Inglewood, CA
July 27th, 2016 //

When Modest Mouse announced back in late January that they would be hitting the road this summer for a co-headlining tour with Brand New, it was somewhat surprising to see the two bands team up for 24 dates across the U.S.

While both groups attained critical acclaim around the same time — Modest Mouse first with their seminal album The Moon & Antarctica in 2000 and Brand New a few years later thanks to their sophomore LP Deja Entendu in 2003 — that’s where most of the comparisons seem to end. Modest Mouse, after all, have long been influenced by Talking Heads and the early 90’s alt-/indie-rock scene, with pioneers like the Pixies and Pavement leading (or should we say paving?) the way, whereas Brand New earned their keep touring with such emo/pop-punk outfits as Taking Back Sunday, New Found Glory, Good Charlotte, Dashboard Confessional and Blink-182. Ah yes, punk at its height in the early 2000’s … how we don’t miss those days.

But if there’s one other link between them, it’s Modest Mouse’s early punk aesthetics and their years playing at DIY venues before attaining mainstream status with their hit single “Float On” from 2004’s Good News for People Who Love Bad News. And although the raw, schizophrenic sound Isaac Brock has churned out over the last two decades as the band’s primary songwriter has never been analogous with what Brand New have put forth in the studio, Modest Mouse’s loose punk ties made it a little more understandable to see them paired with the Long Island product for a month-long run that included a stop in LA last Wednesday night at Kia Forum.

Brand New

Of course, for as much as I tried to rationalize the billing in my head, every indication inside the venue told me otherwise. The show, which was originally scheduled to start at 7:30 p.m., was delayed multiple times — first until 7:50 p.m., then 7:55 p.m. before settling on 8 p.m. — because, from what I was told, there were not enough fans in the stands (cue the classic “LA traffic” excuse). So when Brand New arrived onstage just after the hour, the crowd of mostly 20-somethings and those of us in our early 30’s were finally ready to absorb everything Jesse Lacey (lead vocals, guitars), Vincent Accardi (guitars, backing vocals), Garrett Tierney (bass), Brian Lane (drums) and touring member Benjamin Homola (percussion) threw our way.

For this tour, Modest Mouse and Brand New had agreed to rotate opening and closing duties, and on this night, Brand New had drawn the “opener” card much to the dismay of their fans. By the time they had run through “Sink” and “Gasoline” from their most recent release Daisy to open the show, a stadium full of Brand New fans (or at least that’s what it looked like) was hanging onto every word that Lacey screamed. Unfortunately for them, they didn’t get the full 90-minute set they were promised due to the delay at the outset, and Brand New, as a result, were forced to cut their performance short by two or three songs. Yet, it wasn’t until Modest Mouse hit the stage that I noticed how many Brand New fans had already left the building.

Modest Mouse

It took almost eight years on the dot for Modest Mouse to release their sixth full-length effort Strangers to Ourselves last March, and in that time, there was plenty of turmoil to go around. For starters, they went to Atlanta to work with Big Boi, but after recording five songs with the Outkast rapper and a number of top-notch session musicians, Brock subsequently decided to scrap them. Shortly thereafter, founding member and bassist Eric Judy left the band as well as percussionist Joe Plummer, signaling a major change to the group’s lineup just five years after topping the U.S. Billboard 200 with 2007’s We Were Dead Before the Ship Even Sank. Brock, at one point during the recording of Strangers, even brought in former Nirvana bass player Krist Novoselic before realizing his style wasn’t suited for an album that strays in a variety of sonic directions (read our community review here).

For as chaotic as the recording process was though, Brock didn’t let it tear the band apart. Instead, he recruited multi-instrumentalists Russell Higbee and Lisa Molinaro along with percussionists Davey Brozowski and Ben Massarella to join Modest Mouse, turning what started as a trio of friends from the Seattle area into a touring machine of eight. And from what Brock has revealed in one interview, it might not be long before LP7 drops (it could actually arrive later this year) as the expected companion piece to Strangers.

Back at Kia Forum, Brock and company didn’t unveil any new music from their next LP (that would be too good to be true, right?), but they did dive deep into their catalog, going back all the way to 1996 with cuts from their debut LP This Is a Long Drive for Someone with Nothing to Think About and second EP Interstate 8 during a set that lasted about two hours — a pleasant surprise for any Modest Mouse fan who stuck around until the very end. In fact, despite all of the critics who have lambasted Brock for being too inebriated at the band’s shows, what still makes Modest Mouse so fun and exciting to see live are the setlists they craft for each gig. It’s no secret over the years that the octet has made a point of choosing different songs to perform night in and night out, and in a similar fashion, it followed suit on this latest jaunt with Brand New, whose setlists didn’t vary all that much in comparison. As much as that didn’t matter to the many who showed up and bounced early, it’s tough to say whether we will ever see these two bands billed together again. Judging from the audience’s behavior however, we certainly wouldn’t count on it.

MODEST MOUSE

Setlist:
The World at Large
The Tortoise and the Tourist
Bury Me With It
Dashboard
Interstate 8
The Ground Walks, With Time in a Box
Custom Concern
This Devil’s Workday
Bukowski
Pistol (A. Cunanan, Miami, FL. 1996)
Dark Center of the Universe
Tiny Cities Made of Ashes
Dramamine
Lampshades on Fire
Sleepwalking
Fly Trapped in a Jar

Encore:
Trailer Trash
Wicked Campaign
Doin’ the Cockroach
Strangers to Ourselves

BRAND NEW

Setlist:
Sink
Gasoline
Millstone
At the Bottom
Noro
Tautou
Sic Transit Gloria…Glory Fades
Okay I Believe You, but My Tommy Gun Don’t
Degausser
Jesus
Luca
Sowing Season

Encore:
Play Crack the Sky
I Am a Nightmare
You Won’t Know (with “Tautou” outro)

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Big Boi, Brand New, Kia Forum, Modest Mouse, Nirvana, The Forum

Albums you’ll want to hear in 2016

January 6, 2016 by Josh Herwitt Leave a Comment

Written by Josh Herwitt //

Now that we’ve said our goodbyes to 2015, it’s time to start looking ahead to 2016 and what lies ahead when it comes to new music. Although it’s still rather early and new albums are sure to be announced after this writing, there’s plenty of ear candy that’s already set to be released in 2016.

Here are 10 upcoming albums (in chronological order by release date) that you’ll want to hear and could very well end up being on some “Best of 2016” lists in another 12 months.

David Bowie – ★ (Blackstar)

Release date: January 8th
Record label: RCA/Columbia

The 20th studio album from Ziggy Stardust will be one of the first to hit stands in 2016, and although the 68-year-old legend has said that his touring days are over, Bowie is still capable of making an intriguing record, much like he did in 2013 with The Next Day. From what we’ve heard on ★, be it the 10-minute title track or in recent weeks “Lazarus” (the song that Bowie is also using in his off-Broadway musical by the same name), we’re eager to hear the rest.

Tortoise – The Catastrophist

Release date: January 22nd
Record label: Thrill Jockey

It’s been more than six years since Tortoise last released an album, but the Chicago post-rock outfit will unveil The Catastrophist, led by first single “Gesceap”, later this month. Featuring vocal contributions from Yo La Tengo’s Georgia Hubley and Todd Rittmann of Chicago bands U.S. Maple and Dead Rider, the new LP was inspired by music closely tied to Chicago’s jazz and improvised music scenes that the city commissioned the band to write back in 2010.

Ty Segall – Emotional Mugger

Release date: January 22nd
Record label: Drag City

Segall announced his eighth studio album by mailing a VHS tape to Pitchfork less than two months ago, and if that wasn’t eccentric enough, the prolific garage rocker followed it up with a dedicated website for the LP, which includes a hotline number to call and two videos — one that shows him and the band wearing baby masks and another that sees him playing a doctor while explaining what “emotional mugging” is. Despite Emotional Mugger not extending quite as long as Segall’s previous solo effort Manipulator did, many of the track names are worth a chuckle, from “Breakfast Eggs” to “Baby Big Man (I Want a Mommy)”.

Bloc Party – Hymns

Release date: January 29th
Record label: BMG

Long known for pioneering a sound that bridged the gap between indie rock and electronic music, Bloc Party return in early 2016 with their fifth studio album and their first with new members Justin Harris (bass, keyboards) and Louise Bartle (drums). Debuting material from Hymns, including newest single “The Good News” at FYF Fest (read our festival review here) in August, the British quartet will also offer a deluxe edition of the LP with four bonus tracks.

St. Lucia – Matter

Release date: January 29th
Record label: Columbia

Jean-Philip Grobler released the debut LP for his Brooklyn-based, synthpop project St. Lucia toward the end of 2013, and late this month, the South African native will unveil his follow-up to When the Night. If you were curious as to how Matter will sound in comparison to his first full length, Grobler has a geographical analogy to describe both: “If the last album sounded like the tropics, this album is the desert.”

Black Moth Super Rainbow

Release date: N/A
Record label: N/A

Thomas Fec has become well-regarded in indie-electronic circles for his work as Tobacco over the last several years, but for more than a decade, he has also served as the frontman of Black Moth Super Rainbow, the Pittsburgh psych-rock group that’s preparing to drop its sixth studio album later this year. As BMSR fans await the LP’s official release, the band surprised many in mid-November by streaming its new mini-album Seefu Lilac, which features “neon flavored outtakes from a 6th album that doesn’t yet exist.”

Animal Collective – Painting With

Release date: February 19th
Record label: Domino

After streaming new material on loop at Baltimore’s BWI Airport the day before Thanksgiving, Animal Collective are now just a few weeks away from the release of their 10th studio album. Taking some much-needed time off after its latest tour so that David Portner and Noah Lennox could focus on their own side projects, the band refined its songwriting approach for Painting With, removing the long, ambient passages that were often synonymous with their previous LPs and also collaborating with Welsh musician John Cale and multireedist Colin Stetson.

Wild Nothing – Life of Pause

Release date: February 19th
Record label: Captured Tracks

Jack Tatum remains the brains behind his indie-rock/dream-pop project Wild Nothing, having been its founder and lone songwriter since 2009. Feeding off the success of 2012’s Nocturne, Tatum consciously wanted to reinvent himself as a musician while recording Life of Pause in Los Angeles and Stockholm with producer Thom Monahan, and if his double-sided single “To Know You”/”TV Queen” is any indication, we’re starting to see what he means.

Poliça – United Crushers

Release date: March 4th
Record label: Mom + Pop

Poliça lead vocalist Channy Leaneagh may have been pregnant last year, but you wouldn’t have known it from the way this Minneapolis synthpop group has continued to work in the studio. In following up its successful sophomore effort Shulamith from 2013, the five-piece takes a more political approach on its third full-length album United Crushers, which boasts first single “Lime Habit”.

Charles Bradley – Changes

Release date: April 1st
Record label: Daptone Records

You have to wonder if Charles Bradley was a Black Sabbath fan growing up as a kid, because his new album Changes draws plenty of inspiration from the legendary heavy metal group’s Vol. 4. While his cover of the famous Sabbath hit serves as the LP’s title track, the “Screaming Eagle of Soul” continues to win us over with his rags-to-riches story (Bradley was at one time homeless before becoming a cook and working various odd jobs) and his undying charisma.

The following artists and bands are expected to release new albums in 2016 but have yet to confirm an official release date and/or an album title:

AlunaGeorge
ANTEMASQUE
Band of Horses
Beck
Blink-182
Chairlift – Moth
Chromatics – Dear Tommy
Crystal Castles
Death Grips – Bottomless Pit
Deftones
Diddy – No Way Out 2
DJ Premier – Last Session @ 320
Drake – Views From the 6
Frank Ocean
Gary Numan
Gorillaz
GZA – Dark Matter
Haim
James Blake – Radio Silence
Kanye West – SWISH
Kings of Leon
LCD Soundsystem
Lupe Fiasco – Drogas
M.I.A. – Matahdatah
M83
Macklemore & Ryan Lewis
Major Lazer – Music Is the Weapon
Mark Kozelek
Metallica
Metronomy
Modest Mouse
My Morning Jacket
No Doubt
Pete Yorn – Arranging Time
Radiohead
Rihanna – Anti
Spiritualized
The Jesus and Mary Chain
The Killers
The Strokes
Zeds Dead

Filed Under: Editor's Picks, Featured, New Music Tagged With: AlunaGeorge, Animal Collective, Antemasque, Band of Horses, Beck, Black Moth Super Rainbow, Black Sabbath, Blink-182, Bloc Party, Chairlift, Charles Bradley, Chromatics, Crystal Castles, David Bowie, Deftones, Diddy, DJ Premier, Drake, Frank Ocean, Gary Numan, Gorillaz, GZA, Haim, Kanye West, Kings of Leon, LCD Soundsystem, Lupe Fiasco, M.I.A., M83, Macklemore & Ryan Lewis, Major Lazer, Mark Kozelek, Metallica, Metronomy, Modest Mouse, My Morning Jacket, New Music, No Doubt, Pete Yorn, Poliça, Radiohead, Rihanna, Spiritualized, St. Lucia, The Jesus and Mary Chain, The Killers, The Strokes, Tortoise, Ty Segall, Wild Nothing, Zeds Dead

The 25 best live music acts of 2015

December 28, 2015 by The Bam Team 3 Comments

Around this time last year, we shared our 25 favorite live performers of 2014 after spending the past 12 months covering many excellent bands, musicians and DJs. So, with 2015 almost in the books, we thought we would give the same exercise another try, except this year, we made the call to exclude any artists we named in 2014. What fun would it really be to list them two years in a row anyway?

In the end, it wasn’t an easy task whittling down our list to 25, but some tough decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists and bands (in alphabetical order) who we either covered at their own show and/or at a music festival this year:

AlunaGeorge, Ariel Pink, BADBADNOTGOOD, Bad Religion, Battles, Beirut, Belle and Sebastian, Big Grams, Billy Idol, Black Lips, The Black Keys, Blonde Redhead, BØRNS, BROODS, Built to Spill, Catfish and the Bottlemen, Chet Faker, Chromeo, City and Colour, Classixx, Cold War Kids, Dâm-Funk, Damien Rice, Death Cab for Cutie, Dengue Fever, Django Django, Dr. Dog, Edward Sharpe and the Magnetic Zeros, Failure, The Flaming Lips, Flight Facilities, Goldroom, Glen Hansard, The Glitch Mob, Gorgon City, Holly Herndon, Interpol, Israel Nash, James Bay, Jeff Tweedy, Jenny Lewis, The Jesus and Mary Chain, JMSN, Jose Gonzalez, Jurassic 5, Kanye West, Kindness, King Tuff, Marina and the Diamonds, Miami Horror, Milky Chance, Modest Mouse, Morrissey, MS MR, Les Sins, Lotus, Natalie Prass, Neon Indian, ODESZA, Of Montreal, Oneohtrix Point Never, Panda Bear, Penguin Prison, Phantogram, Portugal. The Man, Preservation Hall Jazz Band, Purity Ring, Ratatat, Royal Blood, San Fermin, Shlohmo, Slow Magic, SOHN, St. Paul and The Broken Bones, STRFKR, Surfer Blood, Talib Kweli, Tame Impala, Tennis, Toro y Moi, Tycho, Umphrey’s McGee, Unknown Mortal Orchestra, Vintage Trouble, Vulfpeck, Widespread Panic, YACHT.

Now, without further ado, The Bam Team presents our 25 favorite live performers of 2015.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

Listen to The Bam Team’s favorite songs of 2015:

25. Lord Huron

The audience reacted with just as much enthusiasm during classic Lord Huron tunes as they did in hearing brand-new material, especially during fan favorites like “She Lit a Fire” and back-to-back rockabilly-tinged jams “The World Ender” and “Fool for Love”. At this point, the crowd had not only warmed up to Lord Huron’s infectious stage presence, but also gave into their buoyant vibes as mini dance parties broke out throughout the venue. -Molly Kish, photo by Steve Carlson

24. Puscifer

Maynard James Keenan and friends have established themselves as not just a group of musicians who play songs on stage, but rather an assemblage of entertainers that provide their viewers and fans with something they may not have ever seen before — a true experience. Paying homage to the likes of Alice Cooper, Pink Floyd and the glory days of the rock opera, Puscifer have a very special way of combining their music with a stage show that offers so much more than just music. -Scotland Miller, photo by Mike Rosati

23. Viet Cong

Once the appetizer had been digested, Viet Cong were taking the stage and beginning a theme of quirky banter that eased the crowd into the blistering set as opposed to bombardment. Within the first few chords, it was evident that continued time on the road found the band at the peak of perfection. -Kevin Quandt, photo by Diana Cordero

22. Kate Tempest

This decade will likely be known for the death of “genre,” the end of how groups have been contained into categories like R&B or rap since the birth of record labels. And with dance music on the rise, digitized conventions are creeping into pop, rap and indie music on the regular. With music more accessible than ever and for free, listeners are willing to experiment with their auditory material — and amalgamation is the natural result. Tempest represents this change as much or more than anyone as we enter the smack-dab middle of this decade. And that includes Kanye West, Sylvan Esso or Run the Jewels. -Mike Frash, photo by James Nagel

21. Deerhunter

Deerhunter’s Bradford Cox talked about how he decided on the way over to the island that he wouldn’t play many songs, how he took ayahuasca on Saturday night in LA and he was surprised at how reserved the TIMF audience was. He said we were “polite like the Japanese.” Bradford, that’s what we call “respect” — and you’ve earned it. -Mike Frash, photo by Marc Fong

20. Faith No More

It can be hard to know what to expect from a crew like Faith No More and their eccentric, yet prolific members. The entire stage was dressed in white, from the curtains to the amplifiers to the mic stands. Lining the entire length of the stage and any flat surface that would support them were thousands of dollars worth of beautiful, fresh flowers. The abundance of purples and pinks, reds and yellows created a very comfortable and soothing, yet incredibly eerie feeling as to what was about to happen next. Once the setup was complete and the lights dropped, the crowd was let in to the stark contrast that is the weird world of Faith No More. -Scotland Miller, photo by Greg Ramar

19. Sufjan Stevens

Stevens spoke of the need for community in the throes of grief, and the audience ably did their part to help him through this very public grieving process. At the end of the main set, a young woman crashed the stage to offer a bemused Sufjan something (a hug? words of love and encouragement?), and it seemed wholly appropriate, as if the audience needed in some small way to collectively reach out to the man after he bared his soul so openly. -Steve Carlson, photo by Steve Carlson

18. Allen Stone

In many ways, Stone’s ideological stance on technology shapes not only his set as a performer but also his fan base. Watching an Allen Stone show, one can feel certain that all pretenses will be left at the door and those surrounding you will be committing their full attention to the music. Midway through Stone’s set, the venue was completely under his charismatic spell. The audience actively followed the Seattle-born frontman’s lead as he prompted a group participation “2-step” and rolled through crowd favorites from his self-titled LP and latest album Radius. -Molly Kish, photo by Tom Dellinger

17. The Kills

Mosshart, tall and slender, strutted her way through just about all of it, displaying a bravado that exudes both sex and confidence, while Hince handled his axe like a bona fide rock star, eventually playing some slide guitar during the gritty, blues-infused track “Pots and Pans” that got the crowd roaring after it was over. After all, it’s that blues/garage-rock overlap, along with the chemistry exhibited between Mosshart and Hince onstage, that makes The Kills such a captivating rock ‘n’ roll act to see live these days. -Josh Herwitt, photo by Josh Herwitt

16. The Chemical Brothers

Directly following their dramatic entrance to a recording of Junior Parker’s epic “Tomorrow Never Knows”, the duo kicked off their career-spanning set with crowd favorite “Hey Boy, Hey Girl” from 1999’s Surrender. They launched into a full-blown frenzy from that moment on, and the UK dance legends went hard (no pun intended) throughout the rest of their two-hour performance, debuting live remixes of new material from their 2015 release Born in the Echoes while interspersing nostalgia-inducing EDM classics off their seven previous albums. -Molly Kish, photo by Justin Yee

15. Eagles of Death Metal

EODM have the perfect style as a rock band, one that takes itself just seriously enough. As a whole, they are a hard, fast and tightly-wound production, with their silly lyrics and even sillier frontman bringing a perfect balance to what you want to see at a rock show. Closing with “Speaking in Tongues”, EODM walked off the stage at the Great American Music Hall knowing that they had accomplished what they came to do — to prove that rock ain’t dead. -Brett Ruffenach, photo by Mike Rosati

14. Florence + the Machine

Welch lapped around the inside ring of the bowl, stopping briefly at the sound stage. What a cool moment. -James Nagel, photo by James Nagel

13. Sturgill Simpson

Simpson has stage presence, that is without a doubt. The conviction of his voice bolsters his words as he describes a life of highs and lows, trials and tribulations. This was evident on renditions of songs like “Turtles All the Way Down”. If there is a song to capture your attention and convince you of Simpson’s talents as a songwriter, this is one of them. Just like that of his predecessors, he writes music that goes against the grain of popular country music. It may be defined as “outlaw country,” but I personally feel it is music that resonates with a wider audience than that of its counterparts. -Kory Thibeault, photo by Kory Thibeault

12. alt-J

The 2012 Mercury Prize winners echoed a semblance to that of Sigur Rós or Volcano Choir, leaving audience members entranced in a near-altered state while observing the foursome. The biggest fan responses erupted during the band’s singalong favorites “Breezeblocks”, “Fitzpleasure” and their token cover of Bill Withers’ “Lovely Day”. -Molly Kish, photo by Mike Rosati

11. Hot Chip

In recent years, only ever getting the chance to see the outfit in stripped-down DJ sets or as part of side projects/collaborations, the afternoon crowd full of die-hard, nu-disco fans were not disappointed as the UK dance veterans set the polo fields ablaze. Refraining from any slow builders, Hot Chip performed an hour-long set of career-spanning bangers, keeping the crowd moving with hit after hit, that seamlessly blended into one another. The set procured one of the most viral dance party moments of the festival, with the audience spiraling into a collective bliss as it came to a close. -Molly Kish, photo by Josh Herwitt

10. Dan Deacon

One of the toughest things to do in the world of electronic music is to sound organic, to imbue a sense of heart into the digitized nature of ones and zeroes. The Baltimore native accomplishes this through his hilarious and improvisational free-form, stand-up comedy, which thrives on wandering non sequiturs. And he mirrors this by adapting his insane-train of sound to meet and exceed the energy in the room. The “America” suite finished off the show with an extended doom metal quality that gave a sense that no aesthetic boundaries can contain Deacon’s sense of musical exploration. -Mike Frash, photo by Pedro Paredes

9. FKA twigs

British singer-songwriter Tahliah Debrett Barnett, better known as FKA twigs, has been all the rage lately after performing at Coachella in April, and she closed out FYF in style, donning an elaborate burgundy- and gold-colored robe for her Sunday night set. Just the week before, the 27-year-old fiancée of actor/musician Robert Pattinson released her brand-new EP M3LL155X, and with it receiving high marks from a number of music outlets, there were quite a few fans who stuck around after 11:30 p.m. on a “school night” to watch her perform some of them, including the opening track “Figure 8”, “In Time” and “Glass & Patron”. FKA twigs might be one of the most compelling live acts out there right now, and after scheduling Purity Ring to close out The Lawn the night before, FYF seemed to make a point of letting women rule that stage in the late-night hours this year. -Josh Herwitt, photo by Josh Herwitt

8. Empire of the Sun

As Steele belted out “Alive”, the hit single off the band’s sophomore studio album Ice on the Dune, to close things out, he brought the audience to a transcendent place of exhilaration. Crowd members embraced and danced amongst a like-minded family of people lost in the moment, even if it involved intergalactic creatures dancing in colored smoke and a crowned Emperor playing without his bandmate on stage. EOTS shows are a special kind of magic that regardless of the material’s absurd nature, translate into an experience unlike anything else. -Molly Kish, photo by Steve Carlson

7. My Morning Jacket

Though it was more than understandable to see the band play a large majority of The Waterfall for its first performance at the Santa Barbara Bowl in almost four years, there were plenty of other deep cuts mixed in over the next two hours, from “Bermuda Highway” to “Mahgeetah” to “Touch Me I’m Going to Scream Pt. 2”. After all, it’s no secret that My Morning Jacket have always been good to their most loyal and dedicated fans, and in once again taking song requests as part of their “Spontaneous Curation Series,” they made sure to dig up many of the classics from their seminal album Z, including “Wordless Chorus” and “Off the Record” one after the other in the middle of a loaded, four-song encore. -Josh Herwitt, photo by Josh Herwitt

6. Jamie xx

Throughout his tour, Smith has refused to compromise his individual style for the sake of appeasing either extreme of his now commercially hybrid audience. Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, his newfound post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the encore chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Other notable moments included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, bathed in the glowing sparkle of Smith’s staggeringly iridescent ceiling to floor disco ball and stage lights. -Molly Kish, photo by James Nagel

5. Elton John

The star-spangled legend sat at his majestic piano as the sun went down on Sunday and moved the crowd with his brilliant playing. The adoring audience hung on every word and joined in singing his most popular hits. Walking off stage quickly after his last song, the audience demanded more and Elton happily obliged. With rumors of Lion King songs being played at past performances, some doting fans wanted a second encore to the tune of “Circle of Life”. While he didn’t indulge the Lion King fans, his stellar performance was a perfect ending to an amazing weekend at Outside Lands, leaving everyone’s festival tank full of love. -Nik Crossman, photo by James Nagel

4. Father John Misty

Father John (Sassypants) Misty has his festival game on point, and he has progressed his I Love You, Honeybear songs into epic plateaus since premiering them in the Santa Cruz mountains last February. He spewed banter like an Stephen Colbert-esque contrarian, saying, “Look at these suckers with their hair blowing all over the place.” And as he approached the mic for more improv-snark later on, Tillman paused to say, “Sorry, I have nothing to say. Ha.” FJM was speechless for once, but granted, it might have been set up for “Bored in the USA”, a song that should be considered an American classic at this point. -Mike Frash, photo by Pedro Paredes

3. Kendrick Lamar

As Kendrick Lamar’s incredible performance began to wrap up with his newest single “Alright”, a group of fans in the crowd proceeded to lift someone up in a wheelchair, who, if I recall correctly, was the same guy who had his photo famously taken at Outside Lands in 2013. Kendrick took notice and called him out — his sense of sincere appreciation for a place like the Bay Area was written all over his face. -Brett Ruffenach, photo by Marc Fong

2. Caribou

Described by fellow musician Dan Deacon as “one of the most brilliant acts touring right now” just before their set, Caribou lived up to the hype. Starting with “Our Love”, the four-piece band led by Dan Snaith perfectly set the stage for the next hour — a series of tightly wound compositions that, as the song progresses, expand in rhythmic complexity before reaching a climax that will get even the most tired Sunday afternoon crowd moving. Heavily augmenting its live performances from its studio recordings, the band’s live rendition of “Jamelia” in particular was a highlight of the set. Caribou is a band not to be missed. -Brett Ruffenach, photo by Justin Yee

1. D’Angelo & The Vanguard

One of the most anticipated sets of the entire weekend was none other than D’Angelo’s — and for good reason. The R&B/neo-soul singer-songwriter hadn’t put out an album in 14 years until he suddenly dropped his 2014 masterpiece Black Messiah last December, so you knew that getting the rare opportunity to see Michael Eugene Archer work a crowd at FYF would be something special. Sounding more like a youthful James Brown than a wannabe Prince (we still don’t totally understand where those comparisons are coming from), D’Angelo and his eight-piece backing band The Vanguard took the audience for a ride as they doled out new and old hits. -Josh Herwitt, photo by Josh Herwitt

Filed Under: Best of, Best of 2015, Editor's Picks, Featured Tagged With: Allen Stone, Alt-J, Bad Religion, Battles, BØRNS, Beirut, Belle and Sebastian, Best of 2015, Big Grams, Billy Idol, Black Lips, Blonde Redhead, Broods, Built To Spill, Catfish and the Bottlemen, Chet Faker, Chromeo, City and Colour, Classixx, Cold War Kids, D'Angelo, D'Angelo and the Vanguard, dam-funk, Damien Rice, Dan Deacon, Death Cab For Cutie, Deerhunter, Dengue Fever, Django Django, Dr. Dog, Eagles of Death Metal, Edward Sharpe and the Magnetic Zeros, Empire of the Sun, Failure, Faith No More, Father John Misty, FKA twigs, Flight Facilities, Florence & the Machine, Glen Hansard, Goldroom, Gorgon City, Holly Herndon, Hot Chip, Interpol, Israel Nash, James Bay, Jamie xx, Jeff Tweedy, Jenny Lewis, JMSN, Jose Gonzalez, Jurassic 5, Kanye West, Kate Tempest, Kendrick Lamar, Kindness, King Tuff, Les Sins, Lord Huron, Lotus, Marina and the Diamonds, Miami Horror, Milky Chance, Modest Mouse, Morrissey, MS MR, My Morning Jacket, Natalie Prass, Neon Indian, Odesza, Of Montreal, Oneohtrix Point Never, Panda Bear, Penguin Prison, Phantogram, Portugal. The Man, Preservation Hall Jazz Band, Purity Ring, Puscifer, Ratatat, Royal Blood, San Fermin, Shlohmo, Slow Magic, SOHN, St. Paul and The Broken Bones, STRFKR, Sturgill Simpson, Sufjan Stevens, Surfer Blood, Talib Kweli, Tame Impala, Tennis, The Black Keys, The Chemical Brothers, The Flaming Lips, The Glitch Mob, The Jesus and Mary Chain, The Kills, Toro Y Moi, Tycho, Umphrey's McGee, Unknown Mortal Orchestra, Viet Cong, Vintage Trouble, Vulfpeck, Widespread Panic, YACHT

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2015

December 22, 2015 by The Bam Team 1 Comment

Caribou at The Fillmore // Showbams’ Photo of the Year, by Justin Yee

Ah, where did 2015 go? It felt like we were just ringing in a new year a couple months ago. But with another year in the rear-view mirror, it’s time to once again doll out our annual “Best of” lists. Much like we did in 2014, we heard a lot of music this year, whether it was at a show or at a festival, at work, on the bus or in our cars. From established headliners who continue to amaze us to emerging artists who rekindled our excitement for new music, our collective lives were filled with one musical memory after another over the past 12 months.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2015.

The 25 Best Live Music Acts of 2015

Listen to The Bam Team’s favorite songs of 2015:

Tycho at Lightning in a Bottle // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2015
1. Jack White at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 11th
There’s a reason why Mr. White was named our No. 1 live music act of 2014 around this time last year, and it’s not because he’s simply a guitar god. The Detroit native and former White Stripe is much more than that now, as he has proven with the kind of clever, genre-swirling songwriting that permeates his two solo albums Blunderbuss and Lazaretto. But witnessing White perform live almost feels like a musical right of passage in and of itself, reminding us that while inventive, mainstream rock ‘n’ roll may be harder to come by these days, it’s still far from dead. On this warm, spring night in the California desert, he imparted on us that “music is sacred” — not just with his words in between songs, but also with every ferverous note that he struck on his fret board. From the moment White appeared on the festival’s main stage, his 20-song, headlining set was bold and powerful, even if it would serve as one of his last shows for a while.

2. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – October 11th
3. Modest Mouse at Hollywood Forever – Los Angeles, CA – August 21st
4. Tycho at Lightning in a Bottle – Bradley, CA – May 24th
5. The War on Drugs at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th

Top 5 Albums of 2015
1. My Morning Jacket – The Waterfall
When My Morning Jacket announced that they would be releasing a new studio LP in May after nearly a four-year layoff, their longest between albums since forming in the late 90’s, I wasn’t sure if they could top what they had devised on 2011’s Circuital. But these Louisville rockers, rather, did just that, putting together a flawless record that opens with the inspiring “Believe (Nobody Knows)” and concludes with the gloomy, yet poignant “Only Memories Remain”. In between it all, frontman Jim James continues to build off his 2013 solo album, showing what a thoughtful songwriter he has become — knowing when to step on the gas pedal and when to ease off of it. With an already impressive catalog highlighted by 2005’s Z, it’s hard to definitively say that The Waterfall has taken over the throne as MMJ’s best album now, but there’s no doubt it belongs in the conversation.

2. Father John Misty – I Love You, Honeybear
3. Silversun Pickups – Better Nature
4. Jamie xx – In Colour
5. Tame Impala – Currents

Top 5 Songs of 2015
1. My Morning Jacket – “Tropics (Erase Traces)”
It’s only fitting that my favorite album of the year also boasts my favorite song of the year. The penultimate track on My Morning Jacket’s The Waterfall is an absolute rocker that gradually builds from the opening, Led Zeppelin-esque guitar lick before peaking midway through for a chilling finish. There might not be a better example in MMJ’s catalog that demonstrates how well Jim James and Carl Broemel play off each other, and if the two guitarists haven’t already, then they’ve certainly cemented themselves as one of rock’s best one-two punches by now.

2. The Weeknd – “The Hills”
3. Modest Mouse – “The Ground Walks, With Time in a Box”
4. Battles – “The Yabba”
5. Tame Impala – “The Less I Know the Better”

The Chemical Brothers at The Armory // Photo by Justin Yee

Molly Kish // San Francisco

Top 5 Shows of 2015
1. Jamie xx at Bimbo’s 365 Club – San Francisco, CA – July 31st
Whereas those familiar with his early XL Records mixtapes were satiated by his intermingling of Gil Scott-Heron and Idris Muhammad samples between hits, Jamie xx’s newfound, post-In Colour fans experienced equally breathtaking moments with the crowd hitting peak energy levels during the chorus of “Loud Places” amidst the glow of a warped-speed, neon-green strobe light. Another notable moment included the near-religious choral drop of “Gosh” that escalated the packed house to spiritual levels of enthusiasm, all while bathed in the glowing sparkle of Jamie Smith’s staggeringly iridescent, ceiling-to-floor disco ball and stage lights.

2. The Chemical Brothers at The Armory – San Francisco, CA – November 30th
3. Kate Tempest at The Independent – San Francisco, CA – May 20th
4. Kishi Bashi at Palace of Fine Arts Theatre – San Francisco, CA – January 30th
5. Caribou at The Fillmore – San Francisco, CA – March 1st

Top 5 Albums of 2015
1. Jamie xx – In Colour
Acclaimed London-based producer and half of electronic powerhouse The xx, Jamie Smith (aka Jamie xx) broke the mold this past year with his stunning solo debut In Colour. Earning top accolades within the music industry, including a 2015 Mercury Prize nomination and a Grammy nomination for “Best Electronic/Dance Album”, In Colour featured both individually conceptualized strokes of production ingenuity as well as many of the biggest contemporary-crossover hits this year. Smith explored his dubstep, house, garage and trip-hop influences on In Colour to deliver a genre-spanning masterpiece, highlighting his illustrious career as an electronic composer while setting the standard for the current and future state of EDM.

2. Kendrick Lamar – To Pimp a Butterfly
3. Tame Impala – Currents
4. The Weeknd – Beauty Behind the Madness
5. Lord Huron – Strange Trails

Top 5 Songs of 2015
1. Jamie xx – “Loud Places”
As part of a track list that included some of 2015’s most groundbreaking and genre-defining hits, “Loud Places” holds its own as a standout cut on Jamie xx’s monumental solo debut In Colour. It comes in toward the latter half of the UK producer’s LP and enlists the gorgeously haunting vocals of Romy Madley Croft, one of Jamie Smith’s partners in The xx and a longtime collaborator of his. Amid a packed roster of acclaimed vocalists, emcees and iconic samples, Croft’s contributions, while paired with a full choir, help manifest the lyrical content of the song while evoking a near-religious experience for its listener.

2. Tame Impala – “Let It Happen”
3. Robyn – “Love Is Free”
4. Kendrick Lamar – “King Kunta”
5. FKA twigs – “In Time”

Tame Impala at Outside Lands Music and Arts Festival // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2015
1. Four Tet b2b Floating Points at Public Works SF – San Francisco, CA – May 3rd
Sparked by their set at Plastic Peoples in London earlier in the year — a set, coincidentally, that was named “Best of the Year” by THUMP a few days ago — SF’s own DJ Dials was kind enough to bring Kerian Hebden and Sam Shepherd, better known as Four Tet and Floating Points, to Public Works last May. Starting early in the evening, the two well-established English producers put on a scorching, non-stop, six-hour, vinyl-only DJ set. Kicking off the evening with over an hour of early-70’s Brazilian samba and steadily moving from there to all forms of funk, big band, soul, jazz and of course their own eclectic catalog of music, the two DJs seamlessly moved between tracks, bringing up and down the energy at just the right point to keep you guessing what’s going to happen next. After dozens and dozens of shows and DJ sets this year, I always keep thinking back to this one because it wasn’t only a chance to see an artist I like play their music — it was a chance to see two artists I like play the music that they love, and do it on an absolutely killer sound system.

2. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
3. Tame Impala at Outside Lands Music and Arts Festival – San Francisco, CA – August 8th
4. Jamie xx “In Colour” album release show at Church of St John-at-Hackney – London, England – July 16th
5. Nicolas Jaar at Symbiosis Gathering – Oakdale, CA – September 19th

Top 5 Albums of 2015
1. Kendrick Lamar – To Pimp a Butterfly
Kendrick wins. No contest. At this point, there’s nothing I can say that will be new or not already over-analyzed by the blogosphere over TPAB. All I can say is that TPAB is one of those rap albums that, just like Kanye West’s My Beautiful Dark Twisted Fantasy in 2010, expanded my understanding of what a rap album can be. From the very start you hear Lamar’s voice in the genius, FlyLo-produced “Wesley’s Theory” — a track that I think is among the greatest album openers ever — to the closing conversation with 2Pac in Mortal Man, TPAB is among the most ambitious and thoroughly conceptualized productions I have had the pleasure of hearing (and seeing) in my life.

2. Tame Impala – Currents
3. Nicolas Jaar – Nymphs I-IV
4. Jamie xx – In Colour
5. Beach House – Depression Cherry

Top 5 Songs of 2015
1. Pumarosa – “Priestess”
“Priestess” is a seven-minute, punk-meets-disco dance party that starts as an observation and ends as a declaration. Its declaration? To dance. Its lyrics (for instance: “Cut from clay and stone / Electricity flows through your spine and shoulders/In the night when we’re alone”), its visceral rhythm and undeniably entrancing, three-minute instrumental closing out the track (DAT SAX) are what make it an easy choice for my favorite of the year. In a culture engulfed in consumerism, celebrity and over-consumption, “Priestess” reminds us all that dancing is free. Dancing can be a protest. Dancing can be a celebration. Dancing is whatever you make of it. “Priestess” is a track that reaches into your soul and forces you to do one simple thing: dance. That’s something we all need in our lives every once and a while.

2. Kendrick Lamar – “Wesley’s Theory”
3. Jamie xx – “Gosh”
4. Tame Impala – “Eventually”
5. Nicolas Jaar – “Swim”

High Sierra Music Festival 2015 - The String Cheese Incident

The String Cheese Incident at High Sierra Music Festival 2015 // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2015
1. Greensky Bluegrass at The Independent – San Francisco, CA – November 1st
Many bands get bigger and play bigger shows. Every now and then, you get to see them in a smaller venue with a more “intimate” feel. This was that show. Following a crazy night at the Fox Theater Oakland celebrating Halloween, the band crossed the Bay Bridge to play a birthday show for its dobro player Anders Beck at The Independent. It was a “Greatest Hits” setlist of all the songs I loved the most: past, present and future. The show was definitely intimate and filled with energy, and Greensky ended the night with some acoustic tunes. I think it says a lot about a band that can pack a big venue and then play a smaller venue and still the heat. This is my favorite band these days. They are consistently great and just too much fun.

2. String Cheese Incident at High Sierra Music Festival – Quincy, CA – July 3rd
3. The Sam Chase at High Sierra Sierra Music Festival – Quincy, CA – July 3rd
4. Jeff Austin Band at Great American Music Hall – San Francisco, CA – April 26th
5. The Devil Makes Three at Fox Theater Oakland – Oakland, CA – February 3rd

Top 5 Albums of 2015
1. Della Mae – Della Mae
These girls are damn talented as much as they are cute. I stumbled upon these five girls from Nashville while at The Chapel a few years back, and they were just damn good. Then, I heard that they were nominated for a Grammy and only beaten by the legendary Del McCoury Band. These ladies can pick and tick and get the crowd jumping. For Della Mae, powerful songs and epic throw-down jams are just par for the course. This album was Kickstarter-funded, which I was happy to contribute to, and continues the revival of bluegrass for the younger generation and modernizing the sound with the energy of youth. I find myself playing this album more and more each day from start to end — it’s just that good.

2. The Dustbowl Revival – With a Lamp Shade On
3. Father John Misty – I Love You, Honeybear
4. Nicki Bluhm and the Gramblers – Loved Wild Lost
5. Jackie Greene – Back to Birth

Top 5 Songs of 2015
1. Jackie Greene – “A Face Among the Crowd”
I have been a Jackie Greene fan since I moved to SF almost 10 years ago. This song I heard a number of years ago when Greene was uploading hotel room solo tracks on the road. This song was put up on Father’s Day for Greene’s dad and was a touching song. Creepily sitting in a hotel room, you can feel the emotion. Hearing it on a record in my home is just heaven. After some of those really tough days in life, I come home, put this song on while listening on my best pair of headphones and zone out — let all the crap from the day that doesn’t mean shit just fade away. This song does that for me, and as a music lover, finding this type of song is like finding gold on the street.

2. The Dustbowl Revival – “Standing Next to Me”
3. The California Honeydrops – “When It Was Wrong”
4. Father John Misty – “I Went to the Store One Day”
5. Nicki Bluhm & The Gramblers – “Mr. Saturday Night”

Father John Misty at Treasure Island Music Festival 2015 // Photo by Marc Fong

Andrew Pohl // San Francisco

Top 5 Shows of 2015
1. Father John Misty at Treasure Island Music Festival – San Francisco, CA – October 18th
Of all of the performers on Day 2 at the festival, Father John Misty held my attention the most. A stellar performance, hitting all of the right points, which gave me good reason to believe that he may in fact be one of the best frontmen of the last 10 years.

2. Hum at Slim’s – San Francisco, CA – September 18th
3. Fat Wreck Chords 25th Anniversary at Thee Parkside – San Francisco, CA – Aug 22nd & 23rd
4. Refused at Great American Music Hall – San Francisco, CA – May 28th
5. alt-J at Greek Theatre – Berkeley, CA – April 16th

Top 5 Albums of 2015
1. Tame Impala – Currents
From top to bottom, this is an album that I can listen to over and over without feeling burnt out (and believe me, I have). I appreciate the fact that on this album, they steer clear of too much “jam” and keep it straight forward. I can’t help but move my feet when I hear some of the tracks on Currents.

2. Kendrick Lamar – To Pimp a Butterfly
3. Failure – The Heart Is a Monster
4. Father John Misty – I Love You, Honeybear
5. God Is an Astronaut – Helios/Erebus

Top 5 Songs of 2015
1. Tame Impala – “The Less I Know the Better”
From the first time I heard this track, I knew it was the best song of the year. Infectious as hell, you cannot stop your body from getting into that groove.

2. Grimes – “Kill V. Maim”
3. Father John Misty – “Bored in the USA”
4. The Velvet Teen – “All Is Illusory”
5. Viet Cong – “Continental Shelf”

Viet Cong at Rickshaw Stop // Photo by Diana Cordero

Kevin Quandt // San Francisco

Top 5 Shows of 2015
1. Viet Cong at Rickshaw Stop – San Francisco, CA – March 5th
Viet Cong were easily one of the most brilliant bands in 2015 as they shook up South by Southwest (even when their drummer had a broken arm), generally not caring about the whole band-name fiasco and releasing a stellar debut LP. The brooding studio work from this Canadian outfit turned out to be way more accessible on the live stage as bassist/singer Matt Flegel bounced between playful banter and pile-driving post-punk.

2. Caribou at The Fillmore – San Francisco, CA – March 1st
3. Todd Terje (Live) at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 10th
4. Kendrick Lamar at Fox Theater Oakland – Oakland, CA – November 10th
5. BADBADNOTGOOD at FYF Fest – Los Angeles, CA – August 22

Top 5 Albums of 2015
1. Kendrick Lamar – To Pimp a Butterfly
No surprises here, as truly this was objectively the best album of the year. With expectations high from his growing fan base, Lamar delivered an LP that had it all: crushing singles, a bold concept and a clear message. The smorgasbord of genres and vibes TPAB lays out for the listener further shows that K-Dot’s bag of tricks has no end in sight.

2. Protomartyr – The Agent Intellect
3. DJ Paypal – Sold Out
4. Tame Impala – Currents
5. Archy Marshall – A New Place to Drown

Top 5 Songs of 2015
1. Tame Impala – “Let It Happen”
This track was our first taste of Currents, and it got fans salivating in no time. “Let It Happen” was the perfect amuse-bouche with Kevin Parker’s vision shifting a bit toward synths over his trusty Rickenbacker guitar, which slightly became the resounding chatter behind the LP. Oh yeah, and there was the “record skip” in the middle of the track that we all went mental over.

2. Ought – “Beautiful Blue Sky”
3. The Weeknd – “Can’t Feel My Face”
4. DJ Spinn – “Dubby” (feat. DJ Rashad & Danny Brown)
5. Deerhunter – “Snakeskin”

Filed Under: Best of, Best of 2015, Editor's Picks, Featured Tagged With: Archy Marshall, BADBADNOTGOOD, Best of 2015, Caribou, Coachella, Coachella 2015, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2015, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2015, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2015, Deerhunter, Della Mae, DJ Paypal, DJ Spinn & DJ Taso, Father John Misty, FKA twigs, Fox Theater Oakland, FYF Fest, FYF Fest 2015, Great American Music Hall, Greensky Bluegrass, High Sierra Music Festival, High Sierra Music Festival 2015, Hollywood Forever, Jack White, Jamie xx, Jeff Austin Band, Kendrick Lamar, Kishi Bashi, Lightning in a Bottle, Lord Huron, Modest Mouse, My Morning Jacket, Nicki Bluhm & The Gramblers, Nicolas Jaar, Ought, Outside Lands 2015, Outside Lands Music Festival, Outside Lands Music Festival 2015, Palace of Fine Arts Theatre, Protomartyr, Rickshaw Stop, Robyn, Santa Barbara Bowl, Silversun Pickups, String Cheese Incident, Symbiosis Gathering, Symbiosis Gathering 2015, Tame Impala, The California Honeydrops, The Chemical Brothers, The Dustbowl Revival, The Fillmore, The Independent, The Weeknd, Todd Terje, Todd Terje and the Olsens, Viet Cong

Fruit Bats are back together and hitting the road this fall on My Morning Jacket’s latest U.S. tour

October 9, 2015 by Josh Herwitt 1 Comment

Photos by Annie Beedy // Written by Josh Herwitt //

Since their early beginnings in Louisville, My Morning Jacket have toed the line between the indie and jam worlds better than any other rock ‘n’ roll band out there. But they’re also now partially responsible for reviving an early pioneer of the post-millennial, folk-rock boom that stormed the U.S. music industry more than a decade ago.

Conceived by Eric Johnson while working as an instructor at The Old Town School of Folk Music in his native Chicago, Fruit Bats first served as an outlet for the 39-year-old singer-songwriter to experiment writing songs with his 4-track recording device.

“My ultimate goal was to play the local club on a Tuesday night,” Johnson tells me by phone. “I was coming from this very shrewd indie-rock era. My goal was just to have a couple people hear it, and I didn’t even think that would happen.”

Johnson, nevertheless, would go on to befriend James Mercer of The Shins and Isaac Brock of Modest Mouse while touring as a member of Califone, gaining the support of both bands before signing Fruit Bats to Sub Pop Records in 2002 and releasing a new LP on the Seattle label the following year.

“It took going on tour and seeing those guys do well to realize it doesn’t take magic,” Johnson says with regard to the role The Shins and Modest Mouse played in helping Fruit Bats reach a wider audience during the early 2000’s. “You get to see how the wheels start to turn and how it can work.”

Fruit Bats subsequently released three more studio albums on Sub Pop, with Johnson joining The Shins during part of that time as a multi-instrumentalist. But more than two years after putting the final touches on the band’s last full length Tripper, Johnson announced that Fruit Bats would be no more. He was set on taking his career solo, and if that meant calling it quits on the band he founded and led for more than 15 years, then that’s what he had to do.

It was a decision that Johnson still doesn’t regret making now almost two years later, largely because it has completely flipped his perspective on playing in a band, something he started to miss as a solo artist. And after much thought, he came up with a “new” concept for a band, only to realize that it was exactly what Fruit Bats had been all along.

“I formulated this whole plan in my head that seemed like such a great idea, and when I looked at it all on paper, I said, ‘I did that already,'” he says.

Around this same time, My Morning Jacket came calling, asking Johnson if he wanted to open for them as a solo act over a two-week stretch — starting on Sunday at the Santa Barbara Bowl and continuing Tuesday in Los Angeles at the Shrine Auditorium before hitting San Francisco for three straight nights at The Masonic a couple days later — on their current U.S. tour.

“My Morning Jacket asked if I wanted to do the tour and open solo,” he says. “I thought, ‘That would suck to open solo for those guys.’ I felt like I would be swallowed up by those rooms.”

So, rather than turning them down, Johnson proposed another idea.

“I asked them, ‘What if I reunited Fruit Bats for these shows?'” he says. “And they were like, ‘That would rule! That would be awesome!’ So, I got the My Morning Jacket seal of approval.”

Shortly thereafter, Johnson wrote on the band’s Twitter page that he would be performing as Fruit Bats again, but the accomplished film scorer (his credentials include working on “Our Idiot Brother” in 2011 and “Smashed” in 2012) would also reveal two months later that he had begun writing the band’s next album, which is slated for release in early 2016.

Still, after 16 years fronting Fruit Bats, he never expected that he would be taking the band on the road as an opener.

“I don’t do opening tours ever,” says Johnson, who splits his time between Portland, where he now calls home, and LA, where he’s currently recording the latest Fruit Bats album. “I’ve said ‘No’ to a lot of them because it’s hard. It’s a bus-chasing tour as they call it.”

But opening for My Morning Jacket, even with the prospect of doing it while traveling from state to state on a bus, was an opportunity that Johnson, whom has been friends with Jim James for a number of years now, couldn’t pass up when the offer was presented to him.

“My Morning Jacket would be on the very short list of people I would chase around because talk about one of the great rock ‘n’ roll bands of our time that is making super relevant and timeless music,” he says. “It seemed like a no-brainer. If you want to talk about a big band with that reach that I would want to get in front of, they’re definitely one of them.”

From California to Arizona to Texas, Fruit Bats will take on some fairly large venues this month, even if it means doing it as an opener despite having been around the block like Johnson has by now.

“It can be a pretty thankless gig,” he says when it comes to opening shows.

If there’s one thing Johnson can be thankful for though, it’s that phone call he got earlier this year from My Morning Jacket.

Filed Under: Editor's Picks, Featured, Interviews, Live Music Previews Tagged With: Califone, Fruit Bats, Modest Mouse, My Morning Jacket, Santa Barbara Bowl, Shrine Auditorium, The Masonic, The Shins

Cold War Kids are finally getting the respect they deserve

August 18, 2015 by Josh Herwitt Leave a Comment

By Josh Herwitt //

Sound in Focus: Cold War Kids with Other Lives //
Annenberg Space for Photography – Los Angeles
August 15th, 2015 //

Back in 2004 while attending Biola University, a private, evangelical Christian liberal arts college in Southern California, Nathan Willett and Matt Maust met at a friend’s apartment above an Italian restaurant called Mulberry Street Ristorante in Fullerton, Calif. It was there that Maust, influenced by his travels in Eastern Europe, would come up with the name for the band that he would soon start with Willett. Considering both were ones themselves, the name “Cold War Kids” quickly stuck, and it wasn’t long after that they were relocating to Whittier, Calif., to record their first demo.

Now a decade later, with five full-length albums and a handful of EPs (including their debut Mulberry Street) under their belt, Cold War Kids — even with Willett (vocals, piano, guitar, percussion) and Maust (bass) standing as the only two remaining founding members — are finally getting the respect they deserve. Their latest single “First” from 2014’s Hold My Home has become the band’s highest charting single to date, peaking at No. 5 on the Billboard Alternative Songs chart, and there’s a good chance that you probably heard it this past spring if you saw any previews for Cameron Crowe’s latest film “Aloha”. Riding that recent wave of popularity, the quintet has continued to grow its fan base thanks to some high-profile festival performances this summer at Lollapalooza and Outside Lands (read our review of the festival here). So, needless to say, things are at an all-time high for these Cold War Kids right now.

But like most bands, Cold War Kids have also faced their own set of challenges along the way. While they moved around Southern California before making Long Beach their official home in 2008, they’ve endured some lineup changes along the way, too. One of them came in 2012 with the departure of founding member and lead guitarist Jonnie Russell, whose apartment served as the original meeting place where the band was first conceived. The other came a year later, when drummer Matt Aveiro left the group before eventually joining LA alt-rock outfit Bootstraps.

Willett and Maust, nonetheless, did one hell of a job in finding their replacements. They went after two former Modest Mouse members in guitarist Dann Gallucci, who also served as the band’s live sound engineer during Russell’s final three years, and drummer Joe Plummer, who also plays in The Shins and just released his first solo album Built in Sun less than two weeks ago. Consequently, it’s created a winning formula, with Cold War Kids sounding better live than they ever have before.

Ringing in the final performance of Sound in Focus, a summer concert series presented by the Annenberg Foundation and KCRW that also featured free-to-the-public performances by TV on the Radio, De La Soul and Dwight Yoakam over the past four weeks, Cold War Kids ripped off 19 songs for an all-ages audience with a mix of fans and families in attendance. The group, of course, has never shied away from showcasing its biggest hits live, and longtime crowd favorites such as “We Used to Vacation” and “Hang Me Up to Dry” came relatively early in its set. But much of Cold War Kids’ newest material from Hold My Home, tracks like slow burner “Harold Bloom”, the symphonic “Nights & Weekends” (the band has been playing live with a pair of backup string players and backup vocalists now, too) and the ska-punk vibe of “Hot Coals”, exuded their own unique energy.

When I caught Cold War Kids back in mid-November at the brand-new Regent Theater (read our venue review here) in downtown LA, it had been only a month since Hold My Home had come out. With the band supporting the album on tour over the last 10 months though, it’s not a surprise to see it operating like a well-oiled machine at this point. Even so, Cold War Kids have never been afraid to switch things up, much like they did during their two-song encore, which started off with a cover of John Lennon’s 1970 single “Well Well Well” and concluded with the irreverent “Saint John” from 2006’s Robbers & Cowards, the album that ultimately put the ball in motion for Willett and Maust. And as that ball continues to roll on now, there’s no telling when it will slow down for these hometown heroes.

Setlist:
Miracle Mile
Minimum Day
We Used to Vacation
Audience
Louder Than Ever
One Song at a Time
Loner Phase
Hang Me Up to Dry
Harold Bloom
Tuxedos
All This Could Be Yours
Drive Desperate
Nights & Weekends
Hot Coals
First
Hospital Beds
Something Is Not Right With Me